You know I'm in pain, you know you can help relieve it, still you actively withhold, you withhold in case it compromises your moral compass?Two strangers meet in a hotel bar for the first time under false pretences. Flattery, adulation and mutual admiration allows their friendship to kindle as the night progresses. As these disparate and opposing characters joust and jostle for the upper-hand, tensions build and the power dynamic continually shifts, resulting in history coming to the forefront and unknown feelings rising to the surface, with surprising consequences. Leopards is Alys Metcalf's debut play and is published to coincide with the world premiere at Rose Theatre, Kingston, in September 2021.
In an alternate Ireland, the politicians are young and the Government is seemingly left-leaning. The Health and Wellness Act, hurriedly signed into law just one year ago, has made it illegal to possess or consume unhealthy food or 'junk'. Recent polls suggest support for 'Junk Advocates', a term coined for people who openly acquire and consume illegal foods in protest, is rapidly rising. So when popular 'Junk Advocate' Lila Birch goes missing under suspicious circumstances, the public are outraged and her sister Eadie's world is upended. When Eadie sees an opportunity to get close to high ranking Government officials, she takes it. Can she find out what happened to her sister or will the same fate befall her?Aftertaste is a new play by Ciara Elizabeth Smyth that offers a theatrical exploration into a world full of violence, greed and food.
Was the juice worth the squeeze?Just when Mika was starting to feel at home in their own body, they find themselves caught between Simmi who's sweet like sugar but ain't a lesbian and Token Toni who loves a bitta bashment and only dates black and brown butches. How can they catch a break when straight women are like junk food?In Mika Onyx Johnson's Edinburgh Fringe 2019 smash hit Pink Lemonade, original beats collide with poetry and movement to create an explosive autobiographical piece of storytelling. This edition is published to coincide with its transfer to the Bush Theatre, London in September 2021.
This is a story that is true for us, you, thousands of others across the world moving across the globe and thousands of others waiting to receive them. It is a story. It's not necessarily ours. It is not necessarily yours. But it is true.Melding lived experience with creative theatre-making, refugees Mo and Hossein share stories - both personal and global - that explore the very different journeys taken by unaccompanied minors as they leave their home countries in search of sanctuary. Honest, reflective, challenging and funny, the young performers - both long-standing participants in Leeds Playhouse's Theatre of Sanctuary programme - combine moments of dream-like wonder with unflinching fact sharing, drawing the audience into a direct dialogue and asking them to consider what life is really like for children fleeing danger and seeking a new home in the UK. This edition was published to coincide with the world premiere at Leeds Playhouse in September 2021.
Being a woman is blood and gutsIt's intestineFuck florals and ballgownsIt's ballsIt's livers and kidneys and puke and mucusRipping and tearing and shreddingRed stain on linen beddingIt's sheddingJaz is in her second year at drama school. Jaz is tired of performing. Hence her conundrum. But when she stumbles across a piece of forgotten history - her life is changed forever.What does it mean to find yourself? Especially when it seems the world you live in is diametrically set against you doing just that?Set against the sprawling backdrop of urban London across centuries, curious is a frank, funny and moving excavation of the lives of two actresses who are young, Black, queer and trying to find out who they are. It is written and performed by Jasmine Lee-Jones, the winner of Evening Standard Award 2019 and Critics' Circle Theatre Award for Most Promising Playwright for her play seven methods of killing kylie jenner.
In a once-great Scottish town, a massive redevelopment project promises to bring money, jobs and new prospects to its forgotten population. However, when Dr Kirsten Stockmann discovers a dangerous secret, she knows she must bring the truth to light - no matter the cost.A provocative and timely drama about corruption, politics and the media, The Enemy is a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People, written by award-winning playwright Kieran Hurley.This edition was published to coincide with its National Theatre of Scotland production in October 2021.
Set amongst the vibrant, intense cacophony of North West London, NW Trilogy is a collection of three vivid stories, told over one performance, that remember and celebrate people who changed the course of history. The personal is political in these soulful explorations of what it means to be part of one of the most dynamic communities in the world.First, we reel to a dance hall in 'County Kilburn' in Moira Buffini's Dance Floor where the Guinness flows, the music never stops and for homesick Aoife, there's far more at stake than a dance.In Roy Williams' bittersweet Life of Riley, Paulette is on a journey to connect with her estranged father Riley, a reggae musician once part of the influential Trojan Records scene, who can't seem to let go of the past.And, Suhayla El-Bushra's Waking/Walking introduces us to Anjali, a wife, mother and newly arrived migrant following Idi Amin's expulsion of the Asian minority from Uganda, who is torn between not making a fuss and seizing her moment to take a stand as the Grunwick dispute unfolds.NW Trilogy is powerful, funny and epic and shows us how we can change the world from our doorstep.This edition was published to coincide with the world premiere as NW Trilogy at Kiln Theatre, London, in August 2021.
Lads, when it comes to your time for pickin' women, you're not going to have my kind of luck. The best one is taken.All Julia and John want is to live their lives with their two sons, on their own terms. But despite their hopes, the outside world and its racism puts paid to their plans. A world premiere of a new play from Rosaleen McDonagh, this tender, complex and beautiful love story examines how external circumstances pull us apart, when all we really want is to be together.This edition was published to coincide with the world premiere at Abbey Theatre, Dublin, in August 2021
'Football is all very well as a game for Rough Girls but it is hardly suitable for delicate boys.' Oscar Wilde The making of Belfast's first all-female football team.This is the untold story of the Belfast women who stepped onto a pitch in society-shocking shorts and footie boots, a ball at their feet and a point to prove. They were the suffragettes of soccer. Rebels with a ball, who kept kicking their way through the outraged defence of a male-dominated game to raise thousands for those returning from war. Set in Belfast 1917 - 1921 in a city divided by war but still united by sport, the play chronicles the courage and determination of those girls.This original Belfast story based on true events will resonate with the history of the city and chime with the recent equality movements across the sports industry and the cultural sector. This ambitious, large-scale play features an impressive eleven strong female ensemble with live music creating the heartbeat of the city at the time. This edition was published to coincide with the world premiere at Belfast's Lyric Theatre in September 2021.
Do algorithms and machine learning set us free, or trap us forever? Roger hates technology, but when his daughter gives him an Isla device for Lockdown 2020, he finds himself opening up to the virtual assistant device. What happens when the only fulfilling relationship you have is with a digital slave? Isla asks what are the costs and benefits of machine learning...and do we want the AIs to learn from us? This edition was published to coincide with the world premiere at Theatre Clwyd, in association with the Royal Court in October 2021.
Nominated for the 2022 Olivier Award for Outstanding Achievement in Affiliate TheatreOne man's spiritual journey is about to begin. after he's sent this tweetWhen Yasser decides to take part in itikaf, sleeping and fasting in the mosque for the last ten nights of Ramadan, he soon regrets his decision. But as he navigates smug worshippers, shared bathrooms, and recurring thoughts of chunky chips, Yasser's isolation forces him to confront a side of himself he's been trying to keep hidden.A moving and funny new play by Shahid Iqbal Khan, 10 Nights is the story of one man's journey of self-discovery and facing the consequences of your actions.
Shortlisted for the Writers' Guild of Great Britain's "Best Play for Young Audiences" Award (2022)"Don't you ever get sick of it?" "Being the only one?" "Yeah. Being the Ambassador of Blackness?" Abeni is new to college. She's putting purple braids in Jasmine's hair and giving her 'the talk', opening Jasmine's mind to new ways of seeing the world - and the world seeing both of them. A new play by Olivia Hannah, about fitting in and standing out. Featured as part of BBC Arts Light Up Festival and played on BBC Radio, Braids was longlisted for the Alfred Fagon Award 2018 and shortlisted for the Writers' Guild of Great Britain 2022 award for Best Play for Young Audiences. "Not that I'm saying I know more about you than you do, I'm not saying, that's not what I'm saying, like, at all! Just that I do know you better than maybe you know yourself."Will and Bean have been friends forever. ?But they're not kids anymore and the adult world is a scary place. In a tent in County Durham, a Duke of Edinburgh Award trip becomes more complicated than either of them planned. Cheer Up Slug is a new play by Tamsin Daisy Rees, about boundaries and behaviour.This double-edition of debut plays by North-East based writers was published to coincide with the premiere at Live Theatre in October 2021.
"It's not just the choiceIt's never just the choiceChoice is a fairytale."Tattoos are forever. Almost. And at Noodle Soup Tattoo there are strict rules: No names unless they're dead. Nothing on the face. Nothing you might get sued for later.When Jodie, a rough sleeper, asks for a free tattoo from apprentice Kit, her request is well within the guidelines. But Kit is still unsure, because they know only too well that getting inked isn't the only decision that stays with you for the rest of your life.Albatross is a small but sweeping story about the past refusing to stay in the past. It was originally commissioned by Plaines Plough in collaboration with Royal Welsh College of Music and Drama, and is published here to coincide with its production at the Playground Theatre, London in October 2021.
In Salford alone, 34,000 children are caring for someone.Adapted from real-life testimonies, this bold and pertinent piece of documentary theatre examines our failing care system, the impact of austerity and what happens when a child becomes the parent.Jade, Connor and Nicole all care for parents and siblings. They must juggle school and homework with caring for family members, making appointments, collecting prescriptions and running the home. Their hidden lives of caring have impacted their education, social life and health. Their testimonies are woven together, alongside those of social workers and parents, in this hard-hitting play. "It's tear-jerking throughout - accidents, abuse, disability, depression and suicide, all born on the backs of teenagers - and infuriating, too. Woodhead's script, filleted from interviews with real people who really faced these issues, points the finger squarely at austerity and its crippling effects on local councils and the services they can provide." (The Stage)A gripping verbatim theatre production based on a year of interviews that offers a rare insight into a year in the lives of young carers.
We just wait. Old light. And new light. We just wait. For each other, patiently wait.Patient Light follows a day in the life of a young person in Peterborough and how their vision of the future is blinded by carrying the weight of the world on their shoulders. It concerns the everyday, mundane things that we carry in our head and rarely, if ever, say out loud. Presented as a stream of consciousness, the play examines our need for aspiration, and how to use the world's frustrations to your advantage. This edition was published to coincide with the production by Eastern Angels in October 2021.
"When Ann joins Sophie's running club she's thrown into a world of regimented training and pure focus. The two girls couldn't be more different, but soon their shared passion makes them inseparable - dreaming in lanes and lap-times, waking up picturing Olympic medals, each day stronger and faster... But set head to head in the run up to the World Championships, they find themselves and their friendship put to the ultimate test. As their relationships, their bodies and their very identities are pulled into public scrutiny, does being exceptional come at too high a price? A gripping exploration of the underside of women's athletics, Fair Play is the new work from Ella Road (The Phlebotomist) - 'the most promising young playwright in Britain' (The Telegraph). This edition was published to coincide with the world premiere at Bush Theatre, London, in December 2021."--Publisher's description.
An award-winning, tender exploration of questioning authority, suspending shame through intimacy, and very bad advice.
Dry Swallow explores surrogacy, consumption, and substance abuse, while provoking the question: who's allowed a healthy life?
It's harder to kill people when there's a peace process on.Ulster Loyalist Alan Black is kept awake every night by his neighbour McCorrick's dog barking. To add to his difficulties, McCorrick refuses to acknowledge that he even owns a dog, let alone one that is creating a disturbance.In a Northern Ireland he barely recognises, where politics has proved just to be the continuation of war by other means, a disconsolate Alan sets out to rid himself of the incessant noise. As he seeks help from authority figures, he finally - as a very last resort - turns to the only voice he can really trust, Eamonn Holmes.Coinciding with the 100th anniversary of the partition of Ireland and the foundation of Northern Ireland, Yes So I Said Yes is a blackly comic, ferocious, dystopian satire about what it's like to feel alone in a place where everyone else is conspiring to erase you and your history.This edition was published to coincide with the production at London's Finborough Theatre in November 2021.
In a desperate attempt to bring some spark back to their all-too-cosy married life, professional millennials Michael and Phil switch a sherry on the couch for a night on the town. Their goal: to get in with Generation Z by trying to get off with one.Enter fit, sexy, confident Quasim. But the 'just for one night' adventure brings shocking revelations as Michael and Phil discover more about the 20-year-old boy in their bed than they ever wanted to know, and their suburban dream is shaken to its core.Following the sold out runs of critical hits Undetectable (nominated for 3 Off West End Awards) and My Dad's Gap Year (nominated for 4 Off West End Awards), Tom Wright's darkly comedic and wildly sexy new play is his most provocative show to date.
In October 1921, a delegation of the Dáil left by boat and train for London, where they were to negotiate with the British government for peace, unity and a republic. They came back with just one of those; and that peace didn't last long, as war with Britain was replaced by war with their own. Were the Irish outclassed or outgunned? Were they lied to? Did they lie to their own colleagues back in Dublin? Or did they achieve the best that could be achieved, an incremental step on the way to fuller sovereignty?The Treaty tells the story of what happened inside those negotiations, as Arthur Griffith, Michael Collins and colleagues faced off against one of the most formidable negotiating teams ever assembled, headed by David Lloyd George and with Winston Churchill often at his side. This edition is published to coincide with Fishamble's production in November 2021.
People find me. When it's dark.1863. An asylum.A woman locked in a windowless cell, with no memory as to who she is, or how she arrived there.When spiritualist medium Mrs Lyall requires a new assistant, this nameless woman seems the perfect candidate.But as the woman's past begins to reveal itself, so do new powers neither are prepared for.Alistair McDowall's haunting new play The Glow was the 2018 Pinter Commission, an award given annually by Lady Antonia Fraser to support a new commission at the Royal Court Theatre.This edition was published to coincide with the world premiere at London's Royal Court Theatre in January 2022.
A tough inner-city school, proud of its inclusivity, suddenly explodes in a rapidly escalating culture war.Sex secrets, hip-hop and hope fight for centre stage in a vibrant, loud and proud, real talk rollercoaster.Tom Wright's hard-hitting new play tackles contemporary issues in a school setting, published to coincide with Coventry's year as City of Culture.
A city under attack from a nuclear blast. As the dust settles, Louise wakes to find herself in a fallout shelter with Mark, the colleague who has saved her life. They have enough water and food to last two weeks. Now they just need to find a way of surviving each other. A chilling post-nuclear play that examines what it takes to endure catastrophe.After the End was originally published in 2005. This revised and updated edition was published to coincide with the London production at Theatre Royal Stratford East in February 2022.
I'm doing this for her because this was my sister's dream. This isn't my natural habitat. I wouldn't normally choose this. But she would have.Two sisters. One dream. The hardest open-water swim in the world.This triumphant play from Olivier Award-winning writer Morgan Lloyd Malcolm moves forwards and backwards in time across the 21 miles between Dover and Calais as a young swimmer harnesses her mind and body to make the crossing. Tackling what it means to grieve, both physically and mentally, When The Long Trick's Over encapsulates the fact that love persists whatever the distance and however perilous the journey is to the other side. And that, sometimes, it means swimming against the tide and against the things that hold you back: the old memories and oil tankers, jellyfish and Jelly Babies.This edition was published to coincide with the world premiere production by HighTide and the New Wolsey Theatre, February 2022.
"I haven't come here to drink tea - Toni, we're off out to find the nearest happy hour. Lucy and David are dating. Or at least, they're trying to. Faced with first-date disasters, a few crossed wires and Lucy's mum, what they really need is a bit of space, a bit of fun - and ideally some independence. Escaping for the weekend to a caravan park in Somerset, it's time for them to find out if their spark will finally catch, or burn everything to the ground. Written by Graeae's Write to Play graduate Michael Southan, Kerbs gets real about romance, sex and disability, while tackling the universal challenge faced by anyone experiencing a new relationship: letting someone in"--
I don't agree with everything they say, but we do have a lot in common nowadays; anyway, I can't be racist, my best friend is Black.Roger and Harry's bond is so strong they could be brothers. They share the same food, music, computer games and even dreams... Everything other than their race. Roger is black, and Harry is white. But what does that matter, right? When Roger is re-homed, Harry is left behind in the care system, and these 'brothers' grow up in opposite ends of Britain's social spectrum. Then on Harry's birthday, Runaku (Roger's reclaimed Zimbabwean birth name) returns for a dream reunion that turns into a nightmare situation. Human Nurture is an explosive new play from Ryan Calais Cameron where nothing's off-limits: from innocent primary school humiliations to race, privilege, allyship and male vulnerability.
The amazing adventures of a woman with a fist in her head.Clara Darcy is fit! She's also (almost) care-free, (kind of) happily single and joyously dancing through life but, little does she know, her world is about to be turned upside down thanks to the arrival of a fist - slap-bang in the middle of her head.Based on her astonishing real-life story, We Should Definitely Have More Dancing explores the things that define us, that fill us up and make us who we are - a cautionary postcard from the edge of life stuffed full of heart and love and dancing.First produced by Oldham Coliseum Theatre, this edition was published to coincide with the world premiere production at Oldham Coliseum Theatre, followed by a national tour and run at the Assembly Rooms as part of Edinburgh Festival Fringe.
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