Value Engineering: Scenes from the Grenfell Inquiry is a verbatim reconstruction of the Grenfell Tower Public Inquiry. Using only the words spoken at the Inquiry, the play deals predominantly with Part 2 which ran between January 2020 - July 2021 in which evidence was heard from those responsible for the disastrous refurbishment of Grenfell Tower before the tragic fire.Edited by Richard Norton-Taylor and directed by Nicholas Kent, the team behind previous testimonial plays The Colour of Justice: The Stephen Lawrence Inquiry and Bloody Sunday: Scenes from the Saville Inquiry, this edited verbatim account of the Grenfell Inquiry is aimed at giving the public an overview and access to some of the most important evidence.The play shows how companies involved in the refurbishment of the Tower conspired to cover up what they knew about the dangerous and life-threatening materials used to refurbish the Tower. It also reveals the incompetence and neglect of local authorities.Staged in Notting Hill Tabernacle in October 2021, this features the full text of the play alongside additional information on the context of Grenfell and the ongoing inquiry.
Why Athena? I guess just like the goddess of strategic warfare and all that. In a New York City fencing club two warriors are ready to battle. Athena and Mary Wallace are training for the Junior Olympics. They practice together. They compete against each other. They spend their lives together. They wish they were friends. From Award-winning playwright Gracie Gardner, following an acclaimed extended run in New York, comes a fierce coming of age comedy where two teenagers parry class, competition and power as they practice fencing and life. But only one will win - en garde. This edition was published to coincide with the UK premiere at The Yard in London in October 2021.
In an oak-panelled room in a rural Oxford gastropub, ten young undergraduates with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule - and on getting totally "chatueaued". Members of The Riot Club, an elite student dining society, the fraternity starts to fray when they discover they're a guinea-fowl short and the prostitute they've hired is suddenly banished. An apparent spoof on Oxford's notorious Bullingdon Club, whose past members include Boris Johnson, George Osborne and David Cameron, Posh is a satirical play about power, politics and privilege, and how these elements interact within British institutions. The play is published here as a Methuen Drama Student Edition with commentary and notes by Henry Bell. Posh premiered at the Royal Court Theatre, London, in 2010 and two years later opened in the West End. It was nominated for Best New Play at both the Evening Standard Awards and for the Theatregoers' Choice Awards. It was subsequently made into a film called The Riot Club (2014), starring Sam Claflin, Max Irons and Douglas Booth.
This winter, JM Barrie's much-loved tale takes flight. Exploring the possibilities and pain of growing up, it's a riot of magic, mischief, music and make-believe.
Two plays in one volume, written by the same writer as "Peter Pan Man" and "To Be a Farmer's Boy". The first is set in Germany in the '30s and questions how humane people came to be swept along by the Nazi force. The second play is a portrait of a Newcastle working-class family in World War II.
Winner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all.But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved.As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say.In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?
An acclaimed, riotous farce by leading British playwright Richard Bean, which premiered at the National Theatre before transferring to the West End and Broadway. This is the revised edition which reflects the production that premiered in New York.
Bea meets Aaron. He's intelligent, handsome, makes her laugh and, most importantly, has a high rating on his genetic profile. What's not to like?Char is on the brink of landing her dream job and has big plans to start a family - but her blood rating threatens it all.In a world where future happiness depends on a single, inescapable blood test - which dictates everything from credit rating to dating prospects - how far will people go to beat the system and let nature take its course?The Phlebotomist questions the value we place on one another, whether knowledge really is power, and if it's truly possible for love to conquer all.
An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again.
A triumphant transformation of mediaeval mystery plays into radical political theatre
"Blue Murder is an absolute cracker, as ingenious as it is riotously funny" (Daily Telegraph)
House of Agnes is the second play by Levi Addai, described as 'an attractive new talent' by the Independent after his 2005 debut 93.2FM. The play is published as a programme text to coincide with the production by Paines Plough that opens at the Oval House, London in March 2008.After forty years of building a home in London, Agnes is retiring and moving back to Ghana. Her final wish is for her sons to live together under the same roof when she is gone. But her eldest, Sol, is living with a girlfriend Agnes loathes, and he won't move home until Agnes accepts her, and younger brother Caleb will do whatever it takes to inherit the house - except share it with Sol. As her departure draws closer, tensions in Agnes' house rise to breaking point. Will she trust her twenty-first century boys and finally allow them to be men? Who will own the House of Agnes?
Juniper is looking for love, Robert is trying to avoid it, Ollie doesn't know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all.Many Moons opened at groundbreaking Theatre 503 in summer 2011.
You've got to learn how to keep it inside. We have to. The world doesn't like us acting out. They'll put you down any chance they get. You can't be doing all this screaming. As siblings Shirley and Dwight bury their mother, they remember their upbringing in 1980s Chapeltown Leeds differently. In the height of racial discrimination, police brutality and poverty, the struggle for survival ripped through their family.Now as adults, they need to bring together the fractured pieces of their past in order to move forward.Zodwa Nyoni's gripping and heartfelt drama explores the complexities and beauty of what it really means to care for one another.
What money?! This ends when you end. This experiment is about the survival of the fittest. Nothing more - nothing less.Imprisoned in an abandoned warehouse, a desperate group of failing actors are trapped in a dark experiment. After months of endlessly rehearsing George Bernard Shaw's Pygmalion with no director to guide them, some of the ensemble have disappeared leaving the others paranoid and subservient. Sleep-deprived and half-starved, their fragile social bonds shatter and implode as a stranger breaks in and incites them to rebel. This new dystopian thriller about a group of aspiring actors trapped in a dark social experiment is a collaboration from writers Martin Travers and Chloe Wyper. This edition was published to coincide with the run presented by the Citizens Theatre's WAC Ensemble in April 2022.
"Some playwrights have a gift to amuse; Frances Ya-Chu Cowhig has a darker gift. Anyone with romantic notions of Chinese culture will be unsettled by the jagged, unsentimental portrait of modern urban China."(Chicago Reader) Poetic and devastating, sensuous and politically acute, Frances Ya-Chu Cowhig's China Plays explore the forces of global capital as they explode within the lives of everyday people in contemporary China. This volume collects together the three plays in the series, including Cowhig's exploration of the human cost of development in China's socialist market economy (The World of Extreme Happiness), of justice and revenge amidst ecological and economic catastrophe (Snow in Midsummer), and the tale of the trade in blood that brought the AIDS crisis to rural China (The King of Hell's Palace). In addition to Cowhig's plays, the volume includes a host of supplemental materials including an editorial preface and three (previously published) brief essays responding to each play by the editor, Joshua Chambers-Letson; a new introduction by theatre/performance scholar and dramaturg Christine Mok that explores the key themes in Cowhig's body of work; a summary discussion between Cowhig, Chambers-Letson, and Mok, on Cowhig's process and the political and aesthetic currents animating her work.The World of Extreme Happiness: "Fearless, zippily-paced, and satirical . . . Cowhig forces us down the long hard look path" (Independent) Snow in Midsummer: "Gripping and affecting. graceful and impassioned" (Times) The King of Hell's Palace: "A medical-scandal drama that we can't afford to ignore" (Telegraph)
Antony Gormley's angel looked down on the lads. "She'll see us through, she'll help us. The guardian angel of fucking toe rags."Two lads. One mission. Belter.Sewell and Gerry live in Gateshead. Theirs seems the perfect partnership. Sewell is physically strong, Gerry is small but crafty. Neither has attended school for a long time. Both are broke, and both love one thing, Newcastle United. An exciting adaptation featuring puppetry, live music and a purely belter tale of epic proportions.Based on Jonathan Tulloch's The Season Ticket, adapted by Jamie Eastlake, this edition was published to coincide with the premiere at Laurels Whitley Bay in March 2022, ahead of a UK tour.
The sensation of waterflowing around my bodyhappily floating down a river,watching the banks pass me by.I like to take the same journey as a riverit's the lack of control which feels so good,it's good to leave my life alone for a while.Liz grew up in the Lake District. She spent her childhood walking in the fells, playing in the lakes and in the river at the end of her garden. After time away living in the City, Liz returns to the hills and into a new village for a new chapter of her life. But when her new community is rocked by tragedy, Liz rediscovers outdoor swimming and how it can keep both her and her new friends afloat.Filled with humour and heart, live music and projection, Swim is a tender tale based on a true story.This edition was published to coincide with the run at Theatre by the Lake in Keswick, in March 2022.
Do you think it would be better if you and me got ourselves steady boyfriends?Best friends Rita and Sue get a lift home from married Bob after babysitting his kids. When he takes the scenic route and offers them a bit of fun, the three start a fling each of them think they control.Andrea Dunbar's semi-autobiographical play, written for the Royal Court Theatre in 1982 when she was just 19, is a vivid portrait of girls caught between brutal childhood and an unpromising future, both hungry for adult adventure.Told with wicked humour, startling insight and a great ear for dialogue, this new edition of Rita Sue and Bob Too was published to coincide with director Max Stafford-Clark's major new production produced by Out of Joint, Bolton Octagon and the Royal Court Theatre.
Adapted from Paula Hawkins' novel - an international phenomenon selling over twenty million copies worldwide - this gripping new play will keep you guessing until the final moment.Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she's been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery.
I want theatre to be sweaty, exciting, unpredictable..Mike Bradwell is on a mission to revolutionise British theatre. He's sick of fancy plays by dead blokes and wants to tell stories about real people, living real lives. And it doesn't get more real than Hull.In a freezing cold house on Coltman Street, a motley crew of unemployed actors gather to improvise a play with no name, no plot, no budget and no bookings.Richard Bean's (The Hypocrite, One Man, Two Guvnors) hilarious and irreverent comedy takes us back to the 70s and Hull Truck Theatre's origin story. It is a roaring combination of comedy, cabaret, farce and drama. Join us for a celebration of where it all began.This edition was published to coincide with the world premiere at Hull Truck Theatre in February 2022.
A play about the sexual experiences of young adults in a world of information overload and weaponised language
"Hate your job? Come work for us. This is a show about work. But the worker isn't here, so it's down to you. You'll clock in at the beginning. You'll get short breaks at regular intervals. You'll work in a team, and under your own initiative. You will be your own boss. You will be free. work.txt is a show performed entirely by the audience about the gig economy, financial instability and bullshit jobs. This edition was published to coincide with the run at the Soho Theatre in London in February 2022."--
'I have no name for the thing which is in my head. It is not envy. It is more than envy. It does not scare me. I must look close enough to look at what it is.'A ploughman and his wife live a simple existence in a pre-industrial time until they, along with the hated local miller, are drawn into a struggle of knowledge, power and attraction.David Harrower's haunting play established him as one of the UK's leading contemporary playwrights. This new edition is published to coincide with the new production of this tense modern classic at the Donmar Warehouse in August 2017, directed by Yaël Farber.
Do you know what I believe in? I believe in us. Me and you, right here. This town was once an incredible place. We have to have courage to fight for it again.Hero or enemy? Who can actually tell the difference?Everything is going to be fine, better than fine, in fact there's nothing that can't be achieved if everyone just believes a little. That's what the town's MP, Mick, thinks.He's optimistic, positively boosterish about his plan for the town. He just wants the naysayers to pipe down. But there's a problem. His sister, Dr Rhiannon Powell, has discovered that the project appears to be polluting the town's water supply. Mick sold the town a story about the future, but what will happen when reality looks to tear that story apart?Is Mick a hero of the people, or is he in fact their enemy? Brad Birch's bold new reimagining of Ibsen's An Enemy of the People pits the personal against the political and facts against emotion. A Hero of the People is a gripping contemporary drama for our times.
You definitely want to f*ck her but you don't want to know her. You certainly don't want to stay for breakfast.Sarah Milton's new one-woman play tells the story of one woman's immediate response to a sexual assault, fueled by a toxic friendship and crisis of identity.Two best friends are heading out for the night. Our protagonist, known as 'She', is hoping to win over her crush - Isaac the bartender, at their favourite joint. That night, her best friend Trixie decides to invitea group of men home that she fancies, promoting She as her sexy, obtainable friend, to help seal the deal. But when She wakes up the next day, confused, sore, lying next to a man she doesn't recognise, she is forced to re-evaluate everything she thinks she knows about her friendships, identity and sexuality.This edition was published to coincide with the premiere at Park Theatre's Come What May Festival 2022.Do you remember the club, Amanda? Do you remember the club?In addition to 4, this play text also includesMilton's short spoken word piece The Night Tella which explores guilt, friendship and a night that should have ended in the chip shop.In these two complementary new pieces, Sarah Milton offers powerful, female led narratives with strong, complex characters.
It's good to see you're alive. Good to know not all the ghosts in the streets are enemies...1921. Russia. Winter. When Nikita returns home from the brutal civil war, he attempts to start a new life with his drunken father Mikhail and his new wife Lyuba, the feisty young girl he remembers from his school days. When Nikita fails to consummate his marriage - all the while aware that he is being haunted by a mysterious figure - escape is the only solution he can find. He finally emerges in a new town further along the Potudan River, only to be accused of an ambiguous crime against the Soviet State.Based on a short story by the Russian writer Andrey Platonov (1899-1951), Bliss is a kaleidoscope of hopes, dreams and realities, as the survivors of years of devastating war and political revolution search for their 'bliss' in post-war Soviet Russia. They quickly learn that a society needs time to recover from catastrophe, and that the future is only built by those who manage to accept their past.This edition of Bliss was published alongside the world premiere at the Finborough Theatre, London in May 2022.
Dress by Ganni.Bra by Coco de Mer.Knife by Stanley.A gripping revenge tale about an actress in her 40s under investigation for the murder of an auteur theatre director whilst rehearsing a stage production of Hitchcock's Psycho.A whip-smart take on what it means to be middle-aged and female in an industry captivated by stardust and beauty.This edition was published to coincide with the run at The Traverse Theatre, Edinburgh, 2022.
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