Böcker i Modern Plays-serien

A programme text of an uplifting play produced by Graeae, Britain's foremost disabled-led theatre company, and touring to Ipswich, Plymouth and London.

A collection of four one-act comic vaudevilles and four short stories adapted for the stage by Michael Frayn.

Produced by nabokov in association with the Bush Theatre, Artefacts by Mike Bartlett is published to coincide with the world premiere on 20 February, 2008.

Translated by David Harrower, this version of Brecht's parable play is based on a previously unpublished version of the play.

Tartuffe, or The Impostor (pronounced: [taRtuf]; French: Tartuffe, ou l'Imposteur), first performed in 1664, is one of the most famous theatrical comedies by Moliere, and the characters of Tartuffe, Valere, and Dorine are considered among the greatest classical theatre roles. This is a translation for the stage by Ranjit Bolt.

Two plays about cultural identity from Scotland and Catalonia, which received their English-language premieres in August 1999 at the Royal Lyceum Theatre as part of the Edinburgh International Festival in Traverse Theatre Company productions

A programme text edition published to coincide with the world premiere at the Royal Court Theatre, London, on 27 February 2009

The traditional Christmas classic by Charles Dickens adapted for the stage by award-winning playwright Gary Owen.

A programme text edition of Bola Agbaje's new play for the Royal Court, Off the Endz is a savvy, astute play which portrays an under-represented slice of society with skill and compassion.

Silent is the touching and provocative story of homeless McGoldrig who once had splendid things. But he has lost it all - including his mind. He now dives into the wonderful wounds of his past through the romantic world of Rudolph Valentino. Silent has been described as 'a moving story, which, until its end, pulses with the erratic noise of life' (Irish Times), 'a must see if ever there was one' (The List), and as 'magnificent, remarkable' (Irish Independent).By the same writer, Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old. Both challengingly dark and startlingly hilarious, Forgotten is 'an unequivocally beautiful piece' (Scotsman), 'beautifully written and vivid' (New Yorker), conveying 'the secrets, the hidden past, of the aged, and the dignity often behind their quaint seemingly innocuous bearing' (New York Times). Forgotten was produced by Fishamble: The New Play Company at over sixty Irish venues, in eight European countries, and in three US cities between 2007 and 2012. Silent was originally produced in 2011, also by Fishamble, winning the Scotsman Fringe First and the Herald Angel awards at the Edinburgh Fringe Festival, and the Argus Angel at the Brighton Festival 2012, as well as touring Ireland, Paris, Edinburgh, Los Angeles and New York. 'Kinevane has an extremely acute, innate and intuitive sense of comedy that enable him to tightrope across the gross and heartbreaking circumstances of life, in jest without sacrificing the poignant sadness of a given predicament' Irish Theatre Magazine

Daisy abandons recently released ex-convict Lenny at their local. At the bar is Skank, a failed actor-turned-junkie. De Maris, a 17-year-old gun-brandishing single mother wants to learn to turn tricks. Guirgis presents a grim and sad portrait of life on the streets of New York.

Bob and Sam are two regular guys chewing the fat, putting the world to rights over a bottle of Jack Daniels and a game of poker, apparently trapped in an empty bar-room in this latter-day America Waiting for Godot.

Anthony's seen the cranes go up. He's living in the Capital of Culture. So why is it that everything in the Dingle feels the same? What's a boy to do if he wants to talk about the latest subtitled film and drink green tea? This work is a comedy about one young man's dream of escaping Liverpool.

Six Degrees of Separation is a modern American classic play: an explosive comedy that exposes white middle-class hypocrisy and prejudice.

A viscerally modern adaptation of Lorca's seminal drama, transposing the formidable matriarch Bernarda and her imprisoned family to the gangland communities of Glasgow's East End. Faithfully preserving Lorca's sense of boiling tension and impending tragedy, this adaptation brings a classic text thrillingly up to date.

A dramatization of a conspiracy theory surrounding Kennedy's assassination. It's the 1990s, and Lynette, an ex-assistant editor at "LIFE" magazine, now living in obscurity, has gathered her family around her to celebrate her birthday. She has a secret that she needs to confide in them.

A Day at the Racists is a stunning new piece of political theatre from award-winning playwright Anders Lustgarten: a devastatingly timely examination of the rise of the BNP in London, published to coincide with the world premiere at the Finborough Theatre, March 2010.

Canary is multi-award winning playwright Jonathan Harvey's long-awaited return to the stage: a deeply moving, funny, unflinching, and often magical story about love, honesty and being brave enough to sing out at the top of your voice - with style.

In Polar Bears, award-winning writer Mark Haddon balances humour and pathos to tell of one man's struggle to love, support and live with someone suffering from a psychological condition.

A naked satire on the rule of General Abacha in Nigeria, the play chronicles the debauched rule of General Basha Bash who takes power in a coup and exchanges his general's uniform for a robe and crown re-christening himself King Babu.

With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton's Death has a claim to be the greatest political tragedy ever written.

A bitterly ironic portrait of Nigeria after Biafra

This bold new play from award-winning playwright Carmel Winters deals with the near-taboo topics of sex, power and parentage within modern relationships. Set in the intoxicating height of the boom and, finally, the sober fall of the bust, Best Man prompts a public reckoning of our most private struggles as questions of power within the family are examined with scorching insight.Following the nationwide success of the high-profile B for Baby tour by the Abbey Theatre, this world premiere is the second major work from one of Ireland's most exciting writers. Best Man will run at the Everyman, Cork from 21 - 29 June and then at the Project Arts Centre, Dublin, from 16 - 27 July.

Don't ever be that way, like your brother. No matter what the excuse or provocation, don't be like that. It's 2011 and 1958 and London is rioting. Candice is ordered by her gang-leading boyfriend to lure Clint into a honeytrap. Haunted by her grandfather's mistakes, she stands at a crossroads. Will she do as she's told, or will she learn to be true to herself before history repeats itself? This modern tale for riotous times spans three generations, exploring race, family and misguided loyalty.The riots of 2011 provoked comment on the morality of youth and the codes by which they live. Advice for the Young at Heart digs into the question of whether this is a new phenomenon or one that young people have struggled with for generations. Using two simultaneous plots taking place during the 1958 Notting Hill race riots and the riots of 2011, Roy Williams asks how a new generation of teenagers can learn from the mistakes made by a previous generation.

That's the problem isn't it? Now we can have it all, we're expected to bloody do it all.Late thirties, careers under their belts, and a new baby just arrived. Isn't that what everybody wants? Faced with the reality of her new life, Joanna tries to make sense of the events and decisions which led her to this point. Full of regret, with a husband who's pretending that everything's fine, the last thing she needs is her ex-lover turning up with an unexpected guest. Or maybe it's exactly what she needs.A wry, provocative look at what it is to be a woman today, in a society which tells us we can have it all and our ambitions can be unlimited.

Caledonia is a tale of hubris and delusion, portraying a crucial slice of Scotland's history told with dark humour and creative flair, by award-winning playwright and satirist Alistair Beaton.

Two plays exploring the pain of living and the difficulty of dying by a sensational new writer

The astonishing true story of Ivan Mishukov, who wandered from his home at the age of four and spent two years on the streets of Moscow, living among the abandoned and feral dogs of a hungry, impoverished city.