Böcker i MIT Press / Radium Age-serien

When a plague wipes out most of the world’s male population and civilization crumbles, women struggle to build an agrarian community in the English countryside.Imagine a plague that brings society to a standstill by killing off most of the men on Earth. The  few men who survive descend into lechery and atavism. Meanwhile, a group of women (accompanied by one virtuous male survivor) leave the wreckage of London to start fresh, establishing a communally run agrarian outpost. But their sexist society hasn’t permitted most of them to learn any useful skills—will the commune survive their first winter? This is the bleak world imagined in 1913 by English writer J. D. Beresford—one that has particular resonance for the planet’s residents in the 2020s. This edition of A World of Women offers twenty-first century readers a new look at a neglected classic. Beresford introduces us to the solidly bourgeois, prim and proper Gosling family. As once-bustling London shuts down—Parliament closes, factories grind to a halt, nature reclaims stone and steel—the paterfamilias Mr. Gosling adopts a life of libertinism while his daughters in the countryside struggle to achieve a radically transformed and improved egalitarian and feminist future.

A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois.This collection of science fiction stories from the early twentieth century features work by the famous (Arthur Conan Doyle, creator of Sherlock Holmes), the no-longer famous (“weird fiction" pioneer William Hope Hodgson), and the should-be-more famous (Bengali feminist Rokeya Sakhawat Hossain). It offers stories by writers known for concerns other than science fiction (W. E. B. Du Bois, author of The Souls of Black Folk) and by writers known only for pulp science fiction (the prolific Neil R. Jones). These stories represent what volume and series editor Joshua Glenn has dubbed “the Radium Age”—the period when science fiction as we know it emerged as a genre. The collection shows that nascent science fiction from this era was prescient, provocative, and well written. Readers will discover, among other delights, a feminist utopia predating Charlotte Perkins Gilman’s Herland by a decade in Hossain’s story, “Sultana’s Dream”; a world in which the human population has retreated underground, in E. M. Forster’s “The Machine Stops”; an early entry in the Afrofuturist subgenre in Du Bois’s last-man-on-Earth tale, “The Comet”; and the first appearance of Jones’s cryopreserved Professor Jameson, who despairs at Earth’s wreckage but perseveres—in a metal body—to appear in thirty-odd more stories.

In a novel written on the eve of World War I, H. G. Wells imagines a war “to end all wars” that begins in atomic apocalypse but ends in an enlightened utopia.Writing in 1913, on the eve of World War I’s mass slaughter and long before World War II’s mushroom cloud finale, H. G. Wells imagined a war that begins in atomic apocalypse but ends in a utopia of enlightened world government. Set in the 1950s, Wells’s neglected novel The World Set Free describes a conflict so horrific that it actually is the war that ends war.  Wells—the first to imagine a “uranium-based bomb”—offers a prescient description of atomic warfare that renders cities unlivable for years: “Whole blocks of buildings were alight and burning fiercely, the trembling, ragged flames looking pale and ghastly and attenuated in comparison with the full-bodied crimson glare beyond.” Drawing on discoveries by physicists and chemists of the time, Wells foresees both a world powered by clean, plentiful atomic energy—and the destructive force of the neutron chain reaction. With a cast of characters including Marcus Karenin, the moral center of the narrative; Firmin, a proto-Brexiteer; and Egbert, the visionary young British monarch, Wells dramatizes a world struggling for sanity. Wells’s supposedly happy ending—a planetary government presided over by European men—may not appeal to contemporary readers, but his anguish at the world’s self-destructive tendencies will strike a chord. Sarah Cole is the author of Inventing Tomorrow: H.G. Wells and The Twentieth Century (2019). The Parr Professor of English and Comparative Literature and Dean of Humanities at Columbia University, she is the cofounder of the NYNJ Modernism Seminar and founder of the Humanities War and Peace Initiative at Columbia. She is also the author of Modernism, Male Friendship, and the First World War (2003) and At the Violet Hour: Modernism and Violence in England and Ireland (2012). Joshua Glenn, who was the first to describe the years 1900–1935 as science fiction’s “Radium Age,” has helped popularize stories from the era for over a decade now. A former Boston Globe staffer and publisher of the indie intellectual journal Hermenaut, he is coauthor of The Idler’s Glossary (2008), Significant Objects (2012), and the family activities guide UNBORED (2012). He is also cofounder of the brand consultancy Semiovox; and he publishes the blogHiLobrow. 

In the first-ever novel about a cyborg, a machine-enhanced man from a multiverse of the far future visits 1920s England.In 1920s England, a strange being crashes a village cricket game. After some glitchy, jerky attempts to communicate, this creature reveals that he is a machine-enhanced human from a multiverse thousands of years in the future. The mechanism implanted in his skull has malfunctioned, sending him tumbling through time onto the green grass of the cricket field. Apparently in the future, at the behest of fed-up women, all men will be controlled by an embedded “clockwork,” camouflaged with hats and wigs. Published in 1923, The Clockwork Man—the first cyborg novel—tells the story of this odd time traveler’s visit. Spending time with two village couples about to embark upon married life, the Clockwork Man warns that because men of the twentieth century are so violent, sexist, and selfish, in the not-too-distant future they will be banned from physical reality. They will inhabit instead a virtual world—what we’d now call the Singularity—in which their every need is met, but love is absent. Will the Clockwork Man’s tale lead his new friends to reconsider technology, gender roles, sex, and free will? Overshadowed in its own time by Karel Čapek’s sensational 1923 play R.U.R., about a robot uprising, The Clockwork Man is overdue for rediscovery. Annalee Newitz is the author of Four Lost Cities (2021), the novels The Future of Another Timeline (2019) andAutonomous (2017), which won the Lambda Award, and the novel The Terraformers (forthcoming). As a science journalist, they are a contributing opinion writer for the New York Times, and have a column in New Scientist. They are also the co-host of the Hugo Award-winning podcast Our Opinions Are Correct. Previously, they were the founder of io9, and served as the editor-in-chief of Gizmodo. 

From one of the earliest feminist science fiction writers, a novel that envisions the fall of civilization—and the plight of the modern woman in a post-apocalyptic wilderness.When war breaks out in Europe, British civilization collapses overnight. The ironically named protagonist must learn to survive by his wits in a new Britain. When we first meet Savage, he is a complacent civil servant, primarily concerned with romancing his girlfriend. During the brief war, in which both sides use population displacement as a terrible strategic weapon, Savage must battle his fellow countrymen. He shacks up with an ignorant young woman in a forest hut—a kind of inverse Garden of Eden, where no one is happy. Eventually, he sets off in search of other survivors . . . only to discover a primitive society where science and technology have come to be regarded with superstitious awe and terror. A pioneering feminist, Hamilton offers a warning about the degraded state of modern women, who—being “unhandy, unresourceful, superficial”—would suffer a particularly sad fate in a postapocalyptic social order.

"Bacteria inimical to plant growth spread around the world, causing a blight, Jack Flint is invited to become director of operations at Nordernholt's survivalist colony in England's Clyde Valley"--

"This edition of Of One Blood follows the text of the 1902 edition by the Colored American Magazine, which is in the public domain"--Copyright page.

"Having assembled a crew of adventurers, the brilliant, blustering physiologist and physicist Professor Challenger journeys to a South American jungle ... in search of a lost plateau crawling with iguanodons. It's a ripping yarn-the first popular dinosaurs-still-live tale, prototype for everything from King Kong to Jurassic Park. At the same time, however, it's a philosophical novel, one that animates-in a thrilling, humorous fashion-the author's obsessive drive (also seen in his Sherlock Holmes stories) to reconcile the claims of logical reason and intuition. In their second adventure, Challenger et al. discover that the planet is about to pass through a belt of poisonous ether which will destroy all life on Earth. However, Challenger has transformed his wife's dressing room into an airtight chamber, so they can witness the end of the world. An epistemological thriller"--

"More Voices of the Radium Age will showcase proto- and early sf stories by much-admired authors best known today for their non-sf work (E. Nesbit, author of Three Children and It and other popular children's fantasies, and Booth Tarkington, Pulitzer Prize-winning author of The Magnificent Ambersons); authors whose outsized success with readers would influence the subsequent development of the sf genre (H.G. Wells, who continued to make startling predictions in the early 20th century, and Abraham Merritt and George Allan England, who along with Edgar Rice Burroughs ushered in the crucial era of the pulp scientific romance); as well as writers who have now fallen into obscurity (George C. Wallis, the Russian Symbolist litterateur Valery Bryusov, "weird" horror master Algernon Blackwood, and Francis Stevens, "the woman who invented dark fantasy"). Note that Nesbit and Stevens are two of sf's only female writers pre-1926"--

"A collection of Bangla SF stories, including The Inhumans by Hemendrakumar Roy, Voyage to Venus by Jagadananda Ray, The Mystery of the Giant by Nanigopal Majumdar, and the Martian Purana by Manoranjan Bhattacharya"--

"In the not-too-distant future, the world is ruled by a male scientific elite. Eugenics has triumphed in this fertility dystopia; from adolescence, women are either made into "vocational mothers," or, if they have no interest in motherhood, they are sterilized by the government and become "neuters." The story introduces a young woman who rebels against this system, and a young man who resists the "happy" norm - a resistance which culminates, like the Savage's in Aldous Huxley's Brave New World, in suicide"--