Böcker i Lettering, Calligraphy, Typography-serien

Anyone can master the beautiful art of calligraphy, a rewarding pursuit that requires few tools and no artistic training. This practical guide―the only book that teaches the basic Italic hand (also known as Chancery Cursive) in ten easy steps―offers comprehensive instructions for beginners. Two expert calligraphers show how to get started, with definitions of terms and suggestions for assembling materials, choosing a good writing surface, lighting the work space, posture, placement of the paper, setting up the page, and assembling the pen. After demonstrating how to make the basic calligraphic strokes, they give specific instructions for forming letters, numbers, and punctuation. Readers will also find detailed discussions of spacing and connecting letters; forming words and sentences; drawing swash capitals; changing nibs; using color; making corrections; and waterproofing their work. Students will also discover an exciting variety of applications for their new skills, including addressing envelopes, making invitations, creating personalized stationery, and transcribing special texts or poems. Additional helpful features include a section of questions and answers and an appendix covering pens, inks, paper, light boxes, and other useful tools for using the basic Italic hand to create elegant works of calligraphic art. Dover (2002) updated and revised republication of the work first published by Simon & Schuster, Inc., New York, 1986.

Add a touch of panache and style to a wide variety of graphic projects with the decorative letters in this unusual and practical collection. Typographer Dan X. Solo has compiled 100 different swash letter fonts -- typefaces characterized by ornate letters with long tails and flourishes. Included here are: Cantini Casual; Cranston; El Greco; Goudy Cursive; Italian Slab Fancy; Mardi Gras Regular; Raffia Initials; Rousseau Fancy; Allegro Swash; Artcraft and dozens more.All fonts include uppercase alphabets; most also contain lowercase letters and numerals. Inexpensive and royalty-free, these alphabets are ideal for use in display ads, on posters, signs, menus -- almost any printed communications.

Beautiful selection of 100 19th-century American wood type fonts, many reproduced at actual size. Each font features a complete alphabet of capitals; many include lowercase letters, numerals, and punctuation marks.

Famous treasury of English roundhand calligraphy of 1740. Alphabets, decorated pages, scrolls, frames, cupids, similar material.

Developed by English handwriting masters in the 18th century, copperplate calligraphy is admired for its fluidity and beauty. It is the most popular style for social correspondence, invitations, and other communications requiring an elegant hand. In this practical manual, a noted calligraphy teacher offers a comprehensive, step-by-step guide for the student. Beginning with a brief but fascinating history of copperplate, she moves quickly to an in-depth examination of the alphabet, numbers, and punctuation. Each letter is demonstrated stroke by stroke with a clear explanation. Readers will also find detailed discussions of writing in color, using the proper paper, and learning how to retouch, correct, and crop. Ms. Winters then shows how copperplate can be used to write a simple paragraph, a short quotation, or poetry, and explains how to use the script commercially for addressing envelopes and writing name cards and invitations. With this easy-to-follow manual and some practice, calligraphers will be able to create copperplate scripts with the rhythm, grace, and ease of the great writing masters. Unabridged Dover (2000) republication of the edition published by Watson-Guptill, New York, 1989.

Compiled by noted typographer and type historian Dan X. Solo, this attractive collection of royalty-free lettering for commercial artists features 100 complete upper-case stencil alphabets (many with lower-case fonts, numerals, and punctuation marks).Included are such magnificent classic fonts as Ancient, Courtland, and Cleft Gothic; whimsical Ragtime and Spooks Alive; bold Braggadocio; exotic Limbo, Beijing, and Samoa; and old-fashioned Victorian, Brompton, and Barn stencils. Graphic artists can also add to their resource libraries such varied, attention-getting styles as: Auriol; Bigelow; Cabaret; Copely Plaza; Dawson; Edda; Grocers; Lira; Neutron; Sheetsteel; Avanti; Billboard; Cairo; Cuba; Dockside; Elephant; Cycle; Sagamore; Technic and dozens more. Distinctive, versatile, and appropriate for a host of visuals, the stencil patterns in this comprehensive, moderately priced sourcebook are immediately usable on posters, signs, stationery, advertisements, and other graphic projects.

Facing the demand for new typefaces engendered by the development of the printing press, 15th-century type designers sought inspiration from the ornate calligraphy of medieval scribes. Many of the fonts in this gallery of Celtic and medieval alphabets resulted from 19th-century tributes to the scribes of the Middle Ages, suggesting the time-honored appeal of these unusual typefaces.Artists, illustrators, and anyone seeking unusual graphics for a variety of print projects will find within these pages a tremendous diversity of fonts in styles ranging from the Gothic weight of Lowenbrau, Kaiser, and Hansa to the lighter frills and flowers of Leipzig, Tory, and Hamburg. Most alphabets feature both uppercase and lowercase letters; many also include numerals.These inexpensive, royalty-free alphabets offer an exciting array of distinctive typefaces. Particularly suited for use in diplomas and certificates, they will add a touch of elegance to display ads, posters, signs, menus, and many other graphic or printed communications.

The noted Victorian-era designer Karl Klimsch excelled in the use of clean lines, shading, and three-dimensional effects in rendering the elements of decorative alphabets. His exceptional skills are notably evident in this comprehensive compilation of more than 2,000 elegant two-letter monograms, originally published in a German edition in 1869. Imagination, ingenuity, and a disciplined freedom distinguish these inventive initials, ideal for use on scrolls, certificates, awards, and other printed announcements in need of calligraphic excitement. The handsome Victorian-styled monograms are easily reproduced and copyright free, ready for immediate use in art, needlework, crafts, and other decorative projects.

For this impressive collection, typographer and print historian Dan X. Solo has selected 100 fonts, many of which are reminiscent of the old-fashioned print styles found on turn-of-the-century posters and broadsides. Alphabets such as the attention-getting Carnival, Frolic, and Houdini fondly recall that era. Others are attractions themselves, including the foreign-looking Armenian and Tokyo; the eerie Monster Outline and Raindrops; and the glamorous Diamond Inlay, Startime, and Golden Era. Additional alphabets include: Balderdash; Big Cat; Eureka; Cheapjack; Dodge City; Earthquake; National Gothic; Ringmaster; Toscana; Wood Relief; and 80 other high-impact typefaces.Each font contains a complete upper-case alphabet; many include numerals, lower-case alphabets, punctuation marks, and symbols or vignettes. Available in a variety of sizes, the faces come in assorted shapes--mostly tall, fat, and bold--but always eye-catching and affordable.

100 royalty-free alphabets: Blackstone, Dolbey, Germania, 97 more -- with many lowercases, numerals, punctuation marks.

Spirited history and comprehensive instruction manual covers 13 styles (ca. 4th-15th centuries). Excellent photographs; directions for duplicating medieval techniques with modern tools.

1,685 bizarre and ornamental letters, including 50 full alphabets in varied motifs.

Ninety-one complete alphabets -- medieval to modern -- include 3,924 decorative initials, including Victorian novelty and Art Nouveau. These alphabets were obtained from rare, out-of-print books, generally available only in libraries or in the rare-book market. They were reproduced directly from the pages of a large and expensive collection that was made specifically for the production of this volume. Since they are direct reproductions, they will all reproduce again excellently.The book has been carefully arranged and annotated so that the students of letters and types may have a complete understanding of decorative alphabets and initials. The work is divided into three parts. Part One deals entirely with manuscript initials as they were used from the 8th to the 15th century. It includes Celtic initials, rare designs from the Bible of Charles the Bald, and incised letters from the monument of Richard II in Westminster Abbey. Part Two contains initials from printed books, starting with the 15th century and running through the 18th. Here are the fanciful creations of the 16th-century woodcutters: initials illustrated with children, cherubs, birds, beasts, flowers, legends, and grotesque heads. The works of the later engravers, writing, masters, and baroque and rococo designers follows in order. Part Three attempts to arrange the great weeds jungle of Victorian letters and types and concludes with the 20th-century alphabets such as the distinctive wood engravings of Edward Wadsworth. Each section has an historical introduction and each plate has a descriptive caption.

Considered by many the most beautiful book ever created, Ireland's Book of Kells is renowned for its glorious handwritten script, developed by monks and scribes in the sixth and seventh centuries A.D. One of the most distinctive features of the script is the triangular serif at the top of the letters. For many years, the derivation of the triangular form was a mystery to calligraphers.Now, in this remarkable new manual, noted calligrapher Arthur Baker reveals how the ancient scribes produced the distinctive triangular serif, an effect that can be traced back to the magnificent capitals of first-century Rome. This easy-to-follow book shows you how to achieve the same results; it is a complete stroke-by-stroke guide to creating each letter of the alphabet in the age-old Celtic manner. Crystal clear instructions also cover pens, inks, work surface, paper and lines, how to hold the pen, and more. An introduction by calligrapher William Hogarth outlines the background of the Kells script and Arthur Baker's contributions to clarifying its origins. Calligraphy, or the art of beautiful writing, is currently enjoying a resurgence of popularity among those who delight in the elegance and artistry of a fine hand. This new stroke-by-stroke manual, by a leading practitioner of the art, details the hand positions, techniques, and tools required to produce the half-uncial style, among the most beautiful and unique writing styles ever invented. Original Dover (1983) publication.

Complete instructions and examples help you create your own magnificent swirls, delicately shaded curves, harmoniously crisscrossing lines, from which birds, rabbits, deer, ribbons, and other objects gracefully emerge.

The art of beautiful handwriting is no more difficult to master for the left-handed than for the right-handed student. But the left-handed writer requires a special orientation which most guidebooks on the subject do not provide. This excellent study remedies that situation handsomely. Generously illustrated, it offers full, intensive coverage of the art of calligraphy from the left-handed writer's point of view. Vance Studley, an award-winning calligrapher and well-known arts educator and author, shows left-handers how to select appropirate tools and materials, learn correct hand, pen and nib positions, master compositon and page layout, and much more. Four model alphabets are introduced--Italic Hand, Chancery Cursive, Uncial Hand, and the Foundation Hand--each providing valuable lessons in the mastery of left-handed calligraphy. With each lesson, students will move forward confidently to new levels of skill in this time-honored art. Unabridged Dover (1991) republication of the edition originally published by Van Nostrand Reinhold Company, New York, 1979.