Böcker i Karen and Michael Braziller Bo-serien

A critically-acclaimed novel by one of our premier fiction writers. The Marks of Birth is set in the island of Barata, an imaginary Cuba, and portrays a family caught up in political events. When the revolutionary forces of Nicolas Campian seize power, Antan Garcia-Turner is forced to flee the island by boat. His arrival in Key West, and later in New York City, marks the beginning of the marvels and horrors he will encounter in el Norte and of his realization that his personal destiny can only be "fulfilled in blood." Beautifully writtenwith humor, intensity, and imaginative brillianceThe Marks of Birth is a powerful portrait of a people in exile.

Stories about a Sixties commune in Washington State, a generation later. The quirky residents of Curtain Creek Farm still make sandals, weave blankets, and grow organic vegetables; but now they also have a web site; their children are having children; and into their underground homes, tree houses, and tin-roofed cabins, aging parents are coming to live with them. Nance Van Winckel "merges popular culture and utopian lifestyles with rosy, generous vision" (Publishers Weekly) in these "fully satisfying stories" (Seattle Times).

In Blue Venus, Lisa Russ Spaar explores the intimate relationship between the sensual and the sacred. Her nocturnal poems weave themselves into the very fabric of private fervorlyric, sexual, spiritualbeginning with "Dusk" and continuing on until "Dawn." Fierce and giving, Spaar's exquisite verse isolates essential moments of vulnerability and wonder. A series on insomniain the voices of some notable insomniacsis among the most moving extended sequences in recent memory. Elsewhere, she traces poetry back to its primordial rootsprayer, lullabye, mourning, exaltation. Propelled throughout by a resolute belief in the relationship between the human and the cosmic Blue Venus is "a brilliant new star in poetry's firmament" (Carol Muske-Dukes).

Whether in the title poem, spoken by those who lived longingly and vicariously through the famous missing aviator, or in "Circus Fire, 1944," which intimately recounts a haunting New England tragedy, Gabrielle Calvocoressi uses her prodigious gifts of imagination and empathy to give voice to the hope and heartbreak of small-town America. In painstaking, vernacular verse, she conveys the ambitions and failings of a distraught populacein the edgy jazz portrait, "Suite Billy Strayhorn," for example, or the enthralling, interwoven sequence, "At the Adult Drive-In," which conveys, at once, a personal and communal corruption. Penetrating and compassionate, The Last Time I Saw Amelia Earhart portrays, with a storyteller's arc, the troubled landscape of the left-behind.

Savyon Liebrecht, one of Israel's most distinguished and popular authors, has won an avid readership in the U. S. for her rich, believable fiction about affairs of the heart. Her newest collection includes seven long stories named for placesMunich, America, Tel Aviv, Hiroshimaand features Israelis abroad, women and men in love and in trouble far away from home. A woman living congenially in Hiroshima for nine years becomes involved in a love triangle with an American and a Japanese, and learns with chilling finality that she can never be at home in this city of the Japanese holocaust. The tables turn on an Israeli journalist, in Munich to cover the trial of a Nazi war criminal, when he becomes a witness to anti-Arab violence and to the murder of a beautiful Muslim woman he has secretly desired. In these searing stories setting becomes an accomplice to fate, and history intrudes into the heat of passion. In the end, A Good Place for the Night makes us realize that we are all wanderers, and the safe haven of "home" is only an idea.

First published in English in 1959 and long unavailable, Rachmil Bryks's vivid stories portray Jewish life in the Lodz ghetto and at Auschwitz. In a spare and tragicomic style, they illuminate the small and large absurdities that arise at the limits of human endurance-from the cooking of "roast meat" made of cabbage leaves to the predicament of Jews forced to cooperate in the hierarchy of their own annihilation. Deceptively simple and often humorous, these stories nevertheless mirror Bryks's nuanced view of major moral dilemmas of the period: action vs. inaction, preserving dignity vs. survival.This new edition brings together Bryks's well-known novellas, "A Cat in the Ghetto" and "Kiddush Hashem;" two short stories; an early poem; and his important but little-known essay, "My Credo," in which he defends his use of black humor in writing about unspeakable tragedy. A new introduction by scholar Adam Rovner and a new afterword by the author's daughter Bella Bryks-Klein illuminate Bryks's life and the work from two distinct perspectives.

A unique collection that delves deep into the consciousness of a West Virginian coal mining community.This extraordinary debut is an inhabiting of the town of Logan, West Virginia. In four gorgeous lyric sequences, Alena Hairston conducts the voices of this population of miners and their kin, poignantly rendering their destitution, their heartbreak, and their incongruous strength and spirit. Winner of Persea's inaugural Lexi Rudnitsky Poetry Prize, a first-book award for American women poets.

On the occasion of her one hundredth birthday in 2001, a new edition of Laura Riding's collected poems. Always ahead of her time, no other major poet of the last century enters the twenty-first so fresh, so essentially unexplored as does Laura Riding. Her formidable credentials as a modernist need no longer distract attention from the class-of-her-own this writer occupies. Beginning in spiritual respect for Shelley, Whitman, and Francis Thompson, Riding's resolve to work toward nothing less than "the essence of the good in language" carries her across an entire poetic world within this volume--as it afterwards carried her out of poetry altogether. This centennial volume presents the entire content of the 1980 edition, together with the author's retrospective Introduction and Appendices, corrected and reset. The poem-text reproduces, with the few errata corrected, the typography and design of the celebrated first edition of 1938, as supervised by the author herself. Included are the ten memorable full-page illustrations by John Aldridge.