Böcker i Hellenic Studies Series-serien

This book examines the overall testimony of Plato as an expert about the cultural legacy of these Homeric performances. Plato's fine ear for language--in this case the technical language of high-class artisans like rhapsodes--picks up on a variety of authentic expressions that echo the talk of rhapsodes as they once practiced their art.

A Monument More Lasting than Bronze analyzes the motives for establishing a Department of Classics at the University of Malawi and the political goals it served, and examines it in the context of Classics worldwide. A balanced team of authors, some Malawian, some foreign with Malawian connections, brings varied perspectives to this reflection.

The Iliad reveals a traditional oral poetic style, but many believe that the poem cannot be treated as solely a product of oral tradition. In The Iliad and the Oral Epic Tradition, Karol Zieli¿ski argues that neither Homer¿s unique artistry nor references to events known from other songs necessarily indicate the use of writing in its composition.

Priene provides a complete picture of life in an ancient Greek city of the late Classical and Hellenistic period. This study presents the first comprehensive look at the architecture of the city, combining material from the first excavation of 1894 and more recent work at the site. It includes redrawn architectural plans and reconstructions.

Smaro Nikolaidou-Arampatzi analyzes the direct and indirect evidence of Euripides' fragmentary play, the Ino, and reexamines matters of reconstruction and interpretation. This work is a full-scale commentary on Euripides' Ino, with a new arrangement of the fragments, an English translation in prose, and an extensive bibliography.

An examination of the changes in the language used by the media in Greece since the fall of the dictatorship, Greek Media Discourse demonstrates the way language provokes critical debate, questions the forces that shape a discourse, and leaves unanswered: How pedagogical can a public discourse be when it loses its democracy as a social good?

TA-U-RO-QO-RO takes up problems of script and language representation and textual interpretation, ranging from the use of punctuation marks and numbers in the Linear B to personal names and place names reflecting the ethnic composition of Mycenaean society and the dialects spoken during the proto-Homeric period of the late Bronze Age.

During the Aegean Bronze Age, the spread of woolen textiles triggered an increased demand for color. In The Purpled World, Silver reveals how Minoan and Mycenaean textile producers embedded commercial motivation into traditional rituals, and considers collapse of the Mycenaean Palaces as a manifestation of disintegration in the textile industry.

Love in the Age of War explores soldier characters that were at the center of many of Menander's plays. While later traditions turned these characters into clowns, Wilfred Major details how Menander portrayed the soldiers as challenging and complex men who struggle to find a place in society, and whose stories may resonate more powerfully today.

Greek Language, Italian Landscape traces the transformation of language ideologies and practices of Griko, a variety of Modern Greek used in the Italian province of Lecce, and proposes the concept of "the cultural temporality of language" to describe how locals are converting what was once considered a "backward language" into a symbolic resource.

From 2010 to 2014, the Classics Department at the University of Heidelberg set out to trace over two millennia of research on Greek particles within and beyond ancient Greek. Particles in Ancient Greek Discourse builds on this scholarship and analyzes particle use across five genres: epic, lyric, tragedy, comedy, and historiography.

The Ancient Greeks not only spoke of time unfolding in a specific space, but also projected the past upon the future in order to make it active in the social practice of the present. This book shows how the Ancient Greeks' collective memory was based on a remarkable faculty for the creation of ritual and narrative symbols.

William Brockliss, responding to George Lakoff's and Mark Johnson's analysis of metaphor, explores the Homeric poets' use of concrete concepts drawn from the Greek natural environment to aid their audiences' understanding of abstract concepts. In particular, he considers Homeric images associating flowers with deception, disorder, and death.

This is the first collection of essays in English devoted to discussion of a newly recovered Sappho poem and two other incomplete texts on the same papyri. The contributions demonstrate how the "New Sappho" can be appreciated as a complete, gracefully spare poetic statement regarding the painful inevitability of death and aging.

This book offers the first interdisciplinary and in-depth study of the cultural practices and ideological paradigms that conditioned the politics of the "reading" of Sappho's songs in the early and most pivotal stages of her reception-the late archaic, classical, and early Hellenistic periods.

This book probes the narratives of poets who are exiled, tried or executed for their satire. It views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression and are necessary, yet dangerous, to society.

First published in 1960, The Singer of Tales remains the fundamental study of the distinctive techniques and aesthetics of oral epic poetry-from South Slavic epic songs to the Iliad, Odyssey, Beowulf, and beyond. This edition offers a corrected text and is supplemented by an open-access website with audio recordings.

One of the most significant contributors to late antique literary culture, Eusebius of Caesarea has received only limited attention as a writer and thinker in his own right. Focusing on the full range of Eusebius's works, the new studies in Eusebius of Caesarea will change how classicists, theologians, and historians think about this major figure.

Casey Due, coeditor of the Homer Multitext, explores both the traditionality and multiformity of the Iliad. Due argues this multiform nature gives us glimpses of the very long history of the text, access to even earlier Iliads, and a greater awareness of the mechanisms by which such a remarkable epic poem could be composed in performance.

Audible Punctuation focuses on the pause in Homer's Iliad and Odyssey, both as a compositional feature and as a performative aspect of delivery. Ronald Blankenborg's analysis of metrical, rhythmical, syntactical, and phonological phrasing shows that the text of the Homeric epic allows for different options for performative pause.

This volume integrates philosophical and religious perspectives on the relation between body and soul. Focusing on the transformative period of the first six centuries CE, one hears echoes of Plato and Aristotle. The polyphonic-but not dissonant-dialogue is created by an international group of scholars in ancient philosophy, theology, and religion.

Trachsel's work represents the first treatment dedicated to Demetrios of Scepsis in over a century. She offers a thorough analysis of the ancient and modern reactions to Demetrios's research into the Iliad and the Trojan landscape and provides new evidence about the impressively wide range of other topics Demetrios's work may have contained.

Andrew Porter explores characterization in Homer, from an oral-traditional point of view, through the resonance of words, themes, and "back stories" from the past and future. He analyzes Agamemnon's character traits in the Iliad, including his qualities as a leader, against events such as his tragic homecoming in the Odyssey.

Explores the superficially minor role of Thetis in the Iliad. This volume features six additional essays, which cover a range of topics in the study of the Greek Epic: the workings of genre in Hesiod and Homer; the poetics of exchange; and the nature of enmity and friendship. It also includes a study of the Hesiodic Catalog of Women.