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The Goethe Yearbook is a publication of the Goethe Society of North America, which was founded in 1980 to promote the study of Goethe and his contemporaries. Originally conceived as a vehicle for Goethe criticism in English during the Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not available to most Western scholars, the Yearbook subsequently gained the respect of the international community, and has published articles, in both English and German, by scholars from around the world; it is unique among other periodicals devoted to the 'Goethezeit' for its extensive book review section.

A publication of the Goethe Society of North America, carrying Goethe criticism (and studies of his contemporaries); extensive book review section.

The latest volume in the respected series, this issue as usual contains cutting-edge criticism on topics of interest to scholars of the period 1770-1832.

Volume 12 is dedicated to founding editor Thomas P. Saine, and includes essays on Goethe's novels, plays, and poems, the Ilmpark, Bach, Ossian, Goethe reception, and Schiller.

Essays on the Wilhelm Meister novels, Faust, Goethe's early plays, Schiller's Rauber and on Goethe's thought in relation to current debates on cosmopolitanism and postcoloniality.

New, interdisciplinary essays on an array of topics ranging from Goethe and mineralogy to theories of masculinity around 1800.

Groundbreaking essays highlighting Goethe's relevance to contemporary theoretical debates and Goethe criticism of recent decades.

New articles on topics spanning the Age of Goethe, with a special section of fresh views of Goethe's Faust.The Goethe Yearbook is a publication of the Goethe Society of North America, publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcomingcontributions from scholars around the world. Goethe Yearbook 17 covers the full range of the era, from Karl Guthke's essay on the early Lessing to Peter Hoyng's on Grillparzer. Notable is a special section, co-editedby Clark Muenzer and Karin Schutjer, that samples some of the exciting new work presented at the Goethe Society conference in November 2008: 200 years after the publication of Faust I, eight essays offer fresh views of this epic masterpiece, often through novel and surprising connections. Authors link for example Faust's final ascension and the circulation of weather, verse forms in the drama and the performance of national identity, the fate of Gretchen and the occult politics of Francis Bacon. Other papers explore epistemological structures and taxonomies at work in Goethe's prose, essays, and scientific writings. Contributors: Frederick Amrine, Johannes Anderegg, Matthew Bell, Benjamin Bennett, Gerrit Bruning, Christian Clement, Pamela Currie, Ulrich Gaier, Karl Guthke, Stefan Hajduk, Peter Hoyng, Clark Muenzer, Andrew Piper, Herb Rowland, Heather Sullivan, Chad Wellmon, Ellwood Wiggins, Markus Wilczek. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professor of German at the University of Pennsylvania.

A new crop of essays on topics in the literature of Goethe and the Goethezeit, with a special section providing innovative readings of Goethe's lyric poetry.

Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on Goethe and visual culture.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 23 features a special section on visual culture with contributions on the visual aesthetics of Goethe's 1815 production ofProserpina (Bersier); on the Farbenlehre (Lande); on Tableaux Vivants in Goethe's Die Wahlverwandtschaften (Solanki); on the relationship between Goethe and C. G. Carus and their respective views on the representation of nature in art and science (Allert); and on visual and verbal bricolage in Clemens Brentano's Gockel, Hinkel und Gackeleia (MacLeod). There are also articles on Goethe and ancient mystery religions (Amrine); on Goethe's fairy-tale aesthetics (Brown); on the concept of neutrality (Holland); on the concept of the mathematical infinite (Smith); on virginity and maternity in Werther (Nossett); on the Classical aesthetics of Schlegel'sLucinde (ter Horst); and on motherless creations in Faust (Nielsen). Contributors: Beate Allert, Frederick Amrine, Gabrielle Bersier, Jane K. Brown, Jocelyn Holland, Joel B. Lande, Catriona MacLeod, WendyC. Nielsen, Lauren Nossett, John H. Smith, Tanvi Solanki, Eleanor ter Horst. Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Bookreview editor Birgit Tautz is Associate Professor of German at Bowdoin College.

Cutting-edge scholarly articles on diverse aspects of Goethe and his age, featuring in this volume a special section on the poetics of space in the Goethezeit.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 24 features a special section titled "e;The Poetics of Space in the Goethezeit,"e; co-edited by John Lyon and Elliott Schreiber, with contributions on blind spots in Goethe's Elective Affinities; on the topography and topoi of Goethe's autobiographical childhood; on disorientation and the subterranean in Novalis; on selfhood, sovereignty, and public space in Die italienische Reise and Dichtung und Wahrheit; on Goethe's theater of anamnesis in Wilhelm Meisters Lehrjahre; and on spatial mobilization in Kleist's Berliner Abendblatter. There are also articles on the horror of coming home in Caroline de la Motte Fouque's "e;Der Abtrunnige"e; and on Friedrich Heinrich Jacobi's Eduard Allwills Papiere. Contributors: Colin Benert, Stephanie Galasso, Tove Holmes, Edgar Landgraf, Sara Luly, John B. Lyon, Anthony Mahler, Monika Nenon, Joseph O'Neil, Elliott Schreiber, Inge Stephan, Gabriel Trop, Christian P. Weber. Adrian Daub is Associate Professor of German at Stanford. Elisabeth Krimmer is Professor of German at the University of California Davis. Book review editor Birgit Tautz is Associate Professor of German at Bowdoin College.

Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on acoustics around 1800.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 25 features a special section on acoustics around 1800, edited by Mary Helen Dupree, which includes, among others, contributionson sound and listening in Ludwig Tieck's Der blonde Eckbert (Robert Ryder) and on the role of the tympanum in Herder's aesthetic theory (Tyler Whitney). The volume also contains essays on Goethe and stage sequels(Matthew Birkhold), on figures of armament in eighteenth-century German drama (Susanne Fuchs), on the dialectics of Bildung in Wilhelm Meister (Galia Benziman), on the Gothic motif in Goethe's Faust and "e;Von deutscher Baukunst"e; (Jessica Resvick), on Goethe and Salomon Maimon (Jason Yonover), on Goethe's "e;Novelle"e; (Ehrhard Bahr), and on Schiller's Burger critique (Hans Richard Brittnacher). Contributors: Ehrhard Bahr, Galia Benziman, Matthew H. Birkhold, Hans Richard Brittnacher, Linda Dietrick, Mary Helen Dupree, Susanne Fuchs, Deva Kemmis, Jessica C. Resvick, Robert Ryder, Patricia Anne Simpson, Chenxi Tang, Tyler Whitney, Jason Yonover, Chunjie Zhang. Adrian Daub is Associate Professor of German at Stanford University. Elisabeth Krimmer is Professor of German at the University of California Davis.

This year's volume is highlighted by a special section on Goethe's narrative events in addition to a range of other articles from emerging and established scholars.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 26 features a special section on Goethe's narrative events, with contributions on "e;Narrating (against) the Uncanny: Goethe's "e;Ballade"e; vs. Hoffmann's Der Sandmann,"e; "e;The Absence of Events in Die Wahlverwandtschaften,"e; and "e;Countering Catastrophe: Goethe's Novelle in the Aftershock of Kleist."e; This issue also showcases work presented atthe 2017 Atkins Goethe Conference (Re-Orientations around Goethe), including contributions by Eva Geulen on morphology and W. Daniel Wilson on the Goethe Society of Weimar in the Third Reich. In addition there are articles by emerging and established scholars on Klopstock, Schiller, Goethe and objects, dark green ecology, and texts of the Goethezeit and beyond through the lens of world literature. Book reviews conclude the volume. Contributors: Lisa Marie Anderson, Thomas O. Beebee, Fritz Breithaupt, Christopher Chiasson, Patrick Fortmann, Sean Franzel, Eva Geulen, Willi Goetschel, Stefan Hajduk, Samuel Heidepriem, Bryan Klausmeyer, Lea Pao, Elizabeth Powers, James Shinkle, Heather I. Sullivan, Christian P. Weber, W. Daniel Wilson, Karin A. Wurst. The Goethe Yearbook is edited, beginning with this volume, by Patricia Anne Simpson, Professor of German and Chairperson of Modern Languages at the University of Nebraska-Lincoln, and Birgit Tautz, George Taylor Files Professor of Modern Languages at Bowdoin College. Book Review Editor is Sean Franzel, Associate Professor of German at the University ofMissouri-Columbia.

A new Forum section focuses on the impact of Digital Humanities on Goethe scholarship and on eighteenth-century German Studies, alongside articles on a diverse range of authors and topics.The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the Goethezeit. Volume 27 features the yearbook's first Forum, a discussion of the impact of Digital Humanities (DH) and "e;computational criticism"e; on Goethe scholarship and eighteenth-century German Studies more broadly. For this launch, invited contributors were askedto consider the canon in comparison to "e;the great unread"e; (Margaret Cohen): the vast expanse of uncanonized texts. The contributions evince approaches that go beyond the established binary of scholarly methods vs. data sciences; they also explore DH as a way of navigating the gendered fault lines of canon formation. Beyond the Forum, there are articles on Goethe's self-marketing, on several of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume. Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Hoppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.

Volume 29 features articles on Anton Reiser; the legacies of German romanticism; Goethe's morphology and computational analysis; Goethe commemorations in Argentina; and Goethe's Weltliteratur in the context of trade with China, along with two special sections and the book review.

Volume 30 features special sections on "unexpected bodies" and on new directions in eighteenth-century studies (on Enlightenment, whiteness, and race), as well as a range of other articles.