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This work, covering the years 1816-1820, makes the contents of some of the tens of thousands of sales catalogues published during the 19th century accessible to scholars. Information provided includes sales dates and lot numbers, prices and names of buyers and sellers, and locations of auctions.

Arising from the proceedings of two symposia, this text is composed of contributions by scholars who examine the social, intellectual and historical contexts of the work of the Italian Renaissance artist Giovanni di Lutero, who used the name Dosso.

A review of the literature on the impact of light sources, particularly photo and reprographic flash, on art and archival materials. It should be useful to museum conservators, conservation scientists, and museum and technical libraries.

Uses twenty-six photographs from the J Paul Getty Museum's collection to show children the alphabet in action - and teach them some interesting ways to look at, and wonder about, works of art.

Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars.

Analyzing artists' representations of angels and demons and heaven and hell from the Judeo-Christian tradition, this volume describes how they evolved over time. Divided into chapters, it looks at these images, and how they came to be portrayed with the physical attributes - wings, halos, horns, and cloven hooves.

In the sixteenth century, the humanist values and admiration for classical antiquity that marked the early Renaissance spread from Italy throughout the rest of the continent. Part of the "Art through the Centuries" series, this volume is divided into three sections that discuss the important people, concepts, and artistic centres of this period.

Offers a detailed overview of the greatest archaeological sites and discoveries from ancient Greece - with contributions from both those who have excavated the sites and scholars who have spent a lifetime studying the monuments.

The remains of the ancient city of Pompei have provided archaeologists with evidence into the daily life of a city at the height of the Roman Empire. This title takes a look at how ancient Romans interacted in their public squares, how they worshipped and spent their leisure time - at the theatre, in the gyms, and in the baths and brothels.

An exploration of Greek theatre as seen through its many depictions in classical art. It addresses the vibrant imprint that ancient Greek tragedy and comedy left on the visual arts of classical Greece.

Rather than offering a chronological discussion, this book presents early Netherlandish paintings as individual objects that have confronted scholars with countless interpretive challenges. Divided into three parts, it advances the scholarly dialogue about an important period in European art, by assembling scholarly research in the field.

Offers an illustrated review of the work of photographer Jo Ann Callis. This volume attests to Callis' singular vision of the delicate boundary between the world within and the world without.

In eight decades photographer Manuel Alvarez Bravo created works of art that display an array of styles and themes. This volume contains 50 images with extended commentaries on each by Robert Tejada, a curator and critic. There is also a transcript of a symposium on Manuel Alvarez Bravo.

This is a companion volume to "Seismic Stabilization of Historic Adode Structures: Final Report of the Getty Seismic Adode Project", and it offers guidance for planners, architects and engineers in the retrofitting of historic and culturally significant adode structures.

This work pairs Mark Doty's elegy to his friend, Lynda Hull, with visual details of Murano glass. The poem originally appeared in "Sweet Machine" published by Harper Flamingo in 1998. The Murano glass is from the Getty collection.

A study of the work of William Henry Fox Talbot, who is credited with being the inventor of photography as we know it. It reproduces 50 of his photographs from the Getty Museum's collection, along with commentary on each. There is also an edited transcript of a colloquium on Talbot's career.

Archaeological sites world-wide are threatened by different forces. This volume reports on the proceedings of a workshop held to discuss challenges faced by archaeological sites in the Mediterranean and to examine management planning methods that might generate effective conservation strategies.

Museums worldwide face the challenge of finding non-toxic methods to control insect pests. This manual focuses on practical rather than theoretical issues in the use of oxygen-free environments. The accompanying CD-ROM contains the text, along with an index with terms linked to the text.

During the reign of the Roman Empire, many of the town houses and rural estates in North Africa were decorated with beautiful mosaics. These works were especially widespread in Tunisia. This volume is structured around 4 themes - Nature, Theatre and Spectacle, Gods and Myths, and Technique - and features 27 mosaics from Tunisia's museums.

Chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality.

It is often assumed that reading about the lives of artists enhances our understanding of their work. This book contains a collection of essays, by a number of respected art historians that attempt to address this relationship by looking at the life and works of such artists as Andy Warhol, Bob Dylan, Van Gogh, Cezanne, and Leonardo da Vinci.

Seeks to familiarize American audiences with Nicolas Lancret(1690-1743), a master of the genre of fete galante, who was a revered painter in his own time, rivalling his contemporaries Antoine Watteau and Francois Boucher, and a favourite of crowned heads across Europe.

Aimed at the lovers of architecture, photography and ancient art, this souvenir book aimes to capture the architecture and grounds of the renovated Getty Villa. Illustrated with more than seventy colour photographs, it guides the readers through the site - beginning with the cobblestone 'Roman road' through the refurbished Museum building.

For millennia, people of all cultures have decorated the surfaces of their domestic, religious, and public buildings. Earthen architecture, in particular, has been a common ground for surface decoration, such as paintings, sculpted bas-relief, and ornamental plasterwork. This volume explores the issues associated with preserving these surfaces.

Louis de Carmontelle was an 18th-century French draftsman, painter, and garden designer. In 1783, he began painting a series of panoramas on translucent paper that, when cranked through a backlit viewing box gave viewers the experience of journeying through beautiful landscapes. This title offers glimpse into the beginnings of the moving image.

The Fon, who are the largest ethnic group in the Republic of Benin in West Africa, established the powerful kingdom of Dahomey in the early seventeenth century. In their capital city of Abomey, they built a remarkable complex of palaces, featuring walls decorated with colorful low-relief sculptures, or bas-reliefs, which recount legends and battles and glorify the history of their royal dynasty's reign. Over the centuries, these visual stories have represented and perpetuated the history and myths of the Fon people. Palace Sculptures of Abomey combines lavish color photographs of the bas-reliefs with a lively history of the Dahomey kingdom, complemented by period drawings, rare historical photographs, and colorful textile art. The book provides a vivid portrait of these exceptional narrative sculptures and the equally remarkable people who crafted them. Also included is a discussion of the continuing popularity of bas-reliefs in contemporary West African art, a reading of the stories on the walls, and details of the four-year collaboration between the Benin Ministry of Culture and Communications and the Getty Conservation Institute to conserve the bas-reliefs of Abomey.

"Nature and Its Symbols is the fifth volume in the series A Guide to Imagery, reference guides whose goal is to explain the symbols used in art. This volume includes chapters on plants, flowers, fruits, and animals of the earth, air, and water, as well as fantastical creatures such as centaurs, griffons, and dragons. The vivid illustrations, which include paintings and tapestries from some of the world's premier museums, are accompanied by texts that offer careful analyses of the artists' depictions of the natural world. Each entry discusses the symbolic significance of the particular plant, fruit, or animal portrayed, its mythic or literary origins, and the episodes or individuals associated with it. These salient points are also called out in summary form within each entry, making the information easily accessible. The reader discovers, for example, that the iris can represent Jesus or the purity of the Virgin Mary as well as the kings of France or the city of Florence. The monkey, which can be symbolic of the devil, heresy, or bad temper, is also associated with the three wise men who traveled to Bethlehem to pay homage to the infant Jesus. By bringing to life the natural world as portrayed in art, this book will surely be an indispensable resource for museum visitors, art lovers, and students.

In 2005, the Institut National du Patrimoine of Tunisia played host to the ninth Triennial meeting of the International Committee for the Conservation of Mosaics (ICCM). The meeting focused on assessing past practices of mosaic conservation, both in situ and in museums. This volume provides readers with a record of the conference proceedings.

The effects of war and famine in Europe, in the 14th century, lead to a widespread mystical religiosity, which emphasised both joy and suffering. This in turn inspired the creation of some of the most magnificent religious art of the period. This illustrated work highlights the most important artists, works, concepts and theories of the period.