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  • av Kathleen Curran
    729,-

    American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections.

  • av Sarah Court
    465,-

    This volume provides a striking account of the life, destruction, rediscovery, and cultural significance of the Roman town ofHerculaneum and its grandest residence-the House of the Bicentenary.

  • av Volker M. Welter
    769,-

    This volume analyzes the extraordinary patronage of modern architecture that the Tremaine family sustained for nearly fourdecades in the mid-twentieth century.

  • av Idurre Alonso
    939,-

    This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

  • av Susan F. Lake
    575,-

    This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist.

  • av Matthew Hayes
    865,-

    Repairing works of art and writing about them-the practices that became art conservation and art history-share a common ancestry. This handsomely illustrated volume charts the intersections between the two fields in the treatment of Italian Renaissance paintings in nineteenth-century Europe and proposes a model for a new conservation history.

  • av Donatien Grau
    505,-

    In almost thirty interviews, Donatien Grau probes some of the world's most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.

  • av . Giorgi
    389,-

    Presents a history of Christian Church as portrayed throughout Western art. This book examines artistic representations of liturgical objects - including altars, crosses, and censers. It offers an analysis of the lives and portraits of notable leaders, from Peter and Paul to Thomas More and Pope Paul VI.

  • av Jeffrey Spier
    869,-

    A milestone publication on the occasion of a major international exhibition that examines cross-cultural contact between Greece, Rome and Egypt.

  • av Andrei Codrescu
    315,-

    From the 1920s to the time of his death in 1975, photographer Walker Evans was obsessed with the signage he found in modern America--from billboards to gas station pumps to street graffiti to handmade announcements of a Saturday-night dance. This book features 50 of his photographs of signs from the Getty Museum's collection, plus 50 additional il

  • av Virginia Heckert
    375,-

    A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century.

  • av Weston Naef
    659,-

    This set brings together three photographers who have strong European ties - Kertesz and Moholy-Nagy were born and grew to maturity there, and Man Ray spent almost 40 years there. Each was also active in America. The social and artistic ferment of two continents is reflected in their work.

  • av . Bailey
    309,-

    Jean-Baptiste Greuze created "The Laundress" in 1761. This work traces the history of the painting, compares it to other Greuze paintings of laundresses and places the artist in the social and cultural mores of the period.

  • av Erik Inglis
    309,-

    Part of the Medieval Imagination series, this title explores portraiture in the medieval and Renaissance periods.

  • av . Rainer
    1 075,-

    Explores the issues surrounding the study and conservation of earthen architecture. This title addresses such themes as earthen architecture in Mali, conservation of living sites, local knowledge systems and intangible aspects, seismic and other natural forces, and the management of archaeological sites.

  • av Thomas W. Gaehtgens
    309,-

    Examines the making of the first modern catalogue - La galerie electorale de Dusseldorff. This book showcases this one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum.

  • av David Brafman
    519,-

    This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city's diverse artistic landscape.

  • av . Thomson
    309,-

    Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.

  • av . Politi
    285,-

    Tells the story of the yearly return of the swallows to the Mission San Juan Capistrano through the eyes of a small child, Julian, the bell ringer of the Mission. This book includes the music and lyrics for "La Golondrina", a song about the swallows that the author composed himself.

  • av . Franits
    349,-

    Examines the painting in relation to the artist's life and works, explores his stylistic development, and considers as well, his often complex relationship with other artists. This work also looks at the subject matter of the piece within the broader historical context of 17th-century Dutch concepts of domesticity and parenthood.

  • av . Robertson
    309,-

    It is Paris in the 1400s. A young girl named Marguerite delights in assisting her father, Jacques, in his craft: illuminating manuscripts for the nobility of France. His current commission is a splendid book of hours for his patron, Lady Isabelle, but will he be able to finish it in time for Lady Isabelle's name day?

  • av . Perkins
    335,-

    Attentive observation of art provides an excellent opportunity for better thinking, for the cultivation of the "art of intelligence." The arts are important in an educational setting, therefore, because they can cultivate important thinking strategies in children and adults alike. Withcarefully chosen illustrations, Perkins demonstrates how the reflective approach to art can develop broader, more adventurous, and clearer avenues of thought.

  • av . Lichenstein
    519,-

    Beginning in the seventeenth century, many of Europe's greatest writers and artists became embroiled in a debate that centered on the priority of paintings or sculpture, touch or sight, colour or design, ancient or modern. This title lets us eavesdrop on a contentious topic that preoccupied European intellectuals for three hundred years.

  • av . Lapatin
    1 005,-

    Presents more than twenty papers that examine subjects as diverse as Social Contexts for Athenian Vases, Conservation and Analysis, Experimentation, and Markets and Exchange.

  • av . Muthesius
    375,-

    This text aims to define the elements of early modernist architecture according to notions of realism and simplicity. Its critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed as a cornerstone of the modern movement.

  • av . Baldwin
    335,-

    Highlights images of architecture from Greek temples to Gothic cathedrals to modern-day skyscrapers. This title spans the history of the medium and includes works in a variety of photographic processes by such distinguished practitioners as Gustave Le Gray, Roger Fenton, Eugene Atget, Walker Evans, Ed Ruscha, Lewis Baltz and Michael Wesely.

  • av . Mattusch
    1 145,-

    The Villa dei Papiri at Herculaneum buried during the eruption of Mt. Vesuvius in A.D. 79, then rediscovered in 1750 contained a large collection of bronze and marble statuary and busts.

  • av . Dobbs
    339,-

    A completely revised edition providing a practical, straightforward guide to the theory and practice of discipline-based art education, explaining how DBAE draws content from the disciplines of art-making, art criticism, art history and aesthetics.

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