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The architectural photographer Julius Shulman (1910-2009) is one of the few image makers to have documented, as well as witnessed, nearly an entire century of Los Angeles history. This title presents a pictorial history of the City of the Future. It features 60 images and an informative essay exploring Shulman's talent.

Drawing on a range of materials, this title interprets Robert's artworks as harbingers of a modern appetite for self-destruction: the paintings are examined as expressions of the pleasures and perils of a risk economy.

In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. This book explores the connections between photography and the monarchy through Victoria's embrace of the new medium and her portrayal through the lens.

The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes, collectively known as the Silk Road, that once linked China with the West. This book gives an account of a ground-breaking conservation project to conserve the cave paintings of the Mogao Grottoes in China.

A reference on all known aspects of Greek, Etruscan, and Roman cults and rituals encompassing the period from 1000 BC to AD 400. It features illustrated articles that address topics such as processions, sacrifices, libation, purification, consecration/foundation rites, heroization and apotheosis, dance, music, divination, prayer, and magic.

With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the concept of a unified interior. It argues that art history - even the emergence of the modern category of fine art - was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.

Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function.

The Mogao grottoes in China, situated near the town of Dunhuang on the fabled Silk Road, constitute one of the world's most significant sites of Buddhist art. This title include, narrations about the wall paintings, statues, thousands of ancient manuscripts, such as sutras, poems, and prayer sheets. It also include photographs of the caves.

"The essays by Marina Garone Gravier, Diana Magaloni Kerpel, and Juan M. Ossio A. were translated by Marisol Wohl."

Earthquakes pose myriad dangers to heritage collections worldwide. This book provides an accessible introduction to these dangers and to the methodologies developed at the Getty and other museums internationally for mitigating seismic vulnerability. Conceived as a primer and reference, this abundantly illustrated volume begins with an engaging overview of explanations for earthquakes from antiquity to the nineteenth century. A series of chapters then addresses our modern understanding of seismic events and approaches for mitigating the damage they cause to heritage collections, covering such subjects as earthquake measurement, hazard analysis, the response of buildings and collections to seismic events, mount making, and risk assessment; short sections by specialists in seismic engineering complement the main text throughout. Readers will find a range of effective seismic mitigation measures, from simple low-cost approaches to complex base-isolation techniques. In bridging the gap between seismologists and seismic engineers, on the one hand, and collections care professionals, on the other, this volume will be of interest to conservators, registrars, designers, mount makers, and others involved in the management and care of collections in museums and other cultural institutions.

This second edition of the Guide to the Getty Villa, published in conjunction with the long-awaited reinstallation of the Villa collection galleries, offers readers an engaging introduction to the Villa's construction and history, as well as updated guide to its gardens, historical rooms, and galleries.

Reyner Banham and the Paradoxes of High Tech reassesses one of the most influential voices in twentieth-century architectural history through a detailed examination of Banham's writing on High Tech architecture and its immediate antecedents.

This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth, trade routes, and agricultural land led to distinct regional variations. Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, and an examination of pottery and works of art.

This stunning volume illuminates the current moment of artists' engagement with books, presenting artists' books as an essential medium in contemporary art.

"A sumptuously illustrated compact volume which uses full colour images and the accented gold of illuminated manuscripts to full advantage. . . . [This book] tantalises the reader through the well written text and accompanying illustrations."-European Review of History

A celebration of the visual contributions of the bestiary - one of the most popular types of illuminated books during the Middle Ages - and an exploration of its lasting legacy.

The next volume in the GCI's Readings in Conservation series brings together a selection of seminal writings on the conservation of historic cities.

Available in English for the first time, Julius von Schlosser's seminal work in the history of art and collecting was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity.

Takes readers on a romp through the portrayal of love and sexuality in Western art - ranging from chaste tenderness to overwhelming frenzies of the senses, and from Classical allusion to sexual fantasy.

Part of the American Painter's on Technique series, this title offers an overview of an important but largely unknown aspect of American art from 1860 to 1945. It is based primarily on firsthand descriptions of the materials and techniques that artists used to make paintings. It is into two parts: 1860 to 1910 and 1910 to 1945.

Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta.

How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations.

The St Albans Psalter is one of the most important, famous, and puzzling books produced in 12th-century England. It was probably created between 1120 and 1140 at St Albans Abbey. In 2012, scholars conservators, and scientists at the J Paul Getty Musesum conducted an examination of the Psalter. This title deals with these 12th-century manuscripts.

Eighty-six near life-size figures of the male ancestors of Christ once looked down on the choir and eastern extension of the medieval cathedral and priory church of Canterbury. Dating from the 12th-century, the surviving windows are among the oldest panels of stained glass in England. This book explores how the windows were perceived.

A fresh consideration of the images of saints and martyrs Rubens created for the churches of Flanders and the Holy Roman Empire that offers a masterly demonstration of Rubens' achievements, liberating their message from the secular misunderstandings of the post-religious age and showing them in their intended light.

The six scenes that make up the Triumph of the Eucharist series by Peter Paul Rubens (1577-1640) are highlights of the Museo Nacional del Prado's collection of Remish paintings. This illustrated volume provides fresh insight into the history of the Eucharist series of paintings and tapestries and attests to Rubens' exhilarating art.

Focusing on a specific theme or genre spanning the history of the medium from the mid-nineteenth century to the present, this title traces the relationship between animal representation and the possibilities presented by rapid advancements in camera and film technologies.

A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era.

The whimsical imagery of four tapestries in the permanent collection of the J. Paul Getty Museum and currently on display at the Getty Center is perplexing. Created in France at the Beauvais manufactory between 1690 and 1730, these charming hangings, unlike most French tapestries of the period, appear to be purely decorative, with no narrative thread, no theological moral, and no allegorical symbolism. They belong to a series called the Grotesques, inspired by ancient frescos discovered during the excavation of the Roman emperor Nero's Domus Aurea, or Golden House, but the origins of their mysterious subject matter have long eluded art historians. Based on seven years of research, Conundrum: Puzzles in the Grotesques Tapestry Series reveals for the first time that the artist responsible for these designs, Jean-Baptiste Monnoyer (1636-1699), actually incorporated dozens of motifs and vignettes from a surprising range of sources: antique statuary, Renaissance prints, Mannerist tapestry, and Baroque art, as well as contemporary seventeenth century urban festivals, court spectacle, and theater. Conundrum illustrates the most interesting of these sources alongside full-color details and overall views of the four tapestries. The book's informative and engaging essay identifies and decodes the tapestries' intriguing visual puzzles, enlightening our understanding and appreciation of the series' unexpectedly rich intellectual underpinnings.