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  • av Davide Gasparotto
    589,-

    The first study devoted to classical art's vital creative impact on the work of the Flemish master Peter Paul Rubens.

  • av . Martineau
    375,-

    A visual celebration of one of photography's most enduring and evocative subjects. It surveys the subject of nudity from the earliest surviving images of Greek and Roman sculpture through studies of living nude models to the burgeoning practice of exploring the human body as pure form.

  • av . Finlay
    389,-

    The history of art is inseparable from the history of colour. This book takes readers across the globe and over the centuries on a tour through the history of color in art. It aims to uncover the origins and science of colour. It is illustrated in full colour throughout with 166 major works of art.

  • av . Quiccheberg
    445,-

    Samuel Quiccheberg's Inscriptiones, first published in Latin in 1565, is an ambitious effort to demonstrate the pragmatic value of curiosity cabinets, or Wunderkammer, to princely collectors in 16th-century Europe and, by so doing, inspire them to develop their own such collections. This is a translation of Quiccheberg's seminal 16th century text.

  • av . Heckert
    375,-

    An illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. It features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.

  • av . Ogawa
    255,-

    A collection of images from one of Japan's most important early photographers. It focuses on traditional architecture, scenic views, and subjects associated with Japanese culture, such as national festivals, military tableaux, ritual customs, costumed geisha, and flowers.

  • av . Corbeil
    569,-

    Jean Paul Riopelle (1923-2002) was one of the most important Canadian artists of the 20th century. This title presents an overview of Riopelle's life and situate his work within the context of 20th century art. It addresses Riopelle's materials and techniques, focusing on his oil paintings, mixed media works, and conservation issues.

  • av . Causey
    379,-

    Amber has fascinated mankind since the Palaeolithic era. This book examines the myths and legends woven around amber - its employment in magic and medicine, its transport and carving, and its incorporation into jewellery, amulets, and other objects of prestige.

  • av . Phipps
    309,-

    Textiles have been made and used by every culture throughout history. However diverse - whether an Egyptian mummy wrapping, a Turkish carpet, Italian velvet, American quilt, or a Scottish kilt - all textiles have basic elements in common. This guide deals with the fundamental terms, materials, and techniques used to create textiles.

  • av . Rapelli
    389,-

    An illustrated guide to the symbols of power in Western art. It examines the way that sovereign rulers have employed well-defined symbols, attributes and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for future generations to admire.

  • av . Doherty
    309,-

    A guide to the technical terms most commonly used in painting. It presents explanations of the technical terms most often encountered by art enthusiast, visitors to galleries, and museum goers. It also pays special attention to the processes and methods of painting conservation, and offers definitions and examples of materials and techniques.

  • av . Tradigo
    389,-

    Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.

  • av Sarah B. Pomeroy
    339,-

    Science and art combine in this captivating, lushly illustrated biography of Maria Sibylla Merian, one of the world's first entomologists, who was also a botanist, naturalist and a celebrated artist.

  • av Gail Feigenbaum
    589,-

    A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research.

  • av . Price
    669,-

    This volume provides a collection of texts on the conservation of art and architecture. Aimed at students of art history as well as conservation, the book consists of 46 texts in which art historians raise questions such as when to restore, what to preserve and how to maintain aesthetic character.

  • av . Getty
    239,-

    When life (in a global pandemic) imitates art . . .

  • av . Weston
    589,-

    Edward Henry Weston (1886-1958) first started taking photographs at the age of sixteen with a camera given to him by his father. Over the next five decades, he would come to be regarded by his peers as one of the greatest photographers of the twentieth century. This volume is a collection of his photographic studies of the nude form.

  • av Marie Svoboda
    865,-

    This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in internationalcollections.

  • av Glenn Phillips
    859,-

    Drawing from Getty Research Institute's Harald Szeemann Archive and Library, this heavily illustrated volume examines the groundbreaking career of the Swiss Curator Harald Szeemann (1933-2005), widely regarded as one of the most influential curators of the twentieth century.

  • av Paul Martineau
    769,-

    Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years.

  • av Paul Martineau
    865,-

    An informative, lavishly illustrated survey of one hundred years of fashion photography, including more than three hundred photographs by the genre's most famous practitioners.

  • av . Jaeger
    3 039,-

    A multivolume reference on all known aspects of Greek, Etruscan, and Roman cults and rituals. It includes illustrated scholarly articles in English, French, Italian, and German that treat such topics as processions, sacrifices, libations, dedications, purification, initiation, divination, prayer, asylum, maledictions, banquets, music, and dance.

  • av . Martineau
    729,-

    Controversial, misunderstood, and sometimes overlooked, Minor White (1908-1976) is one of the great photographers of the 20th-century, whose ideas exerted a powerful influence on a generation of photographers and still resonate today. This is an illustrated tribute to one of the most influential photographers of the twentieth-century.

  • av . Martineau
    589,-

    Eliot Porter was a pioneer in use of colour photography. His work also became a powerful visual argument for environmental conservation. Possessing a gift for close observation, Porter explored new ways of depicting nature, building blinds in trees so he could study his avian subjects at closer vantage.

  • av . Martineau
    865,-

    Herb Ritts (1952-2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits. This book traces the life and career of the iconic photographer through a selection of photographs and two insightful essays.

  • av Thomas S. Hines
    729,-

    A comprehensive and fascinating look at the history of the Museum of Modern Art's Architecture and Design Department under the leadership of the influential curator Arthur Drexler.

  • av Neil Jackson
    769,-

    A heavily illustrated and highly designed tribute to Los Angeles architect Pierre Koenig, a key figure of the Los Angeles Modernist movement.

  • av Stephen Hackney
    725,-

    The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas.

  • av . Chiantore
    725,-

    Offers investigation of the material and philosophical aspects of conserving contemporary art. This title gives a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.

  • av . Burnham
    449,-

    At the heart of all good art museum teaching is an effort to bring people and artworks together in meaningful ways. But what constitutes an experience of a work of art? This book addresses these and myriad other questions and investigates the mission, history, theory, practice, and future prospects of museum education.

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