Böcker i Frontiers of Narrative-serien

Argues that narrative is simultaneously a cognitive style, a discourse genre, and a resource for writing. Because stories are strategies that help humans make sense of their world, narratives not only have a logic but also are a logic in their own right, providing an irreplaceable resource for structuring and comprehending experience.

The study of narrative has been a continuous concern from antiquity to the present day because stories are everywhere - from fiction across media to nation building and personal identity. This title sorts out traditional narrative theories, providing the necessary skills to interpret any story that comes along.

Narratology has been conceived as a project that transcends disciplines and media. This book investigates how the intrinsic properties of the supporting medium shape the form of narrative and affect the narrative experience. It addresses the question of how narrative migrates, mutates, and creates meaning as it is expressed across various media.

Suggests that readers understand novels primarily by following the functioning of the minds of characters in the novel storyworlds. This work analyzes constructions of characters' minds in the fictional texts of a wide range of authors, from Aphra Behn and Henry Fielding to Evelyn Waugh and Thomas Pynchon.

In this interdisciplinary and groundbreaking collection of essays, distinguished scholars examine trends in the representation of consciousness in English-language narrative discourse from 700 to the present. Tracing commonalities and differences in the portrayal of fictional minds, The Emergence of Mind will have a lasting impact on literary studies, narratology, and other fields.

Explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness?

Updates the field of possible worlds theory and postclassical narratology by developing this theoretical framework further and applying it to a range of contemporary literary narratives. This volume outlines the theoretical underpinnings of the possible worlds approach, provides updated methods for analysing fictional narrative, and profiles those methods via the analysis of a range of texts.

Optional-Narrator Theory makes a strong intervention in (or against) narratology, pushing back against the widespread belief among narrative theorists in general and theorists of the novel in particular that the presence of a fictional narrator is a defining feature of fictional narratives.

Pseudo-Memoir explores the return in the twentieth century of a genre that had largely gone out of fashion after the novel came of age in Europe in the eighteenth century.

Marco Caracciolo investigates how the experience of slowness in contemporary narrative practices can create a vision of interconnectedness between human communities and the nonhuman world in an era marked by dramatically shifting climate patterns.