Assuming the position of the ideal contemporary Irish reader that Joyce might have anticipated, this work argues that the main character, James Duffy, is a "spoiled priest," emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism.
Modernism's most contentious rivals, James Joyce and D.H. Lawrence, are traditionally seen as opposites. This is the first book to explore the resonances between the two writers, revealing that their lives, works, and careers have striking similarities. Modernists at Odds is a long overdue extended comparison of two of the most compelling writers of the twentieth century.
Presents, in a single volume, key seminal essays in the study of James Joyce. Representing important contributions to scholarship that have helped shape current methods of approaching Joyce's works, the volume reacquaints contemporary readers with the literature that forms the basis of ongoing scholarly inquiries in the field.
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