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Böcker i Film Theory in Practice-serien

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  • av Todd (University of Vermont & USA) McGowan
    415 - 1 305,-

    "Psychoanalytic Film Theory and The Rules of the Game offers a concise introduction to psychoanalytic film theory in jargon-free language and shows how this theory can be deployed to interpret Jean Renoir's classic film"--

  • av Alessandra (Georgia State University & USA) Raengo
    1 255

    "An introduction to Critical Race Theory through a close analysis of Spike Lee's film Bamboozled"--

  • av Canada) Ruti & Mari (University of Toronto
    1 128

    An overview of feminist film theory and how it explicates Pretty Woman.

  • av Jason (Middlebury College & USA) Mittell
    1 225,-

  • av Matthew (Georgetown University & USA) Tinkcom
    1 225,-

    An examination of the field of queer theory and its relevance to the film Brokeback Mountain

  • av USA) Morrison & James (Claremont McKenna College
    1 225,-

  • av Gautam (Boise State University & USA) Basu Thakur
    1 199

    "An explanation of postcolonial film theory and how it explicates James Cameron's film"--

  • av Anna (University of Illinois & USA) Kornbluh
    339,-

  • av Matthew (University of Winnipeg & Canada) Flisfeder
    355 - 1 225,-

    Provides an introductory explanation of postmodernism and its connection to film theory, and how it can be used to interpret Ridley Scott s film, Blade Runner."

  • av Hilary (University of Vermont Neroni
    415,-

    The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda''s critically acclaimed 1962 film Cléo from 5 to 7.Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman''s body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.

  • av Canada) Burnham & Clint (Simon Fraser University
    1 255

    "An exploration of Fredric Jameson's film theory and how it explicates Martin Scorsese's film The Wolf of Wall Street"--

  • av Dr Richard (Lancaster University & UK) Rushton
    905

  • av Todd McGowan & Hilary Neroni
    285,-

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