The Conquered probes issues of collective memory and cultural trauma in three sorrowful poems composed soon after the conquest of Constantinople and Tenochtitlán. These texts describe the fall of an empire as a fissure in the social fabric and an open wound on the body politic, and articulate, in a familiar language, the trauma of the conquered.
The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship. By tracing Byzantium¿s impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals.
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