Böcker i Dover Pictorial Archive-serien

Abounding in cherubs, nymphs, soldiers, kings, dragons, and other flamboyant motifs, this compilation of ornamental designs was originally published in Paris during the 1840s. The extravagant images are based on a wide variety of historical examples that date back as far as the 1500s and include imaginative renderings by Watteau and Dürer. Created as embellishments for walls, arms and armor, and everyday objects, these designs remain eminently useful for graphic and decorative purposes.Professional and amateur artists and designers as well as cardmakers and scrapbookers will find this compilation a practical resource of versatile and royalty-free art. This volume is the successor to Dover Publications' Fantastic Ornament, another modern reprint of a rare nineteenth-century publication.Dover (2013) new selection of material from Portefeuille Historique de l'Ornement/Ornaments of the Classical Masters: Comprising Ornamental Borders, Decorations, Shields, Vases, Alphabet of Letters, Grotesque Designs, Patterns for Gold and Silver-Smiths, A. Hauser, Paris, 1841.See every Dover book in print atwww.doverpublications.com

Graphic artists, illustrators, and craftspeople will welcome this treasury of beautifully engraved ornate frames, scrollwork, and other highly decorative designs--800 in all--reproduced from an extremely rare mid-19th-century style book. Comprising 142 plates, the volume features a lavish assortment of ornaments, bedecked with flowers, mythological creatures, and other fanciful touches, all beautifully rendered in meticulous detail. Other striking designs incorporate a rich selection of classical columns, plus heraldic designs--shields, coats-of-arms, seals, and insignias from Austria, Russia, Denmark, France, and many other countries--for a touch of medieval flair or aristocratic ambience. In addition, this collection offers a variety of charming calligraphic alphabets in styles ranging from plain to majestic. An invaluable source of inspiration and a treasury of designs for permission-free use, these distinctive images are ideal for enhancing such print projects as ads, brochures, newsletters, posters, signs, catalog copy, and much more.

Blossfeldt's exquisite sharp-focus photo studies of plant form -- leaves, buds, stems, seed pods, tendrils and twigs -- won acclaim with publication of the 1928 edition of this book.

Susan Gaber's encyclopedia of lush flower design contains 100 graceful, botanically accurate garden flowers rendered for artists, designers, or anyone who admires or needs floral designs and motifs. These drawings may be used copyright-free as part of Dover's Pictorial Archive Series. Over 150 line illustrations of 100 different flowers--from African violet to Iris to flowering Tobacco.

This immensely usable archive of vintage illustrations not only offers a wonderful window on the goods and merchandise of a bygone era, but is an absolute treasure trove of easily reproducible graphic art as well.Some 2,300 cuts culled from such rare nineteenth-century periodicals as The Art Journal, The Illustrated London News, The Scientific American, and The Youth's Companion have been organized in convenient categories: clothes, furniture, kitchenware, toys and games, musical instruments, stationery supplies, domestic accessories, and much more.Among them are detailed and highly reproducible illustrations of fans, corsets, toiletry kits, jewelry, roller skates, a baby carriage, bicycles, baseball gloves, a pencil sharpener, crayons, fountain pen, typewriter, drafting tools, compass, microscope, feather duster, parasol, small table with smoking paraphernalia, high-topped storm slippers, and hundreds of other objects.

Over 150 motifs reflecting the intricacies of Celtic design, ideal for use in graphics layouts, needlework designs, and art projects. Includes animal, floral, and abstract motifs clearly drawn for sharp reproduction.

Republished unabridged from the final comprehensive edition, this work contains the largest single-volume collection of classical art motifs ever compiled. It reproduces material from Greek and Roman, medieval European, Islamic, Renaissance, baroque, and early nineteenth-century art, architecture, and design--in all, presenting artists, crafters, and students with more than 3,000 designs.Featured design elements include networks, Gothic tracery, geometric designs, akanthos leaves, lotus ornamentation, animal ornamentation, grotesque figures, fret bands, chains, interlacements, rosettes, undulations, spirals, link borders, cresting borders, finials, crockets, gargoyles, foliations, panels, repeated ornaments, and hundreds of other elements. Other plates show decorated pottery vases, religious utensils, weapons, furniture, lamps, jewelry, and other artifacts, in addition to heraldic motifs and ornamental letters.

Culled from a rare 19th-century source, these 124 black-and-white illustrations capture the lavish devices and grand sweep of European Baroque design. This collection is populated by elaborate architectural ornaments, decorative motifs, and border elements.

412 rare royalty-free woodcut engravings of men in every conceivable attitude, costume, activity. Men at work, play, leisure. Eskimos, gladiators, knights, bullfighters, workers, doctors, artists, many more, taken from 19th-century periodicals.

Baroque art and architecture--extravagant in concept, exuberant in spirit, elaborate in detail--flourished in seventeenth-century Europe, and through the ages has continued to stir us with its vitality and dynamism and its mood of barely suppressed passion. In the architecture of St. Peter's in Rome, St. Paul's in London, and Santa Maria della Salute in Venice as well as in the works of Michelangelo, Bernini, and Rubens, the Baroque spirit lives today. Now graphic artists can add Baroque flair to almost any graphic project with this magnificent collection of royalty-free motifs.The seventeenth-century French artist Jacques Stella (1596-1657) embodies the Baroque sensibility. Early in his career, Stella spent seven years in Florence, working for Medici Prince Cosimo II and enjoying the acquaintance and advice of the master engraver Jacques Callot. He spent another ten years in Rome, where he came under the artistic influence of his friend Nicolas Poussin. On his return to France, championed by Cardinal Richelieu, he became court painter to Louis XIII, and founded a career that makes him esteemed as one of the major French artists of the seventeenth century. This book presents engravings executed by Stella's niece after drawings of Classical motifs probably made by Stella during his years in Italy. These engravings, first published in Paris in 1658, comprise a magnificent sourcebook of ready-to-use Baroque design, filled with highly embellished individual ornaments, decorative motifs, and a dazzling array of border elements.Included are lush florals and foliates, fruits, leaves, birds, shells, acorns, and more--as individual ornaments and rosettes, as repeating motifs in a frieze, and in other useful arrangements. Now this sturdy, inexpensive edition makes them available to a wide audience for convenient reproduction as well as for study, inspiration, and enjoyment.Dover (1987) selection of plates from Divers Ornements d'Architectures, Recueillis et Dessegnes Apres l'Antique par Mr. Stella, Peintre Ordinaire du Roy et Chevalier de Son Ordre de St. Michel, originally published in Paris, 1658.

For almost a century, W. A. Bentley caught and photographed thousands of snowflakes in his workshop at Jericho, Vermont, and made available to scientists and art instructors samples of his remarkable work. His painstakingly prepared images were remarkable revelations of nature's diversity in uniformity: no two snowflakes are exactly alike, but all are based on a common hexagon.In 1931, the American Meteorological Society gathered the best of Bentley's photos and had them published; that work has long been available in a Dover reprint edition. The present volume includes a selection of 72 of the best plates (containing over 850 royalty-free, black-and-white photographs), carefully selected from that larger collection.An inexhaustible source of design inspiration for artists, designers, and craftspeople, these graceful patterns are ideal for use in textile and wallpaper design, as well as a host of other creative projects. These images will also appeal to anyone intrigued by the intricacy and beauty of design in the natural world.

This comprehensive treasury of copyright-free floral designs―chosen from rare periodicals and illustrated books―offers graphic artists and craftworkers a variety of floral favorites in ornamental styles that range from 18th-century classical to Victorian and Art Nouveau. Selections include reproductions from such 19th- and 20th-century periodicals as The Studio, L'Art pour tous, and Formenschatz, as well as a wide range of materials from American, English, French, German, and Spanish typography catalogs. Ideal for embellishing almost any artistic or craft project, the motifs include such favorites as roses, tulips, irises, lilies, and violets. Use these eye-catching motifs to decorate menus, invitations, stationery, book covers, and advertisements, or create needlework patterns as well as designs for textiles and woodworking. Artists, designers, illustrators, and craftspeople will find this rich selection of exquisite designs a valuable addition to their resource libraries―one they will turn to again and again for inspiration as well as ready-to-use floral creations. Original Dover (1987) publication.

The splendid engravings in this historic book combine beautiful images of roses, butterflies, tulips, caterpillars, and other specimens of plant and insect life in elegant full-page compositions. Representing a notable achievement from a great age of floral painting and the engraver's art, they reach across the centuries to us with undiminished freshness and appeal, revealing the most delicate nuances of natural forms with a scientist's eye for precise detail.These fine works represent not only a high point in the history of botanical and zoological art but also an important advance in scientific knowledge as well. The artist, Maria Sibylla Merian (1647-1717), was one of the first observers to comprehend and record the metamorphoses of insects, most notably the emergence of the butterfly from its caterpillar and chrysalis phases. Her Erucarum Ortus, whose engravings were originally published in the years 1679-1717, was a substantial contribution to the science of entomology and helped lay the foundations for Charles Linnaeus's later work in the classification of plant and animal species.This edition combines all 154 original engravings from her three-volume work on the insects of Europe. Students and lovers of the natural sciences as well as those of the arts and crafts will find these dazzling works a rich source of information and delight. Graphic artists, textile designers, and others will find it a versatile and royalty-free design resource that will earn a treasured place on their library shelves.Dover (1991) republication of 154 engravings from Erucarum Ortus, Alimentum et Paradoxa Metamorphosis, 1718.