Böcker i Dover Dual Language French-serien

The selections are good and the translations are excellent.―Germaine Brée, New York UniversityDrawn from two centuries of French literature, these superb selections by ten great writers span a wide variety of styles, philosophies, and literary creeds. The stories reflect not only the beliefs of various literary schools, but the preoccupations of French civilization, at the various times of their composition, with the metaphysical and psychological problems of man. Contents include Micromégas (Voltaire), La Messe de l'Athée (Honoré de Balzac), La Légende de Saint Julien l'Hospitalier (Gustave Flaubert), Le Spleen de Paris (Charles Baudelaire), Menuet (Guy de Maupassant), Mort de Judas (Paul Claudel), Le Retour de l'Enfant Prodigue (André Gide), Grand-Lebrun (François Mauriac), Le Passe-Muraille (Marcel Aymé), and L'Hôte (Albert Camus). Students of French, or those who wish to refresh their knowledge of the language, will welcome this treasury of masterly fiction. The selections are arranged chronologically, allowing the reader to witness the development of French literary art--from Voltaire to Camus. Excellent English translations appear on pages facing the Original French. Also included are a French-English vocabulary list, textural notes, and exercises. Unabridged, slightly revised Dover (1990) edition of the work published by Bantam Books, Inc., 1960.

Controversial book of verse, first published in 1857, presented in a handsome dual-language edition, together with superb selection of great French poet's other works: prose poems from "Spleen of Paris," critical essays on art, music and literature, as well as personal letters. Line-by-line English translation, with original French text on facing page.

Works by Villon, Ronsard, Voltaire, Mallarme, Verlaine, Rimbaud, Apollinaire, many more. Full French texts with literal English translations on facing pages. Biographical, critical information on each poet. Introduction. 31 black-and-white illustrations.

In this collection of seven of his most popular stories each tale reflects both the author's intimate familiarity with Paris and the provinces in the Belle Epoque, as well as a nonjudgmental humanism that is one of Guy de Maupassant's most attractive writing qualities.

Previously unavailable in English versions, contents include "L'ami et la femme" by Irene Nemirovsky, "Pleure, Pleure!" by Andree Maillet, and tales by Simone Schwarz-Bart, Sailesh Ramchurn, Fred Kassak, Yann Means, Marc Villard, and others.