Böcker i Decolonizing Feminisms-serien

In recent years, global attention has focused on how women in communities of Muslims are revitalizing Islam by linking interpretation of religious ideas to the protection of rights and freedoms. Humanizing the Sacred demonstrates how Sunni women activists in Malaysia are fracturing institutionalized Islamic authority by generating new understandings of rights and redefining the moral obligations of their community. Based on ethnographic research of Sisters in Islam (SIS), a nongovernmental organization of professional women promoting justice and equality, Basarudin examines SIS members' involvement in the production and transmission of Islamic knowledge to reformulate legal codes and reconceptualize gender discourses. By weaving together women's lived realities, feminist interpretations of Islamic texts, and Malaysian cultural politics, this book illuminates how a localized struggle of claiming rights takes shape within a transnational landscape. It provides a vital understanding of how women "e;live"e; Islam through the integration of piety and reason and the implications of women's political activism for the transformation of Islamic tradition itself.

Lynn Fujiwara is associate professor at the University of Oregon. She is the author of Mothers without Citizenship: Asian Immigrant Families and the Consequences of Welfare Reform. Shireen Roshanravan is associate professor of American ethnic studies at Kansas State University. She is the coeditor of Speaking Face to Face / Hablando Cara a Cara: The Visionary Philosophy of Mar¿Lugones.

Lynn Fujiwara is associate professor at the University of Oregon. She is the author of Mothers without Citizenship: Asian Immigrant Families and the Consequences of Welfare Reform. Shireen Roshanravan is associate professor of American ethnic studies at Kansas State University. She is the coeditor of Speaking Face to Face / Hablando Cara a Cara: The Visionary Philosophy of Mar¿Lugones.

Through empowered movement that centers the lives, stories, and dreams of marginalized women, Ananya Dance Theatre has revealed how the practice of and commitment to artistic excellence can catalyze social justice. With each performance, this professional dance company of Black, Brown, and Indigenous gender non-conforming women and femmes of color challenges heteronormative patriarchies, white supremacist paradigms, and predatory global capitalism. Their creative artistic processes and vital interventions have transformed the spaces of contemporary concert dance into sites of empowerment, resistance, and knowledge production.Drawing from more than fifteen years of collaborative dance-making and sustained dialogues based on deep alliances across communities of color, Dancing Transnational Feminisms offers a multigenre exploration of how dance can be intersectionally reimagined as practice, methodology, and metaphor for feminist solidarity. Blending essays with stories, interviews, and poems, this collection explores timely questions surrounding race and performance, gender and sexuality, art and politics, global and local inequities, and the responsibilities of artists toward their communities.