Böcker i Criminal Practice Series-serien

The textual foundations of works of great cultural significance are often less stable than one would wish them to be. No work of Homer, Dante or Shakespeare survives in utterly reliable witnesses, be they papyri, manuscripts or printed editions. Notions of textual authority have varied considerably across the ages under the influence of different (and differently motivated) agents, such as scribes, annotators, editors, correctors, grammarians, printers and publishers, over and above the authors themselves. The need for preserving the written legacy of peoples and nations as faithfully as possible has always been counterbalanced by a duty to ensure its accessibility to successive generations at different times and in different cultural contexts.The ten chapters collected in this volume offer critical approaches to such authors and texts as Homer, the Bible, The Thousand and One Nights, Dante, Montaigne, Shakespeare, Eliot, but also Leonardo da Vinci's manuscripts uniquely combining word and image, as well as Beethoven's 'Tempest' sonata (Op. 31, No. 2) as seen from the angle of music as text. Together the contributors argue that an awareness of what the 'life of texts' entails is essential for a critical understanding of the transmission of culture.

This book looks at the Acts of the Apostles through two lenses that highlight the two topics of masculinity and politics. Acts is rich in relevant material, whether this be in the range of such characters as the Ethiopian eunuch, Cornelius, Peter and Paul, or in situations such as Timothy''s circumcision and Paul''s encounters with Roman rulers in different cities. Engaging Acts from these two distinct but related perspectives illuminates features of this book which are otherwise easily missed. These approaches provide fresh angles to see how men, masculinity, and imperial loyalty were understood, experienced, and constructed in the ancient world and in earliest Christianity. The essays present a range of topics: some engage with Acts as a whole as in Steve Walton''s chapter on the way Luke-Acts perceives the Roman Empire, while others focus on particular sections, passages, and even certain figures, such as in an Christopher Stroup''s analysis of the circumcision of Timothy. Together, the essays provide a tightly woven and deeply textured analysis of Acts. The dialogue form of essay and response will encourage readers to develop their own critiques of the points raised in the collection as a whole.

As biblical studies becomes increasingly fragmented, this collection of essays brings together a number of leading scholars in order to show how historical reconstruction, philology, metacriticism, and reception history can be part of a collective vision for the future of the field. This collection of essays focuses more specifically on critical questions surrounding the construction of ancient Israel(s), ''minimalism'', the ongoing significance of lexicography, the development of early Judaism, orientalism, and the use of the Bible in contemporary political discourses.

Revision of author's thesis (Ph. D.)--Aberdeen University, 2015.

To what extent did mythological figures such as Circe and Medea influence the representation of the powerful ''oriental'' enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? Looking across the millennia, from the distrust of ancient magic and oriental cults, which threatened the new-born Christian religion, to the revival and adaptation of ancient myths and religion in the arts centuries later, this book offers an original analysis of the reception of ancient magic and the supernatural, across a wide variety of different media - from comics to film, from painting to opera. Working in a variety of fields across the globe, the authors of these essays deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations, showing to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.

The book promotes a completely new understanding of constitutional lawmaking in Germany. A thorough analysis of the 1989 Revolution in the GDR demonstrates that it is wrong to reduce the Revolution''s meaning to bringing about German unification and an unconditional adoption of West German constitutional law by the new states. Instead, the author shows that the Revolution had its own constitutional agenda, at least parts of which were transferred to unified Germany, where mostly the Federal Constitutional Court integrated them into the West German constitutional order. Case analyses reveal that unified Germany''s constitutional law is a co-production between East German revolutionaries and the old Federal Republic.

This book considers jurisdictional issues on violations of personality rights through the Internet under the so-called ''Brussels-Lugano Regime'' and centres on the special rule of jurisdiction in matters relating to tort, delict, or quasi-delict. It notes the governing objectives and underlying principles of this special rule; analyses its interpretation through the judgments of the ECJ, especially Bier, Shevill, and eDate and Martinez; and explores views expressed in legal theory and national judicial practice regarding its application for localising online violations of personality rights.The book aims to examine how the eDate and Martinez approaches advance administrability, predictability, and litigational justice and to assess whether they are suitable jurisdictional bases in Europe, where common legal norms, interests, and values increasingly integrate and connect persons. It concludes that they are not and recommends their possible reform.