Böcker i Chicago Studies in Ethnomusicology CSE (CHUP)-serien

Focusing on popular huayno music and the ways it has been promoted to Peru's emerging middle class, the author tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes.

During the patron saint fiesta in the town of San Jeronimo, Peru, crowds gather at sunset awaiting the entrance of the colourful dance troupes, or comparsas. The comparsas have become a powerful way for the local people to make sense of their place in the world. This text looks at this tradition.

Audio, video, and musical examples may be accessed on the accompanying website, https:///sites.tufts.edu/ambientsufis

Umm Kulthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her success in a society which discouraged women from public performance.

Illustrating the practices and processes of musical improvisation, this text includes contributions by 17 scholars and improvisers. It offers a history of research and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis.

"A companion to The Art of Mbira, Mbira's Restless Dance features thirty-nine of master musician Cosmas Magaya's full-length mbira compositions, plus Magaya's commentaries on them--a patchwork of observations, reflections, analyses, performer's notes and pedagogical advice--along with Paul Berliner's notes and interpretations of various features of the music"--Publisher's info.

When we think of composers like Mozart or Beethoven, we usually envision an isolated artist separate from the orchestra. For most of Japan's musical history, however, no such role existed - composition and performance were deeply intertwined. This book offers fresh insights not just into Japanese music but Japanese modernity at large.

Explores how musicians, both individually and collectively, learn to improvise. Chronicling musicians from their first encounters with jazz to the development of a unique improvisatory voice, Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note.

A book on the critical role of music in African ritual which focuses on the Brekete/Gorovodu religion of the Ewe people. It analyzes their practices through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country.

In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. The author draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities.

Representing a broad range of academic disciplines and geographic regions, this work examines how the imagination of race has influenced musical production, reception, and scholarly analysis. It reviews the history of race in European and American, non-Western and global music.

The contributors explore the intimate relationships between music & gender, across the wide range of cultures around the Mediterranean. Essays examine musical behaviour as representation, assertion, and transgression of gender identities.

Examines art music by Haitian and African American composers who were inspired by Haiti's history as a nation created by slave revolt. This title also highlights the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences.

Presents the voices of three musicians - queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu - who collectively have dominated mass media in Turkey since the early 1950s. Using these three singers as a lens, the author examines Turkey's repressive politics and civil violence as well as its public life.

In 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p'ungmul to a burgeoning urban audience. This title traces this reinvention through the rise of the Korean supergroup.

People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. This title explores why it is that music and dance are so often at the center of our profound personal and social experiences.