Böcker i Cambridge Studies in Russian Literature-serien

This book studies the work of five Russian liberal thinkers who were active in the period 1840-60 against the general background of Russian history, literature and thought in that period. All five thinkers played an important part in the flowering of Russian letters in the 1840s, and were involved in the attempt of the intelligentsia.

This book was the first full-length interpretative study in English of the later writings of the outstanding Soviet novelist and playwright Mikhail Bulgakov (1891-1940). The focus is the 1930s, the period when Bulgakov was writing The Master and Margarita, an extraordinary novel which has had a profound impact in the Soviet Union and which is now generally regarded as his masterpiece.

Diane Thompson's study focuses on the meaning and poetic function of memory in Dostoevsky's The Brothers Karamazov, and seeks to show how Dostoevsky used cultural memory to create a synthesis between his Christian ideal and art. Memory is considered not only as a theme or subject, but also as a principle of artistic composition.

Pamela Davidson explores Ivanov's poetic method, relating his art to his central beliefs and considering the ways in which he attempted to embody these ideas in his own life. She focuses on Ivanov's interpretation of Dante and in so doing, opens up fresh perspectives on the wider question of Russia's relation to the Western cultural tradition and Catholicism.

Originally published in 1981, this book is an examination of the politics of literary publishing in the Soviet Union, and in particular during the period after Stalin's death, in the 1950s. Dr Frankel focuses on the leading literary journal of the 1950s, Novy Mir, between whose covers so much important literary work first appeared.

Dr Scatton explores the critical and political reception of a complex artist in a society where the purpose of art was to serve the state. Her book sheds new light on questions of literary politics in totalitarian societies, as well as bringing English-speaking readers a taste of a most original writer.

The first book-length study of Andrei Bitov, one of contemporary Russia's most original writers.

This1998 book is a study of the Russian reception of English literature from Romanticism to aestheticism focuses particularly on the reception by Russian poets of Shelley, Ruskin, Pater, Frazer and Wilde, which gave new impetus to the Russian imagination at the turn of the nineteenth-twentieth century.

Professor Freeborn's book is an attempt to identify and define the evolution of a particular kind of novel in Russian and Soviet literature: the revolutionary novel. This genre is a uniquely Russian phenomenon and one that is of central importance in Russian literature.

This book examines the influence of Christianity on the thought and work of the great Russian theorist Mikhael Bakhtin. This is the first full-length work to approach Bakhtin from a religious perspective, and introduces the reader to a vitally important but hitherto ignored aspect of his work.

Khlebnikov is becoming recognized as one of the major Russian poets of the twentieth century, having for years been dismissed as a purveyor of unintelligible verbal trickery. This book provides a broad survey of his work. Dr Cooke's aim is to be both informative and interpretative by mapping out the contours of Khlebnikov's still largely uncharted poetic world.

This book is an original and detailed attempt to re-examine Dostoyevsky the artist.

Originally published in 1998, this was the first work to examine the extraordinary history of literary journals in imperial Russia. Essays by leading scholars analyse the social forces shaping literary journals, the major journals and journalists of the period, and the factors that contributed to their success.

The first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building.

This is the first full-length study of the huge cultural impact of fortune-telling in Russia from the eighteenth century to the present. It discusses the links between urban fortune-telling and traditional oral culture the particular role of women, and discusses why fortune-telling is still a powerful force in Russian.