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  • av . Fuga
    369,-

    Offers a discussion of the materials and processes used in eight artistic media - painting, drawing, printmaking, sculpture, mosaics, ceramics, glass, and metalwork. This title contains 400 full-colour illustrations, and provides insight into the creation of many of the world's greatest works of art.

  • av . Weston
    569,-

    Edward Henry Weston (1886-1958) first started taking photographs at the age of sixteen with a camera given to him by his father. Over the next five decades, he would come to be regarded by his peers as one of the greatest photographers of the twentieth century. This volume is a collection of his photographic studies of the nude form.

  • av . Lake
    555,-

    A study of the paintings of Willem de Kooning (1904-1997), Dutch-born American abstract expressionist painter, from the 1940s through the 1970s. Using scientific examinations of the artist's pigments, binders, and supports, it informs art historical interpretations, presenting a key to the complicated evolution of the artist's work.

  • av . Szafran
    435

    Mural, painted in 1943, was Pollock's first major commission. It was made for the entrance hall of the Manhattan duplex of Peggy Guggenheim who donated it to the University of Iowa in the 1950s where it stayed until its 2012 arrival for conservation and study at the Getty Center. This book unveils the findings of that examination.

  • av . Sato
    975,-

    Describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.

  • av . Clark
    299,-

    What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications.

  • av Lucy Bradnock
    559,-

    Lawrence Alloway was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. This title offers analysis of the multiple facets of Alloway's life and career, exploring his formative influence on the disciplines of art history, art criticism, and museum studies. It also includes nine essays in this volume.

  • av Salle Anne Duncan
    709,-

    An influential force in the world of art and museum studies, Paul J. Sachs is widely credited with creating a course that trained a generation of art and museum professionals in the United States, putting most American museums in the hands of homegrown talent, by the mid-twentieth century.

  • av . Impelluso
    369,-

    Provides an illustrated analysis of the symbolic imagery found in gardens throughout history. This work discusses the constituent elements of gardens - both real and imagined - that uncovers their often-hidden symbolic meanings. It uses over 380 paintings to provide a continuous visual record of the myriad and ephemeral form of the garden.

  • av . Woollett
    165,-

    Precisely rendered to dazzle the eye with their botanical accuracy, the sumptuous arrays of fruit and flowers by Dutch painter Jan van Huysum (1682-1749) were among the most avidly collected paintings of the 18th century. This little book explores two of Van Huysum's most important still-life paintings, "Vase of Flowers" and "Fruit Piece".

  • av . Le Roy
    775,-

    First published in 1758, this was the book that brought the wonders of Greek classical architecture to the notice of the Western world. This is a translation of the second, considerably expanded, edition of 1770.

  • av Neil Jackson
    749,-

    A heavily illustrated and highly designed tribute to Los Angeles architect Pierre Koenig, a key figure of the Los Angeles Modernist movement.

  • av Virginia Heckert
    365,-

    A new look at the work of Mario Giacomelli, one of Italy's foremost photographers of the twentieth century.

  • av . Rapelli
    379,-

    An illustrated guide to the symbols of power in Western art. It examines the way that sovereign rulers have employed well-defined symbols, attributes and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for future generations to admire.

  • av Idurre Alonso
    909

    This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

  • av Susan F. Lake
    559,-

    This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist.

  • av Matthew Hayes
    839,-

    Repairing works of art and writing about them-the practices that became art conservation and art history-share a common ancestry. This handsomely illustrated volume charts the intersections between the two fields in the treatment of Italian Renaissance paintings in nineteenth-century Europe and proposes a model for a new conservation history.

  • av Donatien Grau
    489,-

    In almost thirty interviews, Donatien Grau probes some of the world's most prominent thinkers and preeminent arts leaders on the past, present, and future of the encyclopedic museum.

  • av . De Caro
    975,-

    This title reproduces, with commentary, "Le Case i Monu Menti di Pompeii" (1854) of Fausto and Felice Niccolini, the first work to completely and systematically present the public and private buildings so far excavated in Pompeii. It features the watercolours they created to document Pompeii.

  • av . Sider
    555,-

    An introduction to this ancient library that describes the difficult history of attempts to unwind the damaged rolls. This book discusses the texts that have been deciphered and puts them in the context of literacy and Roman society of the time. It also describes the form of books in antiquity and the papyrus sheets on which they were written.

  • av . Draguet
    299,-

    The Belgian artist, illustrator, sculptor, and photographer Fernand Khnopff (1858-1921) became a popular society portraitist in the 1880s, using elements that had served him well as an avant-garde symbolist painter: visual realism and a mood of silence, isolation, and reverie.

  • av . Giorgi
    369,-

    A guide to identifying Christian saints as they are portrayed in art. From Agatha to Zeno, it presents the characteristic features of over 100 saints, with notes on their lives and martyrdom and visual references to help readers recognize them. The resource features a collection of masterpieces.

  • av . Baldwin
    299,-

    Parisian photographer Eugene Atget (1857-1927) set out to capture those commonplace features that were gradually disappearing from the city he loved. This volume contains 50 Atget works with comprehensive captions and an edited colloquium on his life and work by seven scholars.

  • av . Abed
    489,-

    Providing profiles of Tunisia's major mosaic sites, this title contains more than 130 full-colour photographs. It offers an introduction this region's mosaic art; also looking at the historical background of Roman Africa. It discusses the development of art in and around the Mediterranean.

  • av . Franits
    339,-

    Examines the painting in relation to the artist's life and works, explores his stylistic development, and considers as well, his often complex relationship with other artists. This work also looks at the subject matter of the piece within the broader historical context of 17th-century Dutch concepts of domesticity and parenthood.

  • av . Taplin
    975,-

    Greek painted pottery from the fourth century BC is one of the largest and most remarkable bodies of theatrically informed material that still survives. This work provides a large body of photographs accompanied by a picture-by-picture discussion of the vases, organized by playwright - including Aeschylus, Sophocles, and Euripides.

  • av . Giorgi
    379,-

    The seventeenth century was the beginning of a new era of commercialism, in which artists increasingly catered to affluent collectors. This title highlights the most important artists, works, concepts, and theories of the period, accompanied by 400 full-colour illustrations.

  • av Meher McArthur
    289,-

    This delightful book is a colourful reminder of the many things that visual art can be, become, and do.

  • av Eric Doehne
    489,-

    Offers an informative overview of the research and development in stone conservation. Suitable for conservators and conservation scientists, this title reflects the explosion of research, enlarging the discussion of preventive conservation and adding sections on rock art and other subjects.

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