Böcker i BIBLIOTHECA PAEDIATRICA REF KARGER-serien

During Qing dynasty China, Italian artists were hired through Jesuit missionaries by the imperial workshops in Beijing. In The Shining Inheritance: Italian Painters at the Qing Court, 1699-1812, Marco Musillo considers the professional adaptations and pictorial modifications to Chinese traditions that allowed three of these Italian painters -- Giovanni Gherardini (1655- ca. 1729), Giuseppe Castiglione (1688-1766), and Giuseppe Panzi (1734-1812) -- to work within the Chinese cultural sphere from 1699, when Gherardini arrived in China, to 1812, the year of Panzi's death. Musillo focuses especially on the long career and influence of Castiglione (whose Chinese name was Lang Shining), who worked in Beijing for more than fifty years. Serving three Qing emperors, he was actively engaged in the pictorial discussions at court. The Shining Inheritance perceptively explores how each painter's level of professional artistic training affected his understanding, selection, and translation of the Chinese pictorial traditions. Musillo further demonstrates how this East-West artistic exchange challenged the dogma of European universality through a professional dialogue that became part of established workshop routines. The cultural elements, procedures, and artistic languages of both China and Italy were strategically played against each other in negotiating the successes and failures of the Italian painters in Beijing. Musillo's subtle analysis offers a compelling methodological model for an increasingly global field of art history.

Futurist Painting Sculpture (Plastic Dynamism), a truly radical book by Umberto Boccioni (1882-1916), claimed a central position in artistic debates of the 1910s and 1920s, exerting a powerful influence on the Italian Futurist movement as well as on the entire European historical avant-garde, including Dada and Constructivism.

An erudite consideration of a gorgeous trove of ancient vases and the evolution of conservation practice

Praised by Albrecht Du rer as being "the best in painting," Giovanni Bellini (ca. 1430-1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time.

Jose Clemente Orozco's 1930 mural, Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism. This thoughtful exhibition catalogue examines the multiple ways Orozco's vision resonates with four artists working in Mexico today: Isa Carrillo, Adela Goldbard, Rita Ponce de Leo n, and Naomi Rinco n-Gallardo.

These essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture.

The Academie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)-perhaps the single most influential art institution in history-governed the arts in France for more than 150 years. Christian Michel's sweeping study presents an authoritative in-depth analysis of the Academie's history and legacy.

"The forty-seven papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World"--Provided by publisher.

The first title in a new series aimed at sharing best practices in the conservation of modern heritage.

A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II.

This stunning examination of the last years of E douard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s.

A thought-provoking discussion on the concept of beauty in works by Manet, Gauguin, and Cezanne.

An examination of the development, role, and influence of the British decorative art dealers who invented a new Anglo-Gallicstyle for elite interiors.

For the first time, a critical selection of the Academie Royale de Peinture et de Sculpture's highly influential conferences isavailable in English.

The first comprehensive catalogue of the Getty Museum's significant collection of French Rococo ebenisterie furniture.

A guide to the technical terms most commonly used in painting. It presents explanations of the technical terms most often encountered by art enthusiast, visitors to galleries, and museum goers. It also pays special attention to the processes and methods of painting conservation, and offers definitions and examples of materials and techniques.

Offers a personal account of the author's consuming passion for art collection. This title also offers a portrait of an idiosyncratic and personal passion for art - and how his first serious forays into art collecting in the 1930s would turn into a love that ends with the foundation of one of the world's finest museums.

An illustrated look at the evolution of the photographic work of Ed Ruscha - the quintessential Los Angeles artist. It features 38 Ruscha plates and an essay that traces the evolution of the artist's thinking about his photographs initially as the means to end, and eventually as works of art in and of themselves.

Presents an introduction to the use of controlled vocabularies. This book presents readers with a "how-to" guide to building controlled vocabulary tools, and indexing cultural materials with terms and names from controlled vocabularies, and how to use vocabularies in search engines and databases to enhance discovery and retrieval online.

A discussion of the designs by Antonio Asprucci for the redecoration of the Borghese Palace as a semi-public museum. The author shows that the new designs created a unified space for the Count's extensive collection of Greek and Roman antique and "modern" sculpture.

Offers an integrated contextual analysis of artifacts fashioned from a wide variety of luxury materials. This volume address a broad range of luxury goods, such as intaglios, cameos, vessels, and statuettes, providing a full and multifaceted account of luxury in the ancient world. It also explores the ideologies and uses of the luxury arts.

It is Paris in the 1400s. A young girl named Marguerite delights in assisting her father, Jacques, in his craft: illuminating manuscripts for the nobility of France. His current commission is a splendid book of hours for his patron, Lady Isabelle, but will he be able to finish it in time for Lady Isabelle's name day?

A selection of photographs by young people from Cape Town, who have photographed what they consider to be their city's distinctive landmarks. A short biography and a photograph of each of the contributors is also included.

This children's book takes a tour through the Getty Museum, adjacent gardens, conservation laboratories and other sites at the Getty Center. It features the colourful, humorous characters Milli Ennium, Quincy and their cohorts.

"This volume publishes Yukio Lippit's lecture of the same title, held at the Getty Center on 23 September 2014."

This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages.

A richly illustrated, comprehensive introduction to the visionary artist William Blake.

An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown.

The autobiography of Jean Paul Getty, American oil executive, multimillionaire and art collector. Getty tells how he amassed his fortune, discusses the prospects of democracy, lists the seven things men should know about women, and recounts conversations at Oxford with the future King of England.