Böcker i BIBLIOTHECA PAEDIATRICA REF KARGER-serien

The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas.

An exact date for the invention of photography is evasive. Scientists and amateurs alike were working on a variety of photographic processes for much of the early nineteenth century. Thus most historians refer to the year 1839 as the "first" year of photography, not because the sensational new medium was invented then, but because that is the year it was introduced to the world. After more than 175 years, and for the first time in English, First Exposures: Writings from the Beginning of Photography brings together more than 130 primary sources from that very year--1839--subdivided into ten chapters and accompanied by fifty-three images of significant visual and historical importance. This is an astonishing work of discovery, selection, and--thanks to Steffen Siegel's introductory texts, notes, and afterword--elucidation. The range of material is impressive: not only all the chemical and technological details of the various processes but also contracts, speeches, correspondence of every kind, arguments, parodies, satires, eulogies, denunciations, journals, and even some poems. Revealing through firsthand accounts the competition, the rivalries, and the parallels among the various practitioners and theorists, this book provides an unprecedented way to understand how the early discourse around photographic techniques and processes transcended national boundaries and interconnected across Europe and the United States.

Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noemie Etienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Regime and early post-Revolution France.

Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work.

Marie-Antoinette (1755-1793) continues to fascinate historians, writers, and filmmakers more than two centuries after her death. She became a symbol of the excesses of France's aristocracy in the eighteenth century that helped pave the way to dissolution of the country's monarchy.

American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections.

A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era.

Features the golden age of French printmaking. This catalogue features more than one hundred prints from the Getty Research Institute and the Bibliotheque nationale de France in Paris, whose print collection Louis XIV established in 1667. It studies how prints were collected and considers their reception in the ensuing centuries.

Polychrome sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. The author played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function.

A re-examination of the importance and legacy of provenance in the history of art. It goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research.

How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations.

Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta.

At the heart of all good art museum teaching is an effort to bring people and artworks together in meaningful ways. But what constitutes an experience of a work of art? This book addresses these and myriad other questions and investigates the mission, history, theory, practice, and future prospects of museum education.

Annan's history serves as the organizing principle for this book, which considers both the breadth of his body of work as well as the multiple formats in which his photographs appeared and circulated. Featured here are seven examplesincluding private albums and commercial booksthat focus on subjects as varied as the city's streets and closes.

Bringing together leading conservation scholars and professionals from around the world, this volume offers a timely look at values-based approaches to heritage management.

Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years.

The first study devoted to classical art's vital creative impact on the work of the Flemish master Peter Paul Rubens.

This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in internationalcollections.

A comprehensive overview of ancient ambers, the only such book in English, is now revised.

Takes readers on a romp through the portrayal of love and sexuality in Western art - ranging from chaste tenderness to overwhelming frenzies of the senses, and from Classical allusion to sexual fantasy.

When life (in a global pandemic) imitates art . . .

This stunning volume illuminates the current moment of artists' engagement with books, presenting artists' books as an essential medium in contemporary art.

Drawing from Getty Research Institute's Harald Szeemann Archive and Library, this heavily illustrated volume examines the groundbreaking career of the Swiss Curator Harald Szeemann (1933-2005), widely regarded as one of the most influential curators of the twentieth century.

An informative, lavishly illustrated survey of one hundred years of fashion photography, including more than three hundred photographs by the genre's most famous practitioners.

A fascinating look at one of photography's most controversial and beloved icons

The history of art is inseparable from the history of colour. This book takes readers across the globe and over the centuries on a tour through the history of color in art. It aims to uncover the origins and science of colour. It is illustrated in full colour throughout with 166 major works of art.

With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the concept of a unified interior. It argues that art history - even the emergence of the modern category of fine art - was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.

Controversial, misunderstood, and sometimes overlooked, Minor White (1908-1976) is one of the great photographers of the 20th-century, whose ideas exerted a powerful influence on a generation of photographers and still resonate today. This is an illustrated tribute to one of the most influential photographers of the twentieth-century.