A thorough foundation for the fresh recognition of one of the great painters of eighteenth-century Europe, a leading fresco painter who is a colorist worthy of comparison to the best of his contemporaries.
The putto (often portrayed as a mischievous baby) appears frequently in the art and literature of Renaissance Italy. The ""spiritelli"" embody a minor species of demon, neither good not bad. This book discusses the manifestations of the putto-spiritello in 15th-century art and literature.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
