Böcker i Asia-Pacific: Culture, Politics, and Society-serien

A Marxist interpretation of Korean migrant workers struggles in Japan during the 1920s and 1930s.

Describes Mao Zedongs life and thought in relation to the Chinese revolution and twentieth-century history.

Discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawaii as a centre of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.

Presenting a social history of "the new woman" that emerged in Japanese culture between the world wars, this title shows how images of modern women burst into Japanese life in the midst of the urbanization, growth of the middle class, and explosion of consumerism resulting from the postwar economic boom, particularly in the 1920s.

In The Sublime Perversion of Capital Gavin Walker examines the Japanese debate about capitalism between the 1920s and 1950s, using it as a "prehistory" to consider current problems of uneven economic development and contemporary topics in Marxist theory and historiography.

The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. This title analyses Kurosawa's entire body of work, from 1943's Sanshiro Sugata to 1993's Madadayo.

Features the essays that examine philosophical issues concerning the concepts of poesis and praxis relevant to Marx's ideas of production.

This collection is the first volume in English to examine the entire span of modern Taiwanese literature, from the first decades of the twentieth century to the present.

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou revolutionized Chinese cinema with Red Sorghum, Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. This title tells the story of this class of 1982, China's famous "Fifth Generation" of filmmakers.

Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema

Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak

Focusing on Japan, France, and the United States, this work reveals how the writing of national history in the late nineteenth century made the reshaping of the world by capitalism and the nation-state seem natural and inevitable. It also analyzes the rhetoric, narrative form, and intellectual genealogy of late-nineteenth-century texts.

Traces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination.

Monsters, ghosts, the supernatural, the fantastic, the mysterious. This title asserts that discourse on the fantastic was at the heart of the historical configuration of Japanese modernity - that the representation of the magical and mysterious played an integral part in the production of modernity beginning in Meiji Japan (1868-1912).

"Challenging, provocative, informative, and giving full substance to the interrelations of the global and local, these essays carry the reader through a marvelously rich range of materials just where intellectual life in the humanities and social sciences today is most vital."--Jonathan Arac, University of Pittsburgh

Focusing on Japan, scholars of history, literature, film, art history, and anthropology demonstrate the necessity of understanding fascisms cultural manifestations.

Focusing on Japan, scholars of history, literature, film, art history, and anthropology demonstrate the necessity of understanding fascisms cultural manifestations.

Examines the logic underlying the neoliberal welfare state that South Korea created in response to the devastating Asian Debt Crisis (1997-2001).

Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, this title shows how the exhibition's display of architecture gave a vision to the colonies that justified France's cultural prejudices, while stimulating the desire for further expansionism.

An analysis of the dominant patterns in the representation of erotic and romantic love between women in contemporary film, television, and fiction from China, Hong Kong and Taiwan.