Böcker i Anthem Irish Studies-serien

'P. S. O'Hegarty (1879-1955)' provides a well-researched and engaging biography of a major figure within Irish nationalist politics. Standing at the epicentre of Ireland's revolution, this ardent separatist provided much original thinking on the central concerns of his day. Using OHegarty's fertile mind and prodigious literary works as a guide, this book explores the far-reaching political and cultural issues of early 20th century Ireland, such as what is meant by 'nation' and national identity, cultural and political tolerance, Republican Liberalism, and the nature (as well as the clash) of religion and the state. Of these and other important subjects still relevant today, O'Hegarty was a prolific writer and essayist, notably championing liberal and progressive ideas far ahead of his separatist contemporaries. Spanning Irelands cultural and political revolution in the early 20th century, his career offers interesting insights into this crucial period, as well as the social and political clime of the Free State. His writings cast a keen and often iconoclastic eye on the developing Irish nation he helped create both as a noted Civil Servant and a social and literary critic. Given that OHegarty is a name known to many Irish specialists, this full review of his separatist career will be a welcome addition to the growing canon of historical biographies of previously overlooked leading figures in this period. This biography also breaks new ground in revealing unknown aspects of this great figure's personality and life story. O'Hegarty has remained largely absent in the literature dealing with a revolutionary period to which he greatly contributed. O'Hegarty counted among his inner circle political heavyweights such as Sinn Fin leader Arthur Griffith, IRB leader Michael Collins, and Bulmer Hobson, arguably the individual with whom he stood closest in political outlook. Despite sometimes quarrelling, O'Hegarty remained a source of wise counsel to all these men. Admired by both Griffith and Collins, O'Hegarty was privy to many private conversations and documents that reveal exciting new source material for the study of this crucial period relevant in shaping modern Ireland. Working within hugely influential movements such as Sinn Fin, the IRB, and the Gaelic League, P. S. O'Hegarty was often the thrusting sword from which the most stinging precise blows landed against the Irish Party and British rule in Ireland.

Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.Modernist Afterlives in Irish Literature and Cultureclosely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture.Modernist Afterlives in Irish Literature and Culturebrings together many of the most respected and renowned scholars in Irish and modernist studies, demonstrating the diversity of intellectual approaches to the Irish culture produced in the wake of high modernism.

Irish author (Eleanor) Norah Hoult (1898-1984) traveled in prominent literary circles and corresponded actively with some of the leading Irish authors of her time, including Brigid Brophy, Sean O'Casey, and Sean O'Faolain. Critics today compare her not only to O'Faolain and Frank O'Connor, but also to novelists Kate O'Brien and Edna O'Brien. Despite her reputation and a forty-four year publishing career, however, Hoult and her work remain surprisingly neglected.This edition rectifies this critical oversight and introduces Hoult's short story collection, 'Poor Women!', to a new generation of readers. 'Poor Women!' displays Hoult's subtlety and humor as an author and her nature as a keen witness to human frailty. In these stories, Hoult unflaggingly highlights the restrictions imposed on her characters by society and its institutions: she thus provides a window into the social, literary and political milieu from which she hails.Largely cited for its engagement with women's and religious issues, 'Poor Women!' thus also displays a keen awareness of wider historical issues like the challenges of war and of cultural identity construction. Her incisive portraits capture the emotional paralysis of her characters and their self-delusions. Such thematic and stylistic emphases invite further comparison to better-known contemporary Irish literary giants like James Joyce and Mary Lavin.

"Norah Hoult's 'Poor Women!'' A Critical Edition" reintroduces a significant yet critically-neglected 20th-century Irish author. Hoult's stories capture the restrictions imposed on women by society and its institutions. Often compared to writers such as Sean O'Faolain, Frank O'Connor, Kate O'Brien and Edna O'Brien, her work also shares characteristics with James Joyce and Mary Lavin.

A comparative study of the famines of Ireland (1845-51) and Ukraine (1932?33), and how historical experiences of famine were translated into narratives that supported political claims for independent national statehood.

This collection of essays explores digital art in Ireland. Comprising contributions from scholars and practitioners, it examines how new media technologies are shaping the island¿s contemporary artistic practices. As one of the first dedicated treatments of Irish digital art, it fills a major gap in the national media archaeology of Ireland.

A comparative study of the famines of Ireland (1845?51) and Ukraine (1932?33), and how historical experiences of famine were translated into narratives that supported political claims for independent national statehood.

Inspired by the work of Margot Norris, this volume takes up her theme of how James Joyce¿s works open up a host of new possibilities: for interpretation, for stylistic ¿iridescence,¿ for narrative, for other possible worlds, and for gender equality.

The Great Irish Famine claimed the lives of one million people, mainly from the lower classes. More than a million others fled the stricken land between 1845 and 1851. This catastrophe ranks among the worst famines to afflict pre-industrial societies, and it retains an important place in the psyche of the Irish people and the Irish diaspora to this day. In recent decades, its history has become the focus of considerable scholarly and popular attention. In particular, a tremendous amount of work has been undertaken on mortality, emigration, relief efforts and the wider political, social and psychological consequences of the calamity. Yet much remains to be retrieved and reconstructed, particularly at the level of the rural poor. This book intends to fill that gap. Astonishingly, there is a large volume of reports on social conditions in the Irish localities, emanating from within those localities, that has never been used systematically by historians. It bears the compelling title of the 'Death Census'. Most historians are simply unaware of its existence. The outstanding feature of the Death Census is that it was authored by local clergymen who lived among the people they served, and were intimately involved with their lives. The census, which has never been published in composite form, is a unique store house of testimonies from near the base of society that awaits the attention of students of famine in Ireland. Ninety-nine clergymen from across Ireland, with marked concentrations in the worst affected parts of the country, contributed to the census. Some of these documents are coloured by politics, which in itself is revealing, but most aspire to more dispassionate representations of the horror facing a famishing people within the 'little society' of the parish, accompanied by appeals, explicit or implicit, to the humanitarian instincts of the wider society. In terms of wider significance, this is one of the great unstudied texts of modern Irish history. This book brings the Death Census together in composite form for the first time, and provides a detailed examination of its contents. The result is a new understanding of the Great Famine as it was experienced on the ground.