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  • av Caryl Churchill
    199,-

  • av Brian Friel
    195

  • av Alan Bennett
    199,-

  • av William Nicholson
    215

  • av Edward Albee
    205

    "In this vicious parable about America, Mummy and Daddy live in gilt-edged insecurity, Mummy ruling with an unholy vitality that has reduced Daddy to a terrible, contented impotence. Into the house strays a beautiful young man -- an American dream -- except that he can feel nothing because he is the twin of the child they killed years before."--Back cover.

  • av Terence Rattigan
    185,-

  • av Sandy Wilson
    225

    Madame Dubonnet's finishing school, near Nice, could exist only in musical comedy. The charming young pupils burst into song at the least provocation, and forbidden boy friends are forever popping through the french windows to make up the numbers. Polly Browne is too rich to be allowed a boy friend. Tony, for whom she falls, turns out to be the Hon. Tony Brockhurst, which is very lucky, because Polly thought he was just a delivery boy. Written in the fifties as "a new musical of the twenties" this is still the most successful, tuneful and witty of the send-up musicals, which ape the style of earlier, lighter-hearted and more disarming days.8 women, 7 men

  • av Ken Hill
    245

    Gaston Leroux's classic tale of tragedy, grand opera, romance and horror has been masterfully adapted by Ken Hill.

  • av Arnold Wesker
    225

    Beatie returns for a holiday to her fenland farm home trying to impose on her stolid family the ideas of a young Jewish intellectual, Ronnie, whom she believes will marry her. But, awaiting his arrival, slowly Beatie realizes he will never come and her famous final speech exults that Ronnie has taught her independence and how to free herself from him.-4 women, 5 men

  • av Noel Coward
    199,-

  • av Alan Ayckbourn
    255,-

  • av A. A. Milne
    299

    This musical is constantly in demand for groups anxious to produce the better type of imaginative plays for young people. The play expresses perfectly the mood of the Grahame book, which is a combination of poetry, fantasy and exquisite comedy. The romance of early childhood is celebrated in this adaptation. Scripts includes full stage directions, notes on scenery, illustrations of sets, costume, property and lighting plots.-Large flexible cast

  • av Valerie Windsor
    185,-

    Effie, who has lived in mental institutions since the age of thirteen, has been admitted to hospital with severe burns. Treating her is Dr Ruth Kovacs, who finds in Effie's extraordinary story of injustice and official callousness the key to her own suppressed anger and power. Taut and powerful, tender and often funny, Effie's Burning is an emotional switchback of a play, with a searing anger at its heart.-2 women

  • av Alan Ayckbourn
    245

  • av Stephen Briggs
    199,-

    All is not well in Ankh-Morpork Opera House. A ghost stalks the corridors, leaving strange letters for the management and killing people. Granny Weatherwax and Nanny Ogg, two Lancre witches, investigate. This is an adaptation of Terry Pratchett's Discworld novel, "Maskerade".

  • av Ray Cooney
    245

    Jean is preparing a birthday dinner for her mild-mannered accountant husband Henry, when he returns home with a briefcase stuffed with bundles of 50 pound notes he has accidentally picked up on the underground. Henry is not quite the man he used to be.

  • - A Comedy
    av Mike Harding
    225

    It's Christmas. Relatives you hardly ever see and who are now very different from you arrive at your house for the festivities. No-one receives a present that is at all appropriate. Culinary disasters abound. Long-buried resentmen's rear their ugly heads as the alcohol flows and tongues are loosened. Comfort and Joy, Mike Harding's comedy, is painfully -- but always amusingly -- familiar.-Large flexible cast

  • av Jim Cartwright
    315

    Little Voice (LV) lives alone with her mother Mari, whose sole purpose in life is to find a man. When Mari's latest catch hears LV's impersonations of famous singers, he rushes to exploit it, and the result destroys LV. Finally, however, LV regains the courage to speak and sing in her own voice.

  • av Norman Robbins
    245

  • av Harold Pinter
    199,-

  • av Alan Ayckbourn
    245

    A thunderstorm. A windswept country house. A family of failures - a detective who has never solved a case, a writer, an artist, a composer, and a dysfunctional teenager - are all arguing over a bequest. But the victim is not who we think it will be and the murderer could be one of three people.

  • av Philip Ridley
    199,-

  • av Alan Ayckbourn
    245

  • av Stephen Briggs
    249

  • av Geraldine Aron
    245

    The attic of the family home in Ireland, once a playroom, is the setting for this sinister play from the author of Bar and Ger. Awaiting the death of their father, sisters talk about their unhappy lives long into the night. The time comes for a ritual re enactment of a violent incident from their childhood. Departing from the hitherto naturalistic style, Aron imaginatively has the sisters speak and act in unison to create the persona of a young boy. When the ritual is complete, things return to normal and the women seem to have found answers to their problems. Remaining is the uneasy prospect of the past repeating itself. Inventive and mysterious, this play is a challenge to both actors and directors.3 women

  • av Harold Pinter
    199,-

    Teddy arrives home to pay his family a visit with his wife Ruth, who settles into the household as if into a well-known niche. Teddy''s brothe''s and his father all take it for granted that she is anyone''s for the asking - and she is. It is then''suggested that they should set her up in trade, in a little flat in Soho. Calmly Ruth lists the conditions she requires before accepting, barely batting an eyelid as Teddy returns to America.

  • av Harold Pinter
    185,-

    Stella returns from her dress collection in Leeds to tell James, her husband, that she has been unfaithful. James confronts Bill, pressing for the truth, already determined to believe the worst. Bill confesses that he and Stella had only talked about spending the night together. It had amused him to perpetuate Stella''s story - to hurt his friend Harry. Is this the truth? Stella is silent.

  • av Agatha Christie
    199,-

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