The music industry as you've never seen it before - from the bottom. Music. We all love it. We can't live without it! But what exactly is it? Why is it so awesome? And who are the mysterious figures who create it, perform it and keep us all stocked up with the good stuff? What's it really like to be in a band and just how bad is the music industry? In his new book, rock'n'roll underdog James Kennedy takes us on a tour through the hidden lives of the every-day musician - this isn't hotel room trashing but how 99% of musicians live in the real world. Blowing away the usual mythologies and pulling no punches, Loud Medicine is a rough and ready rollercoaster ride - OK, transit van ride - into the secret world of the modern day musician. It's also an exposé of music's many enemies, a manifesto for change and a love letter to everyone's favourite medicine. There will be rants, dramas, a cast of dysfunctionals, big ideas, industry scam shockers, truth-bombs, f-bombs, the likely crucifixion of a beloved music icon or two - and yes, of course, there will be road stories. So come and squeeze in amongst the drum cases and warm beers, and let's hit the road!
Ethereal and enigmatic glass slides preserve the resonance of Hughes' voice in rippling, organic compositions The acclaimed Welsh singer and philanthropist Margaret Watts Hughes (1842-1907) was one of many inventors of her day fascinated by the visual documentation of sound. Her "eidophone" comprised a tube attached to a chamber covered in rubber, or "diaphragm." Hughes covered a glass slide with grains of sand or coarse pigment, then saturated it with water or milk. By singing into the device, the vibrations of her voice would etch out patterns onto the disc: an artistic rendering of the scientific principle of standing-wave resonance. Her "Voice Figures," as she called them, ranged from primitive patterns to designs resembling flowers, seashells and other natural phenomena. While Hughes valued her discovery for both its scientific and spiritual implications, leaders of the Theosophical movement saw her work as a means of making visible the invisible world.Sound May Be Seen presents selections from Hughes' original 1891 publication of the "Voice Figures" and a rare surviving set of her glass slides, alongside contemporary reactions to her captivating and ultimately enigmatic work.
Wilfred's pioneering and strangely prescient musical instrument predates television, video art and psychedeliaInventor, designer, artist and musician Thomas Wilfred (1889-1968) devoted his life to the creation of a new art form--"Lumia," or the art of light. He invented his own version of a color organ (a term he disliked) and dubbed it the Clavilux, from the Latin meaning "light played by key." After a successful international tour in the 1920s, Wilfred reinvented these large-scale performances as self-enclosed light shows for domestic entertainment. While they enjoyed a short commercial life, Wilfred's aesthetically elegant and interactive Clavilux and Lumia home models soon found their way into storied collections. His work was included in the Museum of Modern Art's 1952 exhibition 15 Americans, where it was seen by many artists who would work with light as their medium in the 1960s and '70s.Clavilux and Lumia Home Models presents a stimulating collection of archival material culled from the Wilfred archive at Yale University and other sources, including Wilfred's never-before-published sketches.
Whether it's Liam's swagger, Noel's carefully crafted songwriting or the collective Northern soul at the heart of their anthems - Oasis are simply unforgettable. With candid quotes, upfront facts and a shedload of tidy trivia, this book covers the supersonic highs and catastrophic lows of the maddest, baddest rock'n'roll band on the planet.
Ten leading international Wagner scholars discuss analytical or theoretical questions posed by Wagner's music. Addressing the works from Die Feen through Parsifal, they combine a variety of music-analytical methods with approaches to dramaturgy, hermeneutics, reception history, and discursive analysis of sexuality and ideology.
This fully illustrated book celebrates the captivating lives of legendary figures who revolutionised music, from Elvis and Hendrix to Bowie and Jagger. Authored by music journalist Kathy McCabe and featuring stunning images from renowned rock photographer Tony Mott, this book makes the perfect gift for any rock music enthusiast.
An album cover collection exploring 70 years of surprising, shocking and frankly hilarious nude and provocative art. Sexy covers sold all musical genres, from funk to punk, and the silly German schlager. Comedy albums range from mid-century "stag party" pin-ups to the undeniably raunchy '70s sensation, Blowfly. Steamy, seamy and adults only.
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