Musik

Benjamin Britten was one of the outstanding British composers of 20th century. He shot to international fame with his operas, performed by his own English Opera Group, and a series of extraordinary instrumental works. His music won a central place in the repertoire and affection of successive generations of listeners. This title tells his story.

"A superb, all-encompassing survey of music in America." -Kirkus Reviews

Washington, D.C.-based rock 'n' roll antihero Ian F. Svenonius provides an unparalleled and exquisitely provocative how-to guide for rock bands.

Suitable for course work or for performance parts, this title presents a manuscript paper in an A4 portrait pad on plain white paper. It includes 200 pages with 12 staves per page, which are also hole-punched.

Offers insights in jazz historiography, highlighting the political stakes in telling the story of the music and evaluating its cultural import in the United States. This book contains articles such as Salim Washington's meditation on Charles Mingus and the avant-garde or George Lipsitz's polemical juxtaposition of Ken Burns' documentary "Jazz".

Arguably no other 19th-century German composer was as literate or as finely attuned to setting verse as Robert Schumann. Finson challenges assumptions about Schumann's Lieder, engaging traditionally held interpretations. Arranged in part thematically, rather than by strict compositional chronology, this book speaks to the heart of Schumann's music.

Camille Saint-Sans - perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in every musical genre, from opera and the symphony to film music - is now being rediscovered after a century of modernism overshadowed his importance. This book deconstructs the multiple realities behind the man and his music.

A renowned neuroscientist with no musical talent investigates what it takes to make musicOn the eve of his fortieth birthday, renowned cognitive scientist Gary Marcus decided to fulfil a lifelong dream and learn to play the guitar. He had tried many times before failing miserably. This time, he decided to use the tools of his trade to see if he might suceed. On his quest he jams with twelve-year-olds and takes master classes with guitar gods. A groundbreaking exploration of the allure of music, Guitar Zero is also an empowering case for the minds ability to grow throughout life.

'Yes, it was be there or be square as, clad in the slum chic of the hipster, he issued the slang anthems of the zip age in the desperate esperanto of the bop. John Cooper Clarke: the name behind the hairstyle, the words walk in the grooves hacking through the hi-fi paradise of true luxury'Punk.

ROLLING STONES GEAR ALL THE STONES' INSTRUMENTS FROM STAGE TO STUDIO

A fully revised and updated edition of this widely adopted textbook. The First Edition was published in 2003 by Hodder.

The definitive biography, by a long way, of the most influential blues musician of them all. In a nutshell: no Muddy Waters, no Rolling Stones

Victor Bockris's much admired biography of Keith Richards has been constantly revised since its original publication, now with an additional 12,000 words for a new edition of the Omnibus Press paperback that brings the story up to the present day.

Updated new edition 2021. The electric guitar is arguably the most important musical instrument of the modern age. This book explains how to buy the right instrument and set it up, and how to play. It demonstrates basic techniques and chords, and introduces genres such as rock 'n' roll, jazz, heavy rock, metal and blues.

Join the superhero world of Lang Lang and come on a piano adventure with The Lang Lang Piano Method Level 1. Level 1 introduces complete beginners to: *different five-finger positions *note reading *moving around the keyboard *developing both hands equally right from the start.

David Buckley examines the cult enigma that is Kraftwerk. Updated to include details of the group's recent concerts under the direction of Ralf Hutter.

Renaissance music in its cultural, social, and intellectual contexts.

"It's Time To Party," the first track off of I Get Wet, opens with a rapid-fire guitar line - nothing fancy, just a couple crunchy power chords to acclimate the ears - repeated twice before a booming bass drum joins in to provide a quarter-note countdown. A faint, swirling effect intensifies with each bass kick and, by the eighth one, the ears have prepped themselves for the metal mayhem they are about to receive. When it all drops, and the joyous onslaught of a hundred guitars is finally realized, you'll have to forgive your ears for being duped into a false sense of security, because it's that second intensified drop a few seconds later - the one where yet more guitars manifest and Andrew W.K. slam-plants his vocal flag by screaming the song's titular line - that really floods the brain with endorphins, serotonin, dopamine, and whatever else formulates invincibility.Polished to a bright overdubbed-to-oblivion sheen, the party-preaching I Get Wet didn't capture the zeitgeist of rock at the turn of the century; it captured the timelessness of youth, as energized, awesome, and unapologetically stupid as ever. With insights from friends and unprecedented help from the mythological maniac himself - whose sermon and pop sensibilities continue to polarize - this book chronicles the sound's evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.'s inviting, inclusive lyrics create the ultimate shared experience between artist and audience.

Oasis's incendiary 1994 debut album Definitely Maybe managed to summarize almost the entire history of post-fifties guitar music from Chuck Berry to My Bloody Valentine in a way that seemed effortless. But this remarkable album was also a social document that came closer to narrating the collective hopes and dreams of a people than any other record of the last quarter century. In a Britain that had just undergone the most damaging period of social upheaval in a century under the Thatcher government, Noel Gallagher ventriloquized slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis 'everymen': Paul McGuigan, Paul Arthurs and Tony McCarroll. On Definitely Maybe, Oasis communicated a timeworn message of idealism and hope against the odds, but one that had special resonance in a society where the widening gap between high and low demanded a newly superhuman kind of leaping. Alex Niven charts the astonishing rise of Oasis in the mid 1990s and celebrates the life-affirming, communal force of songs such as "Live Forever," "Supersonic," and "Cigarettes & Alcohol." In doing so, he seeks to reposition Oasis in relation to their Britpop peers and explore one of the most controversial pop-cultural narratives of the last thirty years.

"First published in 2002 under the title The Smiths - songs that saved your life"--P. 7.

Beginning in 1970, with the transformative effects of the Kent State University shootings - which the band-members witness firsthand - and ending a decade later with Devo on the cusp of superstardom (with "Whip It"), this title traces the sounds and ideas that the group absorbed and in turn brought to prominence as unlikely rock stars.

A great book about becoming an artist, Woolgathering tells of a youngster finding herself as she learns the noble vocation of woolgathering, "a worthy calling that seemed a good job for me." She discovers-often at night, often in nature-the pleasures of rescuing "a fleeting thought." Deeply moving, Wool- gathering calls up our own memories, as the child "glimpses and gleans, piecing together a crazy quilt of truths." Smith introduces us to her tribe, "a race of cloud dwellers," and to the fierce, vital pleasures of cloud watching and stargazing and wandering.A radiant new autobiographical piece, "Two Worlds" (which was not in the original 1992 Hanuman edition of Woolgathering), and the author's photographs and illustrations are also included. Woolgathering celebrates the sacred nature of creation with Smith's beautiful style, acclaimed as "glorious" (NPR), "spellbinding" (Booklist), "rare and ferocious" (Salon), and "shockingly beautiful" (New York Magazine).

Suitable for fellow conductors, players, students, and professional musicians, and also for those interested in the performance of orchestral music.

Manchester, its bands, its fashions, its attitude, has defined pop culture for the best part of four decades. Whether it be on a rain-soaked stage in Brazil, a rented room in Whalley Range, or on the dancefloor of the legendary Hacienda, Kevin Cummins' exquisite photographs capture the anarchic energy of the Manchester pop moment.

* A detailed exploration of how historical harpsichords were made, with instructions on how the modern reader can do the same. * Comprehensively illustrated with 400 photos and line drawings * Written by an internationally respected musical instrument museum curator and instrument researcher with considerable harpsichord-making experience.

In the first decade of the twenty-first century, Kanye West created the most compelling body of pop music by an American artist during the period. Having risen from obscurity as a precocious producer through the ranks of Jay Z''s Roc-A-Fella records, by the time he released My Beautiful Dark Twisted Fantasy (MBDTF) in late 2010, West had evolved into a master collagist, an alchemist capable of transfiguring semi-obscure soul samples and indelible beats into a brash and vulnerable new art form. A look at the arc of his career, from the heady chipmunk soul exuberance of The College Dropout (2004) to the operatic narcissism of MBDTF, tells us about the march of pop music into the digital age and, by extension, the contradictions that define our cultural epoch. In a cloud-based and on-demand culture - a place of increasing virtualization, loneliness, and hyper-connectivity - West straddles this critical moment as what David Samuels of The Atlantic calls "the first true genius of the iPhone era, the Mozart of contemporary American music." In the land of taking a selfie, honing a personal brand, and publicly melting down online, Kanye West is the undisputed king. Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future - very much a tale of our culture''s wish for unfettered digital ubiquity - MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era''s most dynamic artist.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries.

In 1982, Fender revived an old guitar-string name for its new line of Japanese-made electric guitars. Thirty years later, Squier is almost as important to the company as the main Fender brand. This book tells the story of the millions of guitars produced with the Squier name in the years between that inauspicious birth and its 30th anniversary.