Musik

The story of Joy Division told by the band's legendary bassist, Peter Hook

A Danish musician here presents the most accurate, comprehensive work on a major figure in American jazz: Lester Willis Young (1909-1959), better known as `Pres' or `Prez,' from the nickname `President' given to him by Billie Holiday.

Addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. This title emphasises on the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France.

But `All That She Wants' heralded the arrival of a new type of hitmaker, the faceless teams behind the music who painstakingly craft tunes to tweak the brain's delight in melody, rhythm and repetition. If you've ever found yourself humming a chart hit you didn't even know you knew, this book will change the way you listen to music.

Albert Hofmann, who died in 2008 aged 102, synthesised LSD in 1938. Although his work produced other important drugs, it was LSD that shaped his career. Shortly before his death, Hoffman approved a new and updated translation of his autobiography (first published by McGraw Hill in 1979). It appears here for the first time in print.

The mesmerizing posthumous memoir of 'a poet and polemicist whose lyrics have inspired and galvanized generations' GQ

the endless winding of Autobahns.Faust, Neu!, Cluster, Ash Ra Tempel, Amon Duul II, Can, Kraftwerk -- the influence of these groups' ruminative, expansive compositions upon Western popular music is incalculable.

A guide to advances in microphone technology, application and technique. It features: information on microphone arrays and wireless microphones; material on digital models; developments in surround; and, advice on studio set up, recording and mic selection.

Hagar, one of rock music's most successful and notorious singers, tells the story of his life in music--from his raucous solo career to his to his decade-long journey as lead singer for Van Halen and everything in between.

One autumn evening, not long after ending a stint as a pop music critic, Eric Siblin attended a recital of Johann Sebastian Bach's Cello Suites. There, he fell deeply in love with the music. Part biography, part music history, and part literary mystery, this title unravels three centuries of mystery, intrigue, history, politics, and passion.

HOW TO WRITE SONGS FOR GUITAR - REVISED

The autobiography of a legendary swing dancer

Offers a comprehensive history of stage musicals from the earliest accounts of the ancient Greeks and Romans, for whom songs were common elements in staging, to Jacques Offenbach in Paris during the 1840s, to Gilbert and Sullivan in the UK, to the rise of music halls and vaudeville traditions in America, and eventually to 'Broadway's Golden Age'.

The final word on the world's greatest rock band, Led Zeppelin.

Madonna is the biggest female pop star in the world yet there is no serious biography of her, and no biography at all by a woman. It will take an in-depth look at how - and, more to the point, why - Madonna has reinvented herself through her twenties, thirties, forties and will no doubt do so again in her fifties.

Examining international case studies including USA, Asia, Australia and New Zealand, this book identifies and explores the use of heritage throughout the world. Challenging the idea that heritage value is self-evident, and that things must be preserved, it demonstrates how it gives tangibility to the values that underpin different communities.

This biography (first published in 2000 to mark the 250th anniversary of J.S. Bach's death) presents a picture of the composer that demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.

Takes up the story of bands and their development from the end of the WWII to the start of the new millennium. Considering both local and regional contests and larger-scale national events, this title investigates the impact of the radio, television, and commercial recording on the brass band industry, and what the future holds for the genre.

This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann (1819-1896)-at once artist, composer, editor, teacher, wife, and mother of eight children.

Shortlisted for the NME Best Music Book Award 2018THE SUNDAY TIMES BESTSELLER'The definitive book on Bowie' The Times Dylan Jones's engrossing, magisterial biography of David Bowie is unlike any Bowie story ever written.

Disco emerged from the fall-out of the Black Power Movement and an almost exclusively gay scene in a blaze of poppers, strobe lights, tight trousers, hysterical diva vocals and synthesized beats in the late sixties.

The essential biography of the Velvet Underground singer and New York legend

'You will not find a more devoted, thorough, loving and surprising book on the life of Leonard Bernstein - the most extraordinary man of extraordinary talents. Read it.' Lauren Bacall''Humphrey Burton has written a very detailed and candid account of his friend . . . The mass of material is superbly handled . . So much intelligence .

The incredible story of punk rock legend and Generation X frontman Billy Idol

Opening with David Mancuso's seminal "Love Saves the Day" Valentine's party in February 1970, this title tells the definitive story of disco - from its murky subterranean roots in NoHo and Hell's Kitchen to its gaudy blossoming in midtown Manhattan to the out-of-town networks that emerged in the suburbs and alternative urban hotspots.

Bernard Herrmann is a music composer who in over 40 scores enriched the work of directors like Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. He scored for "Fahrenheit 451", "The Day the Earth Stood Still", and "Psycho". This title is his biography exploring the inter-relationships between his music and his personal life.

Where did musical minimalism come from-and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970s disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "e;easy listening"e;; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education.

In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America's most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs's view, the popular phrase "e;I'll listen to anything but country"e; allows middle-class Americans to declare inclusive "e;omnivore"e; musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country's manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.

Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz's post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz's evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more. In an absorbing narrative enlivened by the commentary of key personalities, Marc Myers describes the myriad of events and trends that affected the music's evolution, among them, the American Federation of Musicians strike in the early 1940s, changes in radio and concert-promotion, the introduction of the long-playing record, the suburbanization of Los Angeles, the Civil Rights movement, the "e;British invasion"e; and the rise of electronic instruments. This groundbreaking book deepens our appreciation of this music by identifying many of the developments outside of jazz itself that contributed most to its texture, complexity, and growth.

Horace Silver is one of the last giants remaining from the incredible flowering and creative extension of bebop music that became known as "e;hard bop"e; in the 1950s. This freewheeling autobiography of the great composer, pianist, and bandleader takes us from his childhood in Norwalk, Connecticut, through his rise to fame as a musician in New York, to his comfortable life "e;after the road"e; in California. During that time, Silver composed an impressive repertoire of tunes that have become standards and recorded a number of classic albums. Well-seasoned with anecdotes about the music, the musicians, and the milieu in which he worked and prospered, Silver's narrative-like his music-is earthy, vernacular, and intimate. His stories resonate with lessons learned from hearing and playing alongside such legends as Art Blakey, Charlie Parker, and Lester Young. His irrepressible sense of humor combined with his distinctive spirituality make his account both entertaining and inspiring. Most importantly, Silver's unique take on the music and the people who play it opens a window onto the creative process of jazz and the social and cultural worlds in which it flourishes.Let's Get to the Nitty Gritty also describes Silver's spiritual awakening in the late 1970s. This transformation found its expression in the electronic and vocal music of the three-part work called The United States of Mind and eventually led the musician to start his own record label, Silveto. Silver details the economic forces that eventually persuaded him to put Silveto to rest and to return to the studios of major jazz recording labels like Columbia, Impulse, and Verve, where he continued expanding his catalogue of new compositions and recordings that are at least as impressive as his earlier work.