Musik

Collected for the first time in one volume, Passing A Message contains the lyrics to over 80 songs, with artwork and photographs, along with previously unseen notebook lyric drafts and drawings curated by Conor J. O'Brien, for his musical project, Villagers. Presented as a full-colour hardback book, with a unique glow-in-the dark cover.

Benjamin Britten, pianist, conductor, educator, composer of  a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.

"In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"--

Bodies of Sound began by enquiring into how sonic experience is intervening in realms such as gender, memory, disability justice, anti-colonial ways of knowing, and anti-war movements - responding to our contemporary emergencies. What has emerged is a collection that makes an expansive case for listening for peace,Featuring over thirty contributors, this groundbreaking anthology explores sound and listening through the lens of the body. Bringing together poets, artists, writers and musicians including Anne Carson, Svetlana Alexievich, Sara Ahmed, Pauline Oliveros and Don Mee Choi, Bodies of Sounds maps the intricate links between feminist sonic culture and radical listening.

This book introduces path-breaking applications of concepts from mathematical topology to music-theory topics including harmony, chord progressions, rhythm, and music classification. Contributions address topics of voice leading, Tonnetze (maps of notes and chords), and automatic music classification.

This book sheds new light on the intertwined history of music and politics through an exploration of Dutch political songs. In the emotionally charged climate of the Dutch revolutionary period at the close of the eighteenth century, songs became a powerful voice, speaking directly to people's bodies to engage them in political action. Emphasizing the performative nature of the songs and the interplay between imagination and embodied expression in singing practices, this book shows how beyond merely creating communities, the songs were also instrumental in mobilising, imagining, and affirming these collectives. It uncovers the diverse roles of these songs, showing how they were used to polarize and unite, to mourn and celebrate, and how they were employed to imagine and to embody togetherness throughout the Dutch revolutionary period, thereby creating a fixed repertoire of feelings on which various political regimes of that time relied.

This study reassesses Cage's multifaceted practice from an integrated transdisciplinary perspective, using text as a premise for his musical, visual, lingual, and museal compositions.

Why does Stanley Cavell's philosophical thought matter for music? And how did Cavell's musical practice and appreciation of music give shape to his most famous philosophical claims about cinema, human speech, opera, the expression of skepticism, and ordinary language philosophy? Music with Stanley Cavell in Mind provides a first-of-its-kind intervention by leading philosophers and scholars of music into an intellectual landscape in need of such charting. As a performer and a devoted student of music, the arc of Cavell's wide-ranging investigation maps consistently with a proximate concern with features of human experience that involve music and sound, including the sound of prose, authorial voice (including its possession and its divestment), the presence/problem/potentiality of silence in human communication, and related features of sonic experience central to life lived at the scale of the everyday. Despite widespread scholarly fascination with the intersection of "Cavell" and "music"-that music is famously a core theme for him-no book like this has yet appeared. Moreover, our efforts here are addressed to the serious student (at all levels) and the general reader alike arriving from many precincts of thought and practice-musical performance, literary theory, cultural studies, musicology, and philosophy.

Red Hot + Blue is a meditation on music's capacity to find us, transform us, and help us make sense of our historical moment. Blending memoir and cultural history, Garrison recalls his coming out at the height of the AIDS crisis alongside the music industry's first major response to the epidemic. In 1990, a groundbreaking effort by musical artists sought to combat the silence and stigma about the disease. The resulting tribute album to legendary composer Cole Porter was evocatively titled Red Hot + Blue, capturing both the joy and melancholy that accompanies love during turbulent times. It re-imagined those iconic songs - including "Don't Fence Me In," "Every Time We Say Goodbye," "Night and Day" - not just to celebrate the composer but also to offer a shared vision for survival. In this book, Garrison reflects on his own life story through the lens of Porter's life and music to illuminate the emotional landscape we all navigate in the search for love. Red Hot + Blue returns us to the early 1990s to reveal how the love songs of the past can be revived to speak to new audiences in times of need. The book is the portrait of an album, a pandemic, and a young gay man's coming of age in the era of both.

Drumz Of The South: The Dubstep Years (2004-2007) is the first photography book to present the early days of dubstep in detail. Seminal to the sound's growth from the spaced-out expression of a handful of producers, to the global genre that it is today, Drumz Of The South is both a personal and a cultural document. It features over 200 photographs from events and radio stations such as FWD>> at Plastic People, DMZ and Rinse FM, plus pioneering producers, DJs and MCs like Burial, Skream and Benga, Mala & Coki, Loefah and Sgt Pokes, Plastician, Kode9, Hatcha & Crazy D, Skepta, Wiley, and Mary Anne Hobbs.

El Vez performances present a powerful message of social justice and inclusion in changing US and social contextsMake the Dream Real interrogates how artist Robert Lopez playful engagements as El Vez hold the United States to its egalitarian promises, voicing and enacting a just, richly inclusive social space through performance. 34 col. illus.

Traditionally, popular music has long been said to intrinsically contest, resist, and defy the powers that be. This new book challenges this long-standing orthodoxy, arguing that popular music more often participates in the social reproduction of the biggest power there is: neoliberal capitalism. 11 b&w illus.

This interdisciplinary book takes the reader on global journeys from the UK to China, from Ecuador to Jamaica, through a melange of music genres. In doing so, it raises key questions as the contributors reflect upon doing and communicating ethnographic research on popular music. 14 b&w illus.

Philip Lynott: Renegade is the story of a pioneering Irish musician. From his early days on his beloved Dublin music scene through the adventurous days of Thin Lizzy, the band he led for thirteen years, Philip himself reveals in song the ebb and flow of his public and private life. Once mainstream success came his way with Thin Lizzy's powerhouse Jailbreak album in 1976, his musical thirst only heightened, and this book also offers intimate insight into his musical experimentation beyond the Thin Lizzy framework. The very subtle solo annexe to the main body of his recorded work with Thin Lizzy is often overlooked despite being inhabited with lyrical depth, honesty and amusing but purposeful misdirection. From the slow burn of his rise with Thin Lizzy to the unfortunate and unnecessary outcome of his short life, Renegade offers a vantage point from the people who were by his side through it all.

Rush. In their own words, 'The World's Biggest Cult Band', started from humble beginnings: three suburban teenagers. Alex Lifeson, Geddy Lee, and John Rutsey formed a Led Zeppelin-influenced trio, eventually scratching a living playing the bars and clubs of their native Toronto. A hard work ethic, no small amount of talent, and a slice of good fortune enabled their first, self-financed and distributed album to gain a foothold in the American market. And then, on the eve of their first American tour, drummer Rutsey quit. Fortune smiled on them again when auditions for a replacement shed builder produced Neil Peart, who could not only drum like a demon but was adept at lyric writing. Sharing a love of the then emerging progressive rock scene, the trio embarked on crafting a series of albums from the 'second' debut, Fly By Night, to the career-defining and best-selling masterpiece Moving Pictures; records which would secure them a permanent place in the rock hierarchy. This book reviews all these albums up to Signals, their 1982 release, which saw the band embracing keyboard technology and severing their connections with long-time producer Terry Brown, the unofficial fourth member of the trio.

'Just a city boy. Born and raised in South Detroit...' so begins the iconic 'Don't Stop Believin'' heard in countless karaoke bars and classic rock stations around the world. It is one of over 250 tracks discussed in Journey: On Track, which covers 50 years of recordings, from the extended jams of their early days to the heights of their popularity as an R&B-influenced powerhouse among America's arena rock gods, and beyond, to their controversial career in the 21st century without 'The Voice', Steve Perry. They were the brainchild of Walter 'Herbie' Herbert, the visionary who steered them through their most successful period. He built Journey from the remnants of Santana, keyboardist and singer Gregg Rolie, and guitar wunderkind Neal Schon. They surged into the limelight with singer Steve Perry. After adding keyboardist Jonathan Cain, they soared to superstardom. Their post-Perry history is filled with new music and the incredible story of Arnel Pineda. Critics dismissed them throughout their heyday as 'corporate rock', but they've somehow managed to thrive commercially and culturally on the heritage rock circuit, releasing new albums, and being inducted into the Rock Hall. They still fill arenas and stadiums with their legions of fans.

A STUNNING NEW AND COMPLETELY REVISED EDITION OF THE FENDER BIBLE FOR 2025.Collects together more rare Fender guitars than have ever been seen before, an iconic American brand whose value to collectors keeps on risingLeo Fender's guitars have arguably had the greatest influence on modern music than any other make of guitar. Over 250 guitars in every model, style and finish are lovingly photographed and detailed, from the greatest to the rarest - Strats, Teles and the infamous Marauder. Includes hundreds of never-before-seen images from recently unearthed archives and specially commissioned shoots around the world.Working with a worldwide network of collectors each model has been photographed specially for the book and alongside these exceptionally rare guitars are reproductions of Fender ephemera - the largest collection anyone will have ever seen. Tracing the history and influence of the company, in an easy-to-read format, with a level of detail no other book can rival. These vintage guitars are among the most loved and collectible instruments in the world.

Details the life, works, writings and aesthetic relationships of Igor Stravinsky, whose music epitomises the stylistic crisis of twentieth-century music. His Russian, neo-classical and serial periods along with his writings and wide-ranging creative engagements are presented in over 430 entries by more than fifty international contributors.

The book is for scholars and students from across the humanities who wish to understand the varieties of liturgical culture in medieval Britain and Ireland. The contributors discuss how this rich corpus of music, texts and ritual developed through personal, political and professional networks of monastic, diocesan and lay communities.

This benchmark collection of essays contain authoritative accounts of Thomas Adès's major compositions from a variety of analytical, critical, cultural and historical perspectives. It will appeal not only to Adès specialists, but to those with an interest in contemporary music more broadly.

Presents a new perspective on the aesthetic aspects of liberalism through examinations of music and ideas about music, including listening practices, performance contexts and modes of embodiment across elite and amateur spheres. This book will nuance current understanding, and will appeal to scholars of both Victorian literature and music.