Musik

A lively, engaging guide to music around the world, from prehistory to the present

The incredible true story of a blind musician, a brutal crime, and the making of an American folk legend In June 1936 James Lee Strother performed thirteen songs at the Virginia State Prison Farm for famed folklorist John Lomax and the Library of Congress. Rooted in the rich soil of the Piedmont region, Strother's repertoire epitomized the Black songsters who defy easy classification. Blinded in a steel mill explosion, which only intensified his drive to connect to the world through song, Strother drew on old spirituals and country breakdowns as readily as he explored emerging genres like blues and ragtime. Biographer Gregg Kimball revives this elusive but singular talent and the creative and historical worlds in which his dramatic life unfolded. Myths surround Strother but, as Kimball reveals, the facts of Strother's life are just as compelling as the fanciful embellishments proffered by early folklorists. Musician, murderer, and beloved family member-Strother somehow played each of these roles, and more. And while the songster's comedic ditties, spirituals, and blues tunes reached a wide range of listeners (and were later covered by musicians like Pete Seeger and Jefferson Airplane), they carried a dark undercurrent that spoke directly to the experiences of Black Americans: sundown towns, Jim Crow segregation, and labor exploitation. As Kimball shows, Strother's powerful songs and remarkable, tumultuous life continue to influence and remain deeply relevant to American culture to this day.

Explore The Who's groundbreaking albums, tracing their evolution from 1960s pioneers to rock legends.One of the British Invasion bands of the mid 1960s, The Who would soon go on to help revolutionise rock music, evolving from a pop band into the first generation of stadium rock giants. During their golden period, they would undergo changes in style and become one of the key protagonists in the transformation of popular guitar-based music from a casual singles market to a serious artform defined by the LP.Although The Who's album output was not as vast as some of their contemporaries, they would break new ground with a series of iconic releases that advanced the notion of what a rock album could be, and still stand the test of time today.In this book, we will look back at each of The Who's studio albums, exploring the historical context surrounding them, as well as looking into the recording process itself. Tackling each album song by song and examining the composition, production and the stories behind them, this book aims to give a detailed overview of The Who's albums from the 1960s up to their most recent and possibly final album, 2019's Who.This book contains notes on subsequent re-releases and remixes, comparing the key the differences and offering a concise, yet in depth respective, featuring both factual and critical analysis that will be valuable reading to all those interested in The Who and the history of classic rock albums.

Das Krautrock-Buch von Wolfgang Seidel in englischer ÜbersetzungMit »Wir müssen hier raus!« hat Wolfgang Seidel, Gründungsmitglied der Ton Steine Scherben, eine mitreißende Gegenerzählung zu den inzwischen gängigen Darstellungen des Krautrock verfasst. Nun erscheint sein wegweisendes Buch in englischer Übersetzung, ergänzt um Bildmaterial und eine Diskografie der 50 wichtigsten Krautrock-Platten.Mit dem Wissen desjenigen, der dabei war, bei den Hausbesetzungen und Demos, den ersten Konzerten von Bands wie Cluster, Tangerine Dream und Ash Ra Tempel, legt Seidel ein Buch vor, das die alte Bundesrepublik wieder zum Leben erweckt. Mit all ihren Widersprüchen und Kämpfen, in der gerade deswegen entstehen konnte, was heute als Krautrock gefeiert wird und was damals ein Versuch war, den Soundtrack zur Revolution beizusteuern. Die Revolution ist ausgeblieben, die BRD gibt es nicht mehr - und gestorben scheint ebenso die Utopie eines besseren Lebens, für das es sich zu kämpfen lohnt, auf der Straße wie im Tonstudio. Dabei sollte angesichts der gesellschaftlichen Verhältnisse die Parole noch immer lauten: »Wir müssen hier raus!«Wolfgang Seidel zeichnet, ausgehend von diesem Lebensgefühl, dem Fluchtinstinkt der Jugendlichen, ein Bild der alten Bundesrepublik, das anders gefärbt ist als die vielen Gründungsmythen der ersten genuin deutschen Popkultur, des Krautrock, der eines vor allem nicht sein wollte: deutsch.Übersetzt von Alexander Paulick.

What does it mean to be human in a world where machines, too, can be artists? The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture.From the life-size mechanical doll that made headlines in Victorian London to the doll's modern AI-pop star counterpart, Hajdu traces the fascinating, varied ways in which inventors and artists have sought to emulate mental processes and mechanize creative production. For decades, machines and artists have engaged in expressing the human condition-along with the condition of living with machines-through player pianos, broadcasting technology, electric organs, digital movie effects, synthesizers, and motion capture. By communicating and informing human knowledge, the machines have exerted considerable influence on the history of art-and often more influence than humans have been willing to recognize. As Hajdu proclaims: "before machine learning, there was machine teaching."With thoughtful, wide-ranging, and surprising turns from Berry Gordy and George Harrison to Andy Warhol and Stevie Wonder, David Hajdu takes a novel and contrarian approach: he sees how machines through the ages have enabled creativity, not stifled it-and The Uncanny Muse sees no reason why this shouldn't be the case with AI today.

The first collected correspondence of one of America’s greatest songwriters—revealing a fascinating life and lasting influence

"The first full-length history of 1960s pop group the Shangri-Las, which radically rewrites the accepted narrative of their place in rock history, foregrounding their considerable musical abilities and establishing the centrality of their performance of their songs to the group's underappreciated artistic achievement"--

"Cole Porter (1891-1964) remains one of America's most popular composer-songwriters, known for the many urbane, witty, romantic songs he wrote for stage musicals and Hollywood films. Porter was unique among his contemporaries for writing both the music and lyrics for his compositions. To this day, several of his numbers-"Night and Day," "I've Got You Under My Skin," "You're the Top," and "I Get a Kick Out of You," to name a few-endure as standards. In The Musicals of Cole Porter: Broadway, Hollywood, Television, Bernard F. Dick presents a critical study of Porter's Broadway and movie musicals, and his one foray into live television, Aladdin-covering the period from his first failure, See America First (1916), to the moderately successful Silk Stockings (1955), which ended his Broadway career. Taking a chronological approach, interspersed with chapters on Porter's "list songs" that owe much to such operas as Mozart's Don Giovanni and Rossini's The Barber of Seville; his love songs, often bittersweet and bleakly poignant; and, above all, his love of figurative language, Dick discusses in detail the various literary sources and cultural reference points that inspired the lyrics to Porter's numbers. The first volume of its kind exclusively dedicated to exploring the extensive body of work by this influential twentieth-century songwriter, The Musicals of Cole Porter is a compelling resource for students and scholars interested in the craft of a great composer-lyricist"--

A wide-ranging and incisive look at the various issues of volume in designA revised and expanded edition of the original 2010 book by Kenneth FitzGerald, Volumes: Design Reviewed Remixed Revealed, explores the dynamics of volume in graphic design, from vernacular expressions to professional practice, featured in critical essays, reviews, speculations, polemics, incitements and fictions. The diverse topics of the writings include the roles of class in design, progressive political speech as "mother" of graphic design, design as entertainment, typography as spur, the branding of the Beatles' Apple Records, pornography, album cover art, imaginary creative identities and more. Volumes also includes an introductory essay by the cofounder of Emigre Inc., Rudy VanderLans.Kenneth FitzGerald (born 1960) is an educator, designer, curator and artist. He is currently Professor of Design at Old Dominion University.

THE DEFINITIVE, UNTOLD, RECORDING HISTORY OF BEYONCÉ, TOLD ALBUM-BY-ALBUM AND SONG-BY-SONG.Explore the extraordinary artistry and vision of Beyoncé in this comprehensive guide, chronicled song-by-song throughout her groundbreaking career. From her early days with Destiny's Child to her trailblazing solo albums, record-breaking visual projects, and cultural moments that have redefined the music industry, this book leaves no stone unturned.Delve into the chart-topping anthems like Crazy in Love and Single Ladies, the deeply personal and politically charged works of Lemonade and Renaissance, as well as more her recent album, Cowboy Carter.Expertly crafted with behind-the-scenes stories, lyrical analyses, and detailed accounts of her creative process, this book uncovers the inspiration, production, and collaborators behind Beyoncé's genre-defying sound.Spanning over 500 pages and featuring hundreds of photographs - rare studio shots, breathtaking concert images, and exclusive behind-the-scenes stills - Beyoncé: All the Songs offers an intimate portrait of her evolution as an artist, performer, and cultural icon. Lavishly illustrated, this is the ultimate keepsake for the Beyoncé fan in your life.

This Awareness of Beauty is the first book to consider the orchestral and wind band music of Canadian composer Healey Willan, who was known primarily for his choral work. A succinct biography accompanies historical, analytical, and critical investigations of Willan's instrumental music, asserting Willan's seminal place in Canadian music and the significance of his orchestral and wind band music both nationally and internationally. Each composition is investigated in chronological order to illustrate the composer's evolution as a creator of instrumental music from his early years in England to his later, and more notable, accomplishments in Canada. Willan's orchestral music may be seen as both a reaction to and a stimulus for the significant improvement in Canadian orchestral performance during the 1930s and 40s, a factor in the creation of his large-scale compositions, including two symphonies and a piano concerto. Although much has been written about Willan, most of it has centred on his choral work, with biography and/or musicology as the frame of reference; this project considers his instrumental music in terms of performance, provides historical context for many of the works included, and corrects errors that have crept into the literature.

¿ An insight into the studios of well-knownEDM artistis¿ Features Ricardo Villalobos, Modeselektorand many others¿ With many interviews with the participating artistis