Fotografi

This volume is photographer Giorgio Colombo's tribute to the memory of Alighiero Boetti, in the name of their 30-year friendship. Text in English and Italian.

Thirty-Six Views of the Moon is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten centuries.Drink wine and look at the moon and think of all the civilizations the moon has seen passing by…— Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze. In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon.This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze. There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

This book is a uniquely personal photographic portrait of Lanzarote. It's a native islander's intimate vision that delves into the island's true beauty and offers a peek behind its exterior as an international tourist destination. The result is a fresh look at its contemporary landscape, the way traditional culture has evolved and the island's own identity. Visual travel guide to Lanzarote through the photographs of photographer Rubén Acosta.

Historians Manuel Poggio and Antonio Lorenzo take us on an engaging journey into the heart of La Palma through a carefully curated selection of the most outstanding historical photographs of the island. The images span the one hundred year period between 1850 and 1960 and reveal how La Palma has evolved over the years, not only in terms of its economic and landscape changes, but also its ideological values and even its fashions. The work, techniques and styles of all kinds of photographers are captured in more than 150 photographs, many of which have never been published before. They have been collated from local archives as well as collections in other Canary Islands, Spain, Europe and America. This book is a hugely valuable addition to La Palma's cultural heritage and it also asserts the artistic and cultural legacy of photography as a means of communication and expression in its own right. It contains more than 216 old images and reviews the beginning of Photography in Gran Canaria from the hands of one of the greatest experts.

After examining more than 50,000 photographs of Gran Canaria, kept in local, national and international archives and collections, historian Gabriel Betancor Quintana, embarked upon an exhaustive study of the photographers behind the lenses, their techniques and the socio-economic circumstances in which the images were taken. This book brings together a selection of more than 200 photographs of the island, many of which have never been published before. These images narrate 100 years of change in the island's landscapes, culture, economy and politics. Accompanying us on this journey is an-depth historical guide that helps us to fully understand the meaning and context of the photographs. Above all, this book opens a window into the past, inviting us to lean through and witness the evolving face of Gran Canaria between 1840 and 1940. Beginning of the history of photography on La Palma, which documents the history of the island between 1860 and 1960.

Die Girls in diesem Buch sind alle "unten ohne". Sie tragen keine Unterhöschen, keine Strings, einfach nichts. Ihre fordernden kleinen Vaginas und ihre großartig geformten Körper werden in all ihrer Schönheit porträtiert. Was könnte es Besseres geben? Es liegt in der Natur der Dinge, dass der freie Blick auf die Genitalien in der erotischen Fotografie sexuell inspiriert ist. Das gilt vor allem für die heutige Glamour-Fotografie. Künstlerische Aktfotografie hingegen fokussiert typischerweise mehr die Körperformen und den Ausdruck als die Sexualität. Paramonov hat einen genialen Mittelweg gefunden: Obwohl er alle erotischen Zonen der Modelle zeigt, liegt in seinen Aufnahmen eine besondere Zartheit und Distanziertheit, die bei rein erotischen Aufnahmen eigentlich nicht üblich ist.

Die Arbeiten in diesem Buch sind ein kleiner Querschnitt, der die intimsten Momente wahrer Schönheiten zeigt. Diese Schönheiten haben die Leidenschaft und die Lust, ihren Körper und ihre knisternde Erotik ohne Scheu und Hemmungen zur Schau zu stellen. Solche Bilder von einzigartigen Schönheiten mit der Kamera festzuhalten - das ist die Magie und die Leidenschaft der erotischen Kunst.

Mein Bekleidungsfundus ist voller Häkelbikinis, Frotteeklamotten und anderer Teile aus den 70ern und 80ern. Oft mische ich Vintage mit moderner Bekleidung. Ich liebe ihre Ästhetik und erinnere mich gern an diese Jahre zurück. Damals blitzte gelegentlich etwas Schamhaar aus einem Bikinihöschen. Die Formen eines wohlgeformten Hinterteils in einem passenden Kleidungsstück zu erahnen, ist aufregend.

A stunning collection of images showcasing the scenic splendour, intrinsic character and contrasting treasures of Suffolk through the seasons.

By the end of 1969, a young German couple, who made documentaries for television, arrived at the small island of La Graciosa almost by chance. It was before tourism, when there was no electricity or running water. People¡s doors were always open. Daily task and fishing, which required great effort, were share amonst the locals. This is the photographic evidence of the love affair that arose between the couple and an unforgiving, peculiar and unique land, populated b authentic seafaring people. Book of photographs of La Graciosa taken by two German documentary filmmakers between 1968/1974, before the arrival of tourism.

"Travelogue: Greek everyday solutions to common problems" is a book years in the making. Stemming from the project "DIY: who's the designer?" by the same editors, this publication serves as a visual journey into the spontaneous DIY culture throughout Greece and explores the connection between design as a practice and the artefacts made by anonymous individual creators. Papairlines are a team of designers with an applied interest in how ideas are born. They began photographing objects by unknown creators before 2012, mainly to satisfy their own curiosity as to how non-designers act creatively, composing solutions to problems and needs while filling in design omissions uncatered for by the existing infrastructure and equipment. As the team's thoughts on "DIY: Who's the designer?" matured and their personal photographic collection grew, conversations around every newfound photo provoked the desire to involve more contributors in the project. To the question "What ingenious objects might exist in Greece that have been created by DIY designers?", the team responded with an open call to professional and amateur photographers asking for images from all over the country. The responses brought invaluable fresh information and interesting objects from distant and remote locations. The photographs found in the book are contributions from different parts of Greece, by photographers who are not necessarily the object creators, but successfully capture the essence of these artefacts. Papairlines are the first no-budget airlines founded in 2011 by Vasso Asfi, Costas Bissas and Loukas Angelou between Athens and London. Operating "design flights", papairlines use travel as a metaphor to draw connections between aesthetics and usability, process and result, stereotype and evolution, behaviour and emotion.

Ich habe eine Frau fotografiert, die später Implantate bekam, und kann sagen: Die Fotos mit den kleineren, natürlichen Brüsten sehen besser aus. Es ist wohl Geschmacksache - ich persönlich finde, dass alle Brüste gut aussehen, solange sie nur natürlich sind. Heutzutage ist es wieder an der Zeit, kleine, kompakte Girls und ihre Minibrüste zu zelebrieren.

A celebration of Horsham's rich heritage and identity - its special events, achievements, people, industry and landmarks.

Fully illustrated description of Preston's well known, and lesser known, places that have been lost over the years.

Learn all you need to master your Fuji X100VI camera!This book is a quick and effective guide to photography with the X100VI, Fujifilm's iconic premium compact camera. Renowned Fuji "X-Pert" Rico Pfirstinger has compiled over 130 useful tips and tricks and lots of exclusive information that you won't find anywhere else. It will help you understand and use the X100VI in a way that elevates your photography and gets you the best results without delay. After a brief overview of the camera's basic functions, Rico cuts to the chase and provides a plethora of tips and practical insights that go way beyond the user's manual. Fujifilm's legendary film simulations and JPEG settings are also covered in detail to ensure that you can achieve fantastic images straight out of the camera.What's inside: -Master the hybrid autofocus system with auto/manual focus, face detection and object detection-Make the most of the ISO-less sensor and expose optimally in all situations, at all times-Maximize the camera's dynamic range-Shoot with film simulations and create stylish analog looks-Use the built-in and external ND filters for long exposures-Configure function buttons, custom user settings and menu shortcuts for quick and easy access-Learn how to convert RAWs in-camera for optimal results-Use the built-in flash or external flash units-Use accessories such as filters, adapters and converter lenses properly - and much more

This book examines Anton Corbijn's photography by exploring composition, lighting, and viewer perspective, emphasising authenticity and vulnerability in his melancholic, celebrity-focused images. Text in English and German.

Photographer Jeroen Hofman captures Zeeland's raw beauty in this ode to his childhood, featuring vast nature reserves and changing tides, with contributions from Franca Treur. Text in English, German and Dutch

Blending documentary and conceptual photography, de Middel's account of migrants traveling to California brings the plight of immigration into harsh reliefCristina de Middel (born 1975), the first Spanish head of Magnum Photos, has been traveling for years with Mexican migrants on the train they call "the beast" interviewing sicarios (hired killers) and talking for hours with "coyotes" (clandestine smugglers) and police officers. She combines her own photographs with objects found in the desert and archival footage, creating a multi-layered narrative that evokes the hardships and dangers of searching for a better life. The journey begins in Tapachula, a city on the southern border of Mexico with Guatemala, and ends in Felicity, a small town in California dubbed the "Center of the World." This saga is punctuated by the accounts of three migrants recounting their crossing, as well as a commentary by the artist. An afterword by Mexican journalist Pedro Anza illuminates the issues at stake and the human consequences of the United States' obsession with closing its borders.

Ben Alper und Stanley Wolukau-Wanambwa, die den Umfang und die Funktionen der HaFI-Pamphlet-Reihe erheblich erweitern, präsentieren visuelle Unbekannte und vergessene Gesten aus den nicht mehr existierenden Archiven der amerikanischen Nachrichtenfotografie aus der Mitte des Jahrhunderts. Ihr sorgfältig kuratierter und zusammengestellter ikonografischer Essay, eine Art Bilderatlas, beschäftigt sich eingehend mit dem Begriff des "Verbergens" und mit den Kräften, die normative Beziehungen zum Sichtbaren verschleiern. Wie können, wie sollen diese Bilder betrachtet werden? Und wie verunsichern sie den zeitgenössischen Blick?Ben Alper ist ein in North Carolina lebender Künstler und Verleger. Er ist 1/3 von Sleeper, einem Verlagsstudio, das mit Fotografie und Text arbeitet, und Mitbegründer von A New Nothing, einem Online-Projektraum, der visuelle Konversationen zwischen Künstlern ermöglicht. Seine Arbeiten wurden sowohl national als auch international ausgestellt und veröffentlicht. In den letzten sechs Jahren hat Ben außerdem sechs Publikationen verfasst oder mitverfasst.Stanley Wolukau-Wanambwa ist Fotograf und Schriftsteller, der Essays für verschiedene Zeitschriften, Monografien und Anthologien verfasst und seine Arbeiten international ausgestellt hat. Er ist Leiter des MFA-Studiengangs für Fotografie an der Rhode Island School of Design.

When Caroline Furneaux's father Colin died suddenly in 2011, she discovered an archive of 35mm slides that he had shot during the 1960s. They were a beguiling series of beautiful women photographed in idyllic locations, mostly in Sweden. It was during this time that he had first met Caroline's Swedish mother, Barbro, yet none of the photographs were of her. Who were they all? For Furneaux these girlfriends evoked off-duty film stars from a bygone era. They were everyday goddesses encapsulating the essence of Scandinavian summers and youth: short and intensely sweet. Sleuth-like, Furneaux scoured the photographs for clues to who the women might be and how her father might have met them. She showed them to his brother and her mother, but they didn't recognise any of them. As the work progressed, however, she realised that what she was really trying to unlock was the identity of this young man, and the complex father he would become. By some miracle of light and time, these magnificent strangers had connected her with this insouciant version of her father, and given their relationship a new life. Caroline Furneaux is a photographer and writer based in London. Images from The Mothers I Might Have Had have been shown at FORMAT International Photography Festival and featured in magazines including the RPS Journal of Contemporary Photography. This is Furneaux's first book.