Fotografi

Presents the tale of contemporary photography, starting with a pivotal moment: Robert Franks seminal work in the 1950s. This book begins with Franks challenge to the notion of photography's objectivity with the grainy, off-handed spontaneity of "The Americans".

Suitable for photographers, this book shows how to capture subjects in innovative fresh ways - from animals and plants, to objects found in the kitchen, the supermarket, even the local tip. It offers information on equipment, exposure, light and composition.

This book targets beginning digital SLR users. Our assumption is the reader has little to no knowledge of general photography terms or techniques. Our goal is to familiarize the reader with the controls and features of their camera so they can apply them to any shooting situation.

In 1909 the millionaire French banker and philanthropist Albert Kahn embarked on an ambitious project to create a colour photographic record of, and for, the peoples of the world.

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This classic-both playful and poetic-is reissued with striking new duotone reproductions.

Features the images of the Sahel famine.

Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. This title includes selections from his photographs of France, Spain, America, India, Russia, Mexico and pre-revolutionary China.

-Teaching PhilosophyCamera Politica is a comprehensive study of Hollywood film during a period of tremendous change in American history, a period that witnessed the end of the American empire, crises in the economy, a failure of political leadership, loss at war, and the rise of the Right.

Slim Aarons made a career, in his words, "photographing attractive people who were doing attractive things in attractive places." His subjects were the beautiful and the celebrated, the rich and the powerful, the talented and the privileged, high society and aristocracy.

For almost a century, W. A. Bentley caught and photographed thousands of snowflakes in his workshop at Jericho, Vermont, and made available to scientists and art instructors samples of his remarkable work. His painstakingly prepared images were remarkable revelations of nature's diversity in uniformity: no two snowflakes are exactly alike, but all are based on a common hexagon.In 1931, the American Meteorological Society gathered the best of Bentley's photos and had them published; that work has long been available in a Dover reprint edition. The present volume includes a selection of 72 of the best plates (containing over 850 royalty-free, black-and-white photographs), carefully selected from that larger collection.An inexhaustible source of design inspiration for artists, designers, and craftspeople, these graceful patterns are ideal for use in textile and wallpaper design, as well as a host of other creative projects. These images will also appeal to anyone intrigued by the intricacy and beauty of design in the natural world.

Highlights the larger meaning of what is happening to the author's subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices.

Blossfeldt's exquisite sharp-focus photo studies of plant form -- leaves, buds, stems, seed pods, tendrils and twigs -- won acclaim with publication of the 1928 edition of this book.

Ansel Adams recounts the situations surrounding the making of his photographs and the methods he used in their realization. Each image is accompanied by a text that studies the technical and aesthetic problems presented by the subject, and includes reminiscences of the places and people involved.

A two-sided photographic tour of the world of modern American burlesque and fetish includes in the first part a cultural history of burlesque complemented by the author's provocative tips on erotic fashion and sensuality, and in the second part a photographic celebration of fetish style.

Unlike many photographers who maintain a strict divide between their commercial and private work, the author has always combined the two. This book contains the photographs of author's life at and around his house in Suffolk: landscapes, portraits of family and friends.

This volume shows Aarons influential photographs of the international elite in their exclusive playgrounds during the jet-set decades of the 1950s, 60s and 70s.