The official art book for the movie Ant-Man, the 11th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set.
Breathing new life into Ireland's history once again, this carefully restored and colourised collection of wonderful black and white images captures the beauty of the nation's fascinating past. This sequel to the bestselling The Colour of Ireland presents a huge variety of captivating images from the 32 counties, from Dublin to Galway and Antrim to Cork, and inspires a new vision of Ireland's heritage.With incredible attention to detail, author Rob Cross has gained a worldwide following by using cutting-edge technology and careful historical research to accurately depict the colours of Ireland's history and tell the stories within these rich images. It's a collection to treasure, enjoy and reflect on for years to come.
Macro is one of the fastest-growing genres in photography, and with this comprehensive and easy-to-follow guide, macro expert Matt Doogue invites you to discover a whole new world of creative image-making.- Go from complete novice to confident macro shooter - Learn from a top professional sharing tips & tricks for success - Discover an exciting new genre of photographic practice - Connect with nature and develop a deeper understanding of wildlife - Master key techniques for pro-level macro photography results - Experience a more mindful approach to taking photosFrom understanding the optimal lens, to the shooting environment, advanced techniques and post-processing, unlock the beauty of the miniature world with this detailed guide.
A lavishly illustrated, large-format reference book by two preeminent experts on North American shorebirds More than half a century has passed since the publication of The Shorebirds of North America, Peter Matthiessen's masterful natural history of what is arguably the world's most amazing and specialized bird group. In the intervening decades, our knowledge about these birds has grown significantly, as have the threats to their populations and habitats. Pete Dunne and Kevin Karlson celebrate Matthiessen's classic book with this updated and expanded natural history of North American shorebirds. This elegantly written book begins by introducing readers to the unrivaled splendor of shorebirds and goes on to cover topics ranging from their biology and habitats to courtship and breeding, flight, the perils of migration, and conservation. Detailed family accounts convey the richness and variety of the five family groups, with incisive, fact-filled descriptions of all 51 species of shorebirds known to breed in North America. Featuring hundreds of Karlson's breathtaking photos and drawing on the latest science, The Shorebirds of North America is a worthy tribute to Matthiessen's enduring work and an indispensable reference for bird lovers everywhere.
A collection of Parkinson's greatest photographs taken for Vogue magazine, gathering pioneering fashion shoots, iconic cover images, royal portraits, celebrity pieces and more. Accompanied by detailed captions and features on key models and collaborators.
This book provides a timely reappraisal of one of the most enduring subjects in the history of art ¿ the naked body.
First introduction to English-reading audiences of the seminal writings of a key Belgian writer and critic.
A unique study of South African propaganda photography during apartheid.
"In the interstices between film and photography, ad stereotypes and clichés of a Californian paradise, Jack Pierson (born 1960) produces pictures that are deliberately sensual and sentimental. Through a subtle hybridization of genres they raise the central question of autobiographical sincerity as the work's theme and site. By arresting intimate moments, they compose a familiar, private world, happy and nostalgic. By disclosing (or pretending to disclose) something of the artist, they acquire a natural quality that turns them into secret confessions. We are simultaneously in the artist's studio and in the middle of his life, and, I'd be tempted to add, in the idealizing and loving grace of his gaze." --Henry-Claude Cousseau
This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social interactions reflected in media images. Focusing on the dynamic period of the interwar years, it explores a range of case studies in Poland, UK, and the US, and examines artists like Stanis¿aw Ignacy Witkiewicz (Witkacy), Virginia Woolf, Debora Vogel, Sir Cecil Beaton, Theodore W¿adys¿aw Benda, and Edward Gordon Craig. Teresa Brü argues that these writers and photographers defended the face against threats from modern life ¿ not least, the media. She focuses on transformations of the face in life writing across a range of media and draws attention to the artists¿ autobiographical narratives.
Beginning in 1972, Richard Serra has made over 320 print editions at the Los Angeles artists' workshop and fine-art publisher Gemini G.E.L.-more than any other artist. Gemini co-founder Sidney B. Felsen has had the good fortune and privilege of witnessing the birth of each and every of these editions, camera in hand. Early on, Felsen realized there was an intrusive element to photographing someone engaged in the private, meditative moments of making art, and his ally became the close friendships with artists he developed throughout the decades, along with his subtle manner: "Taking photographs," says Serra, "is Sidney's way of watching over not watching us." Although sculpture is the most public aspect of Serra's practice, drawing and printmaking play crucial roles, both as independent pieces and in working towards sculpture. Richard Serra at Gemini presents a selection from nearly 3,000 photos by Felsen, revealing ways in which Serra has remade the conventions of printmaking, and celebrating 50 years of ongoing friendship and collaboration.
This book combines the traditional Slavic tale "We Three Brothers" by Karel Jaromír Erben with illustrative photographs and drawings by Jan Jedlicka. The story is just one of dozens collected and retold by Czech folklorist and poet Erben (1811-70) and is a cautionary tale of three young brothers, sons of a peasant who leave home to find their way in the world, only to meet a mysterious man with a limp who seals their unfortunate fates. Jedlicka visualizes the story in muted black-and-white images of a landscape of empty hills and rocky outcrops through which we imagine the brothers traveling. These he complements with more whimsical drawings of the characters of the tale: the brothers and their father, the limping man, a peddler and magistrate. The result is an unconventional modernization of a little-known tale, whose charm and moral still have an uncanny resonance today.Sprachen: Deutsch, Englisch, Tschechisch
This book celebrates Juergen Teller's long-term collaboration with creative director Dennis Freedman for W magazine and later for luxury department store Barneys in New York. Between 1999 and 2016 the pair created a sweep of iconic series, all captured in Teller's trademark realistic style. In his photographs for W, Teller consistently went against the grain, resisting large-budget shoots and seeking out authentic, anti-commercial narratives and pared-down locations-as in his unforgettable first editorial in 1999 which features Stephanie Seymour, Shalom Harlow and Naomi Campbell (among other supermodels) as office workers at the magazine. Seen as a whole, Teller's W commissions reveal the evolution of his creative freedom, from shooting Haute Couture clients, Kate Moss at the Monaco Grand Prix and Tilda Swinton as a socialite collector, to portraits of William Eggleston and Roni Horn.Teller and Freedman's work for Barneys catalogues between 2011 and 2016 epitomizes their risk-taking approach in unusual fashion locations such as Belgrade, Panama City and Tirana. The resulting images show playful juxtapositions and unexpected scenarios, as models and actors explore their environments in comic poses, producing a kind of non-conformist advertising. Throughout Fashion Photography for America 1999-2016 Teller has photographed original W magazines and Barneys catalogues from his archives, a low-fi method that emphasizes the physical process of looking over his past work and allows us to share in the surprises of his retrospection.
This revised and expanded edition of Juergen Teller's bestselling Handbags features a careful selection of images from the original 2019 book, alongside his favorite photographs made since. As before, Teller's advertising campaigns for distinguished brands such as Coach, Dolce & Gabbana, Loewe, Saint Laurent and Vivienne Westwood are shown with images of handbags deftly styled for fashion editorials-all worn by celebrities and models or photographed as still-life objects. Teller acknowledges the visible shift towards celebrity endorsement in recent years, which has led to exciting new encounters with a multitude of actors, musicians, artists, writers and filmmakers.In his unmistakable subversive, raw style, Teller presents the ultimate fashion accessory as an everyday item rather than as a glamorized commodity, often in surprising contexts (a handbag perched atop supermarket vegetables) or with humorous intent (a bag sitting on a taxidermy crocodile). This time around, More Handbags has the compact size of a handbag itself, making it more accessible and tactile-and aptly more affordable for all of us who might not be able to buy the real thing.
The infamous Hill of Crosses is a pilgrimage and tourist site near siauliai, Lithuania, which originated after the November Uprising of 1830-31, an extensive yet unsuccessful attempt to overthrow Russian rule. Crosses is Juergen Teller's intimate response to this place of remembrance, which he visited with his Lithuanian wife Dovile Drizyte and her parents in autumn 2022. With his ever curious, surveying eye, Teller captures the intense spirituality of this sacred destination. Responding to over 100,000 crucifixes within just one acre, his images embody this tangled web of religious iconography, including a dense multitude of crosses, stone sculptures of Jesus Christ draped in rosary beads, and large wooden carvings. Teller singles out details of small effigies of Christ and other emblematic features, deftly framing them against the landscape in an act of candid self-reflection. The series takes on an even deeper personal significance in the context of the 2022 passing of fashion designer Vivienne Westwood, with whom Teller had collaborated since 2007, and his gallerist since 2013 Suzanne Tarasieve. He embeds portraits of these powerful yet vulnerable women into his collection of symbolic images, a compelling tribute to two personalities who continue to inspire his work.
The Light Across is Chris Klatell's personal reflection on the act of looking at lighthouses at night, as they send their beams across the water. Simultaneously a work of history, a philosophical inquiry and a travelogue, the book questions how we think about similarity and difference in an era of rapid and destabilizing change. Structured as a rotation, like the spinning lens of a lighthouse, the work follows Klatell and the photographer Donovan Wylie as they circumnavigate Ireland and Britain, scrambling over rocks to capture flashes from the opposing shore. The camera and the lighthouse lens, born out of similar developments in nineteenth-century optical theory, emerge as mirrors, structuring identity along the axes of time and distance. The text explores both the difficulty of making these images, and the difficulties the images cause, once made.Ranging from ancient Alexandria to Northern Ireland during the Troubles, from Virginia Woolf to Enid Blyton, and from J. M. W. Turner to Eadweard Muybridge, Klatell's lighthouses flicker between acts of engineering to guide ships and warn them of danger, to symbolic gestures. Unions and disunions, joinders and separations pile up; Brexit, Covid and Trump come and go; promises to children are made, broken and redeemed. History and literature offer a path, then yank it away. Through it all, the lighthouse flashes on, ambivalent and obsolete, revealing we may not always be the character in a novel we imagined ourselves to be.
The Past is Never Dead is a trilogy of books by Mark Peterson examining the American political landscape over the past ten years as the country's experiment with democracy has evolved into a cold civil war. The first book "Political Theatre" documents the lead-up to the 2016 presidential election and traces the rise of Donald Trump as a leader of the new right. The second volume "White Noise" began as a means to understand the divisive mood of the country following the election and captures the white nationalism and autocracy which evolved during Trump's time in office. Peterson explores the rhetoric of the White House on immigration and Muslim bans, and how this echoes and intersects with nationalism, Western chauvinism, neo-Nazis, and all those calling for an ethnostate in America. Finally, in "The Fourth Wall," we see the voters leave their chairs in the audience and take to the stage, becoming their own political figures-subjects include "Stop the Steal" protesters and the 6 January 2021 attack on the United States Capitol. The Past is Never Dead tackles America's schisms head-on, portraying a country on edge. With his trademark flash and high-contrast approach, Peterson's dramatic images are X-rays of America's complex political culture: "Democracy is a messy form of government," he declares, "and I try and capture it in all its chaos."
Wounded four times, and twice pronounced dead, Tim Page, the legendary photographer of the Vietnam War, was the original gonzo photojournalist. But while famed as the inspiration behind Dennis Hopper's character in Apocalypse Now, and the man who brought the sixties counterculture to Saigon, he was also deeply haunted by the war, especially the loss of his friend and fellow photojournalist Sean Flynn, the son of the actor Errol Flynn, who went missing in Cambodia in 1970.The Final Page contains the last interview that Tim Page gave before his death on 24 August 2022 at the age of 78. Speaking with American writer Jacques Menasche, Page, facing the end, shares an elegiac remembrance of bygone times, as well as the scars-both psychic and physical-which he carried. The book includes images from Vietnam by Page, portraits of the photographer by his friend and editor, Stephen Dupont, and a personal recollection by his colleague Martin Stuart-Fox. The result is a paean to an extraordinary man and an extraordinary life.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
