Britain hides a remarkable native artistic tradition - mysterious rock carvings which date far back into the misty age of stone circles. In this beautiful little book, artist and petroglyph hunter Chris Mansell discusses the possible purpose and meaning of these archaic and enigmatic markings.
Offers a framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullee in the eighteenth century to the new Guggenheim in Bilbao and beyond, this book explores various aspects of museum theory and practice: ideals and mission; architecture; the public and commercialism.
Captures the style of American fashion maverick Iris Apfel who has cultivated a personal chic that is exuberantly idiosyncratic. Featuring over ninety colour plates, this work shows off a selection of her outfits on wittily posed mannequins.
Acrylic Revolution will show readers everything they need to know to be successful in their acrylic painting projects.
The first world atlas ever compiled on vernacular architecture, this comprehensive work illustrates the variety and ingenuity of the world's vernacular building traditions from a multi-disciplinary, cross-cultural and comparative approach, using over sixty world and regional maps.
Emerging in the late 1960s, Conceptual art was spurred by a network of artists, dealers, curators and critics. These little-known connections are detailed for the first time in this indispensable volume. A detailed account of a decade of artistic activity is accompanied by an extensive set of previously unpublished data, charting the exhibitions and sales of Conceptual works to galleries, public institutions and private collections. The relationships, support structures and strategies of dealer galleries - such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner - are revealed and make fascinating reading. Including numerous interviews with key figures of the period, Unconcealed exposes the new dealing, curatorial, collecting and teaching methods formed in this decade that continue to be critical to today's art world.
"I am trying to find out why a subject does look so marvelous, and trying to make that sensation manifest on a flat surface."-Euan Uglow
Ann Blockley is a very successful artist, known for the innovative way in which she uses texture as a key element in her work. This book, in Collins Artist's Studio series, looks at how she achieves her stunning effects and provides essential guidelines for the intermediate painter wishing to develop this aspect of their own painting.
This collection of essays applies the most current thinking in literature and urban studies to an examination of visual culture of 19th century France - painting, caricature, illustrated magazines, posters - resulting in a subtle map of the gendered topography of Parisian modernity, the stomping ground of the flaneur. -- .
This popular book provides all the information you need to get started in watercolour painting. Full of clear, simple advice and more than 70 step-by-step demonstrations, Watercolour for the Absolute Beginner will teach even the least confident of beginners the skills and techniques needed to start painting.
Offers comprehensive, illustrated instruction for drawing domestic and wild mammals and birds. This work provides step-by-step guidance on capturing everything from cats, wolves, and deer to elephants, polar bears, and eagle, all in a variety of poses.
Introduction to Two-Dimensional Design: Understanding Form and Function An interdisciplinary approach to two-dimensional design--now revised and updated Introduction to Two-Dimensional Design, Second Edition gives readers a revised and updated edition of the comprehensive foundation text.
Ancient and medieval warriors, clad in leather or metal armor, make wonderful, challenging figures to paint. Using clear, concise instructions and detailed photographic illustrations, Mike Davidson guides readers through the steps necessary to first prepare, then paint, and finally display these warriors of ages past; he also includes instructions on building attractive display backgrounds.
Brett Whiteley was one of the most dynamic and talented artists in the history of Australian art, an artist whose recognition had spread worldwide before his untimely death in 1992. Early in his career he established a name for himself in London, exhibiting at the Whitechapel Art Gallery and coming into contact with many British painters - Francis Bacon and David Hockney among others. His early paintings startled critics and fellow artists, but even at that point, two basic subjects were evident: the landscape and the nude, elements which became the mainstay of his oeuvre. At the root of all Whiteley's work was a draughtsmanship of stunning virtuosity, capable of capturing all the poetic arabesque of a river in a single sweeping line of brush and ink, or the erotic curves of the human body in a few searching strokes of charcoal. This volume presents an illuminating evaluation of Whiteley's achievement. Works dating from the 1950s to the last years of his life, illustrated in over 180 colour plates, allow Whiteley's career to be surveyed in its entirety. Barry Pearce, Head Curator at the Art Gallery of New South Wales, provides a comprehensive overview of Whiteley's life and art; Bryan Robertson offers an impression of the artist's years in London; and Wendy Whiteley, the artist's wife and companion for over three decades, contributes an intimate portrait of the man behind the work. Superbly illustrated and produced, Brett Whiteley: Art & Life is a fitting tribute to one of Australia's most significant artists, a man whose outstanding work excites, amazes and impresses us no less now than it did when first created.
Shows how design affects human activities. This illustrated book of stories illuminates the process, as it applies to industrial design, interior design, fashion design, graphic design and the design of business and social situations. It is an accompaniment to foundation courses for designers-in-training, and is useful to professionals.
Provides a guide to modern practical masonry, based on drawings. Organized in three sections, this work includes chapters on construction details; methods of working particular structural shapes; both basic and advanced geometry and setting-out.
Provides details on an array of materials available to the artist, including canvases and papers, sizes and grounds, pigments and binders, solvents and thinners, and varnishes and preservatives. This book also contains step-by-step recipes for making art materials, including made at home or the studio paints, pastels, varnishes, gessoes, and more.
A selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called "Treatise on Painting" but also from his surviving manuscripts and from other primary sources.
An illustrated record of Wilkie's tableware designs 1958 - 1978.
Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy, art theory, and many engrossing examples. She discusses blood, beauty, culture, money, sex, web sites, and research on the brain's role in perceiving art. This clear, lively book will engage the public, introductory students, and teachers in the arts.
Culled from a rare 19th-century source, these 124 black-and-white illustrations capture the lavish devices and grand sweep of European Baroque design. This collection is populated by elaborate architectural ornaments, decorative motifs, and border elements.
Baroque art and architecture--extravagant in concept, exuberant in spirit, elaborate in detail--flourished in seventeenth-century Europe, and through the ages has continued to stir us with its vitality and dynamism and its mood of barely suppressed passion. In the architecture of St. Peter's in Rome, St. Paul's in London, and Santa Maria della Salute in Venice as well as in the works of Michelangelo, Bernini, and Rubens, the Baroque spirit lives today. Now graphic artists can add Baroque flair to almost any graphic project with this magnificent collection of royalty-free motifs.The seventeenth-century French artist Jacques Stella (1596-1657) embodies the Baroque sensibility. Early in his career, Stella spent seven years in Florence, working for Medici Prince Cosimo II and enjoying the acquaintance and advice of the master engraver Jacques Callot. He spent another ten years in Rome, where he came under the artistic influence of his friend Nicolas Poussin. On his return to France, championed by Cardinal Richelieu, he became court painter to Louis XIII, and founded a career that makes him esteemed as one of the major French artists of the seventeenth century. This book presents engravings executed by Stella's niece after drawings of Classical motifs probably made by Stella during his years in Italy. These engravings, first published in Paris in 1658, comprise a magnificent sourcebook of ready-to-use Baroque design, filled with highly embellished individual ornaments, decorative motifs, and a dazzling array of border elements.Included are lush florals and foliates, fruits, leaves, birds, shells, acorns, and more--as individual ornaments and rosettes, as repeating motifs in a frieze, and in other useful arrangements. Now this sturdy, inexpensive edition makes them available to a wide audience for convenient reproduction as well as for study, inspiration, and enjoyment.Dover (1987) selection of plates from Divers Ornements d'Architectures, Recueillis et Dessegnes Apres l'Antique par Mr. Stella, Peintre Ordinaire du Roy et Chevalier de Son Ordre de St. Michel, originally published in Paris, 1658.
A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era.
"One of the clandestine classics of our century."--The New York TimesThis is the legendary collage masterpieces of Max Ernst (b. 1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing -room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown.Une Semaine De Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst's "seven deadly elements." "Oedipus," "The Court of the Dragon," and "Three Visible Poems" are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English.Une Semaine De Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.
Offers patternmaking techniques for an array of menswear garments, as well as the accompanying theories and concepts, and includes information on sizing, lining and fabrics. This book can serve both as an introduction to the pattern-drafting skills necessary for menswear, and as a treatment of patternmaking techniques.
What do we mean when we call a work of art beautiful? How do perceptions of beauty change with the passage of time? This title explores these questions, showing the vital relationship between our changing notions of beauty and specific works of art. It charts the story of western art, from eighteenth-century Germany to the late 20th century.
One of the delights of life is the discovery and rediscovery of patterns of order and beauty in nature-designs revealed by slicing through a head of cabbage or an orange, the forms of shells and butterfly wings. These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it mean that such an order exists; how far does it extend? The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns-ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made-by the dynamic union of opposites-as demonstrated by the spirals that move in opposite directions in the growth of a plant. The joining of unity and diversity in the discipline of proportional limitations creates forms that are beautiful to us because they embody the principles of the cosmic order of which we are a part; conversely, the limitlessness of that order is revealed by the strictness of its forms. The author shows how we, as humans, are included in the universal harmony of form, and suggests that the union of complementary opposites may be a way to extend that harmony to the psychological and social realms as well.
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