When Paul Rosolie, a restless eighteen-year-old hungry for adventure, embarked on a journey to the western Amazon in 2006, he didn't know that it would transform his life. In the Madre de Dios ("Mother of God") region of Peru, where the Amazon River begins, the cloud forests of the Andes converge with the lowland Amazon rain forest to create the most biodiverse wilderness on the planet.In a true story of adventure and discovery that spans more than nine years, Rosolie takes us into the most inaccessible reaches of the Amazon. Along the way, he encounters massive snakes, isolated tribes, prowling jaguars, giant anteaters, and much more in the Wild West of the natural world. It is a journey into the last great wilderness that ultimately asks the question of our time: How much longer will these places exist? The primordial depths of the Madre de Dios are in grave danger.Mother of God is the story of an amazing odyssey into the heart of the wildest place on earth. But as Rosolie delves deeper into the heart of the jungle, he finds things he never imagined could exist. And as the legendary explorer Percy Fawcett warned, "The few remaining unknown places of the world exact a price for their secrets."
The fascinating story behind the making of Bruce Springsteen’s most surprising album, Nebraska, revealing its pivotal role in Springsteen’s career—in development as a major motion picture starring Jeremy Allen White (The Bear) “Brilliant . . . For fans of American music, Deliver Me from Nowhere makes a great ghost story.”—The Boston GlobeAN NPR BEST BOOK OF THE YEARWithout Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen’s hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen’s most important record—the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself. Nebraska is rough and unfinished, recorded on cassette tape with a simple four-track recorder by Springsteen, alone in his bedroom, just as the digital future was announcing itself. And yet Springsteen now considers it his best album. Nebraska expressed a turmoil that was reflective of the mood of the country, but it was also a symptom of trouble in the artist’s life, the beginnings of a mental breakdown that Springsteen would only talk about openly decades after the album’s release. Warren Zanes spoke to many people involved with making Nebraska, including Bruce Springsteen himself. He also interviewed more than a dozen celebrated artists and musical insiders, from Rosanne Cash to Steven Van Zandt, about their reactions to the album. Zanes interweaves these conversations with inquiries into the myriad cultural touchpoints, including Terrence Malick’s Badlands and the short stories of Flannery O’Conner, that influenced Springsteen as he was writing the album’s haunting songs. The result is a textured and revelatory account of not only a crucial moment in the career of an icon but also a record that upended all expectations and predicted a home-recording revolution.
"From the #1 New York Times bestselling author of Killers of the Flower Moon and The Lost City of Z, a mesmerizing story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty's Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as "the prize of all the oceans," it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing 2500 miles of storm-wracked seas. They were greeted as heroes. But then ... six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they had a very different story to tell. The thirty sailors who landed in Brazil were not heroes - they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous captain and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death-for whomever the court found guilty could hang. The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann's recreation of the hidden world on a British warship rivals the work of Patrick O'Brian, his portrayal of the castaways' desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann's work, the incredible twists of the narrative hold the reader spellbound. Most powerfully, he unearths the deeper meaning of the events, showing that it was not only the Wager's captain and crew who were on trial - it was the very idea of empire"--
A dazzling exploration of the intersections of beauty and power around the globe, told through the lens of an iconic cosmeticFrom the distant past to the present day, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun - yet it is also far from frivolous.Seen through Zahra Hankir's (kohl-lined) eyes, this ubiquitous but seldom-examined product becomes a portal to history, proof both of the stunning variety among cultures across time and space and of our shared humanity. Through intimate reporting and conversations - with nomads in Chad, geishas in Japan, dancers in India, drag queens in New York, and more - Eyeliner embraces the rich history and significance of its namesake, especially among communities of colour. What emerges is a delightful, surprising, and unexpectedly moving journey through streets, stages, and bedrooms around the world, and a thought-provoking reclamation of a key piece of our collective history.
"Here, for the first time in print, is the history of The Beach Boys, by The Beach Boys. Their only official book, The Beach Boys by The Beach Boys is the ultimate chronicle of one of the world's greatest bands. Through their unique sound, complex harmonies, sensational live shows and use of innovative recording techniques, The Beach Boys became woven into the cultural fabric of America and influenced generations of musicians globally. This book documents how it happened. Brian Wilson, Mike Love, Al Jardine and Bruce Johnston together provide a combined career narrative especially for this book, and through meticulous compilation from sources worldwide, Carl Wilson and Dennis Wilson's words are equally represented. Documenting how they went from a Hawthorne garage band to a global phenomenon, they tell the astounding story of their ascent: perfecting their harmonies, initial fame as a surf group, and then their ultimate progression as pioneering recording artists to become one of the most musically complex ensembles in history. Their story is accompanied by iconic images, never-before-seen negatives and rare ephemera. Given unprecedented access to their personal archives, The Beach Boys by The Beach Boys offers intimate insight into the lives of the group. Also opening their archives are Brother Records and Capitol Records, all of which assist in illustrating their remarkable journey. Joining the band are a host of contributors who have been involved with or inspired by the band's music, including Peter Blake, Lindsey Buckingham, Eric Clapton, Elvis Costello, Ray Davies, Bob Dylan, Def Leppard, the Flaming Lips, Bobby Gillespie, David Lee Roth, The Jesus and Mary Chain, Jim Kerr, Roger McGuinn, Graham Nash, Jimmy Page, Carly Simon, Pete Townshend, Rufus Wainwright, Thom Yorke, and many more. A group collaboration, The Beach Boys by the Beach Boys is, in effect, The Beach Boys' autobiography. Like their music, it is poignant, frank, often humorous but always sincere. Finally, here is The Beach Boys' own story." --
A CAREER-SPANNING COLLECTION OF INSPIRING, REVELROUS ESSAYS ABOUT ART AND ARTISTS'Like Love may be one of the most movingly specific, the most lovingly unruly celebrations of the ethics of friendship we have' Guardian'Incisive, smart and witty, it will leave you looking and love and life anew' iLike Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide - from Prince to Carolee Schneemann to Kara Walker to Bjork - but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression and perversity; and the fruits and follies of a life spent devoted to making.The collection is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development as a writer, and a testament to the profound sustenance offered by art and artists.'Maggie Nelson is one of the most unique voices in non-fiction: enquiring, political, lyrically dazzling, empathetic' Sinéad Gleeson
From New York Times bestselling author Naomi Wolf, Facing the Beast is a devastating, detailed account of wrongthink, deplatforming, and an unexpected political, personal, and spiritual transformation that followed during one of the most divisive times in American history. In this uncompromising investigation into todayâEUR(TM)s most urgent issues, Naomi Wolf uses her own wildly politicized pilgrimageâEUR"from New York Times bestselling author and high-level Democratic consultant to a journalist cast out from the elite political and social circles she once moved throughâEUR"as a stunning narrative framework that is both chilling and incisive. WolfâEUR(TM)s sin? Doing the job that good journalists once prided themselves on: asking questions, challenging authority, and, during one of the most politically divisive moments in modern history, exposing the many failures of the public health response during the COVID-19 pandemic by chronicling the dangerous descent of our democracy into tyranny, censorship, and totalitarianism. Unable to remain silent in the shadows and unwilling to collude with the mainstream, Wolf bravely covers topics that few other writers dare to address critically for fear of being deplatformed. Facing the Beast explores reproductive rights, medical freedom, the uncurious thought-policing of the âEURprogressiveâEUR? left, the Second Amendment, the criminal relationship between the FDA and PfizerâEUR"WolfâEUR(TM)s clear writing repeatedly shines light in the dark corners of our fractured society. A decades-long champion of free speech, freedom of the press, and the Constitution, Wolf found herself not only in the midst of a political rebirth but a spiritual transformation as wellâEUR"one in which the events of the day could only be described in terms of good, evil, and a metaphysical quest on the nature of reality. For readers of Matt Taibbi, Glenn Greenwald, and Bari Weiss, Facing the Beast is a fearless indictment of legacy media and the political class, as well as a brutal reminder that searching for and defending the truth can be dangerous. âEURNaomi Wolf is one of the bravest, clearest-thinking people I know. The reason you hear the forces of repression so desperately trying to dismiss her is because she is right.âEUR?âEUR"Tucker Carlson
A gripping, sweeping new epic from the critically-acclaimed #1 international bestselling author of We Begin At The End, Chris Whitaker.A missing persons mystery.A serial killer thriller.A love story.One of the must-read novels of the year.
You know Dasher and Dancer and Prancer and Vixen...but do you recall the most petrifying Christmas figures of all? Not all children fear just a lump of coal in their stockings. Discover the terrifying Yuletide fables that have horrified kids for generations.
With images of the eight houses' most timeless and celebrated designs, plus captivating text on the personalities and lives of the creative geniuses behind the brands, The Little Guides to Style Collection is the quintessential collection that will delight any fashion lover.
On War is a book on military strategy by Prussian general Carl von Clausewitz, written mostly after the Napoleonic wars, between 1816 and 1830. It is one of the most important books on political-military analysis and strategy ever written.
Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history. Featuring 275 images from the six cities-Liverpool, London, Paris, New York, Washington, D.C., and Miami-of these legendary months, 1964: Eyes of the Storm also includes:. A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit. Candid recollections preceding each city portfolio that form an autobiographical account of the period McCartney remembers as the "Eyes of the Storm," plus a coda with subsequent events in 1964. "Beatleland," an essay by Harvard historian and New Yorker essayist Jill Lepore, describing how The Beatles became the first truly global mass culture phenomenonHandsomely designed, 1964: Eyes of the Storm creates an intensely dramatic record of The Beatles' first transatlantic trip, documenting the radical shift in youth culture that crystallized in 1964."You could hold your camera up to the world, in 1964. But what madness would you capture, what beauty, what joy, what fury?" -Jill Lepore
When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that was "fresh, unpretentious and lean" (Madeline Miller, Washington Post)-critics lauded it as "a revelation" (Susan Chira, New York Times) and "a cultural landmark" (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer's other great epic-the most revered war poem of all time.The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world-the fierce beauty of nature and the gods' grand schemes beyond the ken of mortals. In Wilson's hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem's deep pathos and reveals palpably real, even "complicated," characters-both human and divine.The culmination of a decade of intense engagement with antiquity's most surpassingly beautiful and emotionally complex poetry, Wilson's Iliad now gives us a complete Homer for our generation.
"From a pioneer of the regenerative agriculture movement, a memoir-meets-manifesto on betting the farm on a better future for our food, animals, land, local communities, and our climate. Featured in Food and Country, premiering at Sundance 2023. Raised as a fourth-generation farmer, when Will Harris inherited White Oak Pastures he was a full-time commodity cowboy who played hard and fast with every tool the system offered - chemicals, antibiotics, steroids, and more. His ancestors had built a highly profitable, conventionally-run machine, but over time he found himself disgusted with the excess, cruelty, and smalltown devastation this system entailed. So he bet the farm on forging a different way of doing things. One that works with nature not against it, and bridges the quickly widening delta between consumers and their food. Armed with tenacity, conviction and an outsized tolerance for risk, Harris called his approach "radical traditional" and it made him the pioneer of regenerative agriculture long before the phrase existed. At once an intimate, multi-generational memoir and a microcosm of American agriculture at large, A BOLD RETURN TO GIVING A DAMN offers a pathway back to producing food the right way. At a time when food supply chains are straining, climate-induced catastrophes are playing havoc with harvests, and concern around who owns America's farmland are more prescient than ever, Will Harris urges us to consider where the food we eat really comes from, and to re-connect to the places and people who raise what we eat each day. With keen storytelling, a good dose of irreverence, and an unflinching willingness to speak truth to power, Harris shows us why it's never been more important to know your farmer than now"--
Rock stars to royalty, society to sobriety, get to know the real Susannah Constantine in the hottest memoir of 2022'Sensational, juicy, gossipy, filthy and bravely honest in equal measure, Susannah Constantine's memoir is a rollicking romp through the upper middle classes' SUNDAY TIMES, 'BEST BIOGRAPHY AND MEMOIR BOOKS OF 2022''Hilarious and honest. A book for anyone who's after laughter, tears and one hell of a rollercoaster ride' GOOD HOUSEKEEPING, 'BOOKS OF THE YEAR''Absolutely brilliant' ELTON JOHN'Wildly fun' DAILY TELEGRAPH, 'BEST BOOKS OF 2022''Sensational, juicy, honest, terrific - it reminded me of reading Lady Anne Glenconner' GRAHAM NORTON, Virgin Radio'Hilarious and unsparing. An extraordinary story' REV. RICHARD COLES, Saturday Live'Bonkers and brilliant. With comedy and candour, she bares her soul . . . Magnificent' SUNDAY MAIL'There is a lot we can't mention on this show - you have to buy the book to find out what we mean' STEVE WRIGHT, BBC RADIO 2__________If you think you know Susannah Constantine you may be surprised to learn the truth. That she made her name as a 'style guru' from What Not to Wear is actually the least interesting thing about her.Hers is a tale full to the brim with extraordinary anecdotes. From lavatory dramas with Princess Margaret, to behind-the-scenes power struggles between Thatcher and the Queen at Balmoral and eye-opening sex-club etiquette with pop royalty - her social landscape has been nothing, if not varied.But appearances are deceptive and beneath it all, life had a darker side: her mother's bipolar disorder, her father's inability to cope and her own subsequent alcoholism. Somehow she had to forge her own life, away from the expectations of others.Told with gobsmacking honesty and great dollops of humour, Ready For Absolutely Nothing is essential reading for anyone who loves a good memoir but secretly just wants to read the naughty bits.__________'Wonderfully written, very funny, but more than anything completely genuine' LADY ANNE GLENCONNER, author of Lady in Waiting'A romp . . . Constantine comes across as a trooper with a filthy sense of humour' THE TIMES'A rollicking ride . . . What a life' SUNDAY TIMES'Fascinating, an incredible life' Christine Lampard on LORRAINE'Shrewd, funny, ideally candid and written with great confidence, brio and aplomb. A feisty, thought-provoking delight' WILLIAM BOYD'A treasure trove of previously untold stories . . . A riveting read' GOOD HOUSEKEEPING'Gives readers a fascinating insight into [her] extraordinary life' WOMAN & HOME'Entertaining and funny' MAIL ON SUNDAY'Sparkling' DAILY MAIL'Fascinating' DAILY TELEGRAPH'Funny . . . Never dull' GUARDIAN'Revealing' PRIMA'We lunched better than we danced' ANTON DU BEKE'Exuberant' i
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